America
aleks.sierz
Rebecca Gilman is an American playwright who once made a big splash in London. After having work such as The Glory of Living, Spinning into Butter, Boy Gets Girl and The Sweetest Swing in Baseball staged at the Royal Court Theatre in the first five years of the new millennium, she then disappeared from view. Now she’s back in the capital with a 2001 play, whose UK premiere opened last night and which takes a peek at some close relationships between cops and hookers in a small Midwest town.Somewhere along Route 29 is a little whorehouse called Naughty But Nice. Two of the teens working there, Read more ...
Adam Sweeting
Having masterminded the existential fantasy of Lost, reinvented Star Trek and served up the monster-on-the-loose rampage of Cloverfield, JJ Abrams now comes trampling all over Steven Spielberg's favourite turf of homely, nostalgic American suburbia. He can feel Spielberg's benign hand resting on his shoulder though, since the Big 'berg co-produced and brought aboard several of his favourite sound and visual effects specialists.Plot-wise, it's the summer of 1979 - we know this from an introductory blast of ELO's "Don't Bring me Down" - and we're in the small town of Killian, Ohio, where many Read more ...
Adam Sweeting
Having masterminded the existential fantasy of Lost, reinvented Star Trek and served up the monster-on-the-loose rampage of Cloverfield, JJ Abrams now comes trampling all over Steven Spielberg's favourite turf of a homely, nostalgic America. He can feel Spielberg's benign hand resting on his shoulder though, since the Big 'Berg co-produced and brought aboard several of his favourite sound and visual effects specialists.Plot-wise, it's the summer of 1979 - we know this from an introductory blast of ELO's "Don't Bring Me Down" - and we're in the small town of Killian, Ohio, where many of the Read more ...
Adam Sweeting
Already shouldering the new Harry Potter off the top of the US box-office charts, this latest arrival from Marvel Studios harks back to a simpler America where the hero wraps himself in the stars and stripes and the bad guys speak with ridiculous German accents. It’s 1941, the Nazis are trampling Western civilisation underfoot, and gung-ho American kids are flocking to join up.But it’s bad news for 98lb weakling Steve Rogers (Chris Evans), a rickety, asthmatic youth from Brooklyn who’s desperate to pull on an army uniform and head for war-torn Europe, but hasn’t a hope of passing a medical Read more ...
Matt Wolf
Death means learning to say "I love you" in the woozy world of Ghost, the 1990 film that has become a breathlessly vapid musical sure to keep hen parties happy for some while to come (especially now that Dirty Dancing has closed and Flashdance barely got going). The material is cheesy, often defiantly so, and it's here been polished to a high sheen by the director Matthew Warchus and a design team who pull out all the stops in order to snap to attention even the most ADD-afflicted in the house.One's individual taste for such fare may depend on individual tolerance for a piece that begins with Read more ...
Russ Coffey
His daughter may be Hannah Montana and he may have set country music sales records but, worldwide, Billy Ray Cyrus will never escape his mega-hit “Achy Breaky Heart”. Although that was a novelty record, it epitomised everything people find preposterous about America’s red states. Which is why, outside of America’s heartlands, most people find it difficult to take Cyrus seriously. It's something he finds very frustrating.I’m American is Cyrus’s “patriot” album. It’s all about troops and home and stars and stripes. It’s full of girls left behind, and parents’ war records. Just the sort of Read more ...
Russ Coffey
His daughter may be Hannah Montana and he may have set country music sales records but, worldwide, Billy Ray Cyrus will never escape his mega-hit “Achy Breaky Heart”. Although that was a novelty record, it epitomised everything people find preposterous about America’s red states. Which is why, outside of America’s heartlands, most people find it difficult to take Cyrus seriously. It's something he finds very frustrating. I’m American is Cyrus’s “patriot” album. It’s all about troops and home and stars and stripes. It’s full girls left behind, and parents’ war records. Just the Read more ...
Adam Sweeting
Chess grand masters have a reputation for possessing the kind of brilliance that’s inclined to tip into madness. Victor Korchnoi claimed he'd played against a dead man, while Wilhelm Steinitz insisted he'd played chess against God by wireless. As for Bobby Fischer, his momentous duel against Boris Spassky for the World Chess Championship in Iceland in 1972 earned him the accolade of being perhaps the most brilliant chess player of all time, but by the time of his death in 2008 he had become an embittered, ranting maniac.No film-maker could hope to delve inside the infinite tangle of wiring in Read more ...
howard.male
How refreshing it is to learn of an album the recording of which was fuelled by black tea rather than, say, marijuana. Although having said that – given the heady, languorous music that Brooklyn’s Roberto Carlos Lange (aka Helado Negro) has come up with - I’d like to think that at least a smidgen of the world’s most popular illicit substance was also involved. But perhaps it was just the natural high brought on by a decampment to rural Connecticut - where he apparently sat in the forest “centring himself” – which contributed to the otherworldly ambience.The press release describes the music Read more ...
Russ Coffey
It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States their beautiful, emotionally muted music goes platinum and is featured in huge shows like the OC. But just as US audiences were hard to persuade of the charms of Pulp or Suede, so Death Cab’s strangely moving introspection has been here, by and large, niche. You’d never have known it, though, from the legions of fashionably dressed devotees at the Read more ...
Matt Wolf
"Onward we go," the hearty but essentially hapless Wilson Mizner (David Bedella) remarks well into Road Show, the Stephen Sondheim/John Weidman musical that has been slow-aborning, and then some, since it first appeared in workshop form in New York as Wise Guys in 1999. Three titles and two directors later, the same material has been refashioned into the restless, always intriguing, fundamentally incomplete musical now at the Menier Chocolate Factory, the south-London venue whose Sondheim forays to this point (Sunday in the Park with George, A Little Night Music) have generally struck gold. Read more ...
howard.male
It’s ironic that we TV critics were only allowed one viewing of this new sci-fi series before having to pass judgment, because even those only casually acquainted with the genre will feel they’ve seen the like of this part-Spielberg-conceived space invasion series many times before anyway. In fact, I can imagine the heads of sci-fi geeks exploding Scanners-style as their brains overheat with the effort of trying quickly to reel off all the films referenced by either concept or design in this opening episode alone.So let me save you from cranial meltdown by pointing out just a few of them: Read more ...