America
rupert.thomson
Following the fanfare that accompanied the publication of In Cold Blood in 1965, Truman Capote, ever the consummate self-publicist, claimed to have written a book that was truly different and original - even, perhaps, the first of its kind. For many critics, the “non-fiction novel”, as Capote was calling it, belonged to a tradition dating back to Daniel Defoe’s The Storm (1704), in which Defoe used the voices of real people to tell his story, a tradition that boasted many exponents, among them Mark Twain, Dickens, Steinbeck, James Agee and Lillian Ross. But Capote was adamant that his own Read more ...
Ismene Brown
Composer and music producer Nitin Sawhney (b 1964) is known for his variety of musical projects, reflecting his background fusing Indian and British heritage. He has written music for films, television, dance productions, studio albums and concert performance, and is increasingly developing the possibilities of video games.Born in Rochester, Kent, he took music lessons in Asian, classical and flamenco, and dropped out of law studies and an accountancy job, as his urge to become a musician took over. He made his first breakthrough teaming up with Sanjeev Bhaskar on what would become the BBC TV Read more ...
Russ Coffey
In 1989 when Lenny Kravitz released his debut Let Love Rule people complained that he had failed to quite master the Sixties influences that cut through it. They were wrong. That year it made Kravitz the most exciting black/white crossover artist since Prince. Since then, his path has been mainly a little more straightforward - maybe a little retro, but still consistently stirring. However with Black and White America Kravitz has again thumbed back through his Black-American songbook to find new styles with which to score his treatise on 21st-century race relations. Is it as good as Let Love Read more ...
marcus.odair
“Wynton Marsalis has had an enormous impact on jazz over the last 40 years,” say the programme notes, “being one of the first artists to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz.” Although it seems to bestow an extra precociousness upon the American trumpeter, who was only born in 1961, the first part of that sentence is undoubtedly true. The second part is true too, until the last two words. The one thing Wynton Marsalis does not do is modern jazz.That was clear in his set tonight, blues-indebted and swinging – or, occasionally, Read more ...
Russ Coffey
These days Teddy Thompson seems entirely his own man. In fact, mentioning his family connections seems almost gratuitous. Last night, however, the son of Richard and Linda shared the evening with sister Kami and nephew Zak for a family knees-up before a devoted crowd. And, for the most part, they all seemed to be having a thoroughly good time. Opening up proceedings was Kami, who took to the stage casually in a white blouse and black pants as if she'd finished a day working in a local office. Kamila Thompson's set of bittersweet observational folk-rock came mainly from her Read more ...
aleks.sierz
The talented Mr Jude Law is back on stage in what must be the hottest ticket in the West End. Although not everyone warmed to his 2009 Hamlet, the mere presence in central London of one of Hollywood’s most bankable stars is enough to bring a touch of sunshine to a wintry summer. My main anxiety was that, as a reaction to the riots sweeping the capital, the Government would call a curfew and close the show, which was due to open last night. I needn’t have worried. It opened on schedule.And Law doesn’t disappoint. He has a real talent to surprise: here, he inhabits the bearded, brawny body of Read more ...
Kieron Tyler
Bruce Springsteen and Krautrock might not seem obvious kin, but the second album from Philadelphia’s The War on Drugs brings them together. It’s not clear what’s coming as Slave Ambient opens, but this is a dizzying, audacious and supremely confident journey that marries the seemingly disparate.There is a precedent though. Finland’s intense and stellar post-Spacemen 3 trio Joensuu 1685 made Springsteen’s “I’m on Fire” their own, turning it into a slab of Neu/La Dusseldorf white-light intensity. The War on Drugs's main man Adam Granduciel is probably unaware of these Suomi shamen, and it’s Read more ...
Matt Wolf
"Drop that long face," we're urged during the end of the giddy Regent's Park revival of Crazy For You, and if ever there were a time for such sentiments, it came during the lockdown that London remained under during the all too aptly cloud-filled evening that saw the Open Air Theatre not quite full. Nor was it lost on many spectators that the glorious George and Ira Gershwin score was giddily filling a night air punctuated at regular intervals by the distant (or maybe not) sound of sirens.But Timothy Sheader's production exerts its own siren song that functions as an escapist tonic Read more ...
Kieron Tyler
Little Rock, the state capital of Arkansas, usually comes to mind in association with hometown boy Bill Clinton. Soul and funk fans, however, aren’t fussed with the sax-playing former governor and president and fixate on the city’s True Soul label, the home of a raft of rare and sought-after sides. Two volumes compiling the imprint have just been issued and include previously unissued tracks. The harmony-driven soul, Southern grooves and tight funk make a case for True Soul being an essential component of soul USA.Musically, Bill C’s sax was in keeping with Little Rock’s limited musical Read more ...
aleks.sierz
Rebecca Gilman is an American playwright who once made a big splash in London. After having work such as The Glory of Living, Spinning into Butter, Boy Gets Girl and The Sweetest Swing in Baseball staged at the Royal Court Theatre in the first five years of the new millennium, she then disappeared from view. Now she’s back in the capital with a 2001 play, whose UK premiere opened last night and which takes a peek at some close relationships between cops and hookers in a small Midwest town.Somewhere along Route 29 is a little whorehouse called Naughty But Nice. Two of the teens working there, Read more ...
Adam Sweeting
Having masterminded the existential fantasy of Lost, reinvented Star Trek and served up the monster-on-the-loose rampage of Cloverfield, JJ Abrams now comes trampling all over Steven Spielberg's favourite turf of homely, nostalgic American suburbia. He can feel Spielberg's benign hand resting on his shoulder though, since the Big 'berg co-produced and brought aboard several of his favourite sound and visual effects specialists.Plot-wise, it's the summer of 1979 - we know this from an introductory blast of ELO's "Don't Bring me Down" - and we're in the small town of Killian, Ohio, where many Read more ...
Adam Sweeting
Having masterminded the existential fantasy of Lost, reinvented Star Trek and served up the monster-on-the-loose rampage of Cloverfield, JJ Abrams now comes trampling all over Steven Spielberg's favourite turf of a homely, nostalgic America. He can feel Spielberg's benign hand resting on his shoulder though, since the Big 'Berg co-produced and brought aboard several of his favourite sound and visual effects specialists.Plot-wise, it's the summer of 1979 - we know this from an introductory blast of ELO's "Don't Bring Me Down" - and we're in the small town of Killian, Ohio, where many of the Read more ...