America
mark.hudson
Exhibitions with titles appended "in Britain" or "and Britain" tend to be the kiss of death: indicating concentration on a brief and insignificant visit, on the subject’s impact on British art or – even worse – the influence of local collectors on his or her reputation. With Mark Rothko, though, it has to be different. The New York abstractionist’s current near-sacred status is such that a show of his dog-ends and nail clippings would probably prove a major draw.Indeed, the sheer incongruity of the grouchy high priest of Colour Field Painting being in Britain at all, never mind socialising in Read more ...
David Nice
Ten years on from 9/11 and the polyphony of reactions will not, and should not, be stilled. Creative artists have had to tread carefully in what they amass, and how they present it. Headlong theatre company’s fresh-thinking artistic director, Rupert Goold, decided to let a babel of playwrights and speechifiers have their say, with no one monopolising the truth (Simon Schama, whose lecture stands out as so obviously his own, the exception). Threading it together, deciding what to include and discard along the way, can’t have been easy, but a dedicated team of first-rate actors just about pulls Read more ...
alexandra.coghlan
After filing for bankruptcy earlier this year, the Philadelphia Orchestra seemed poised to be the flagship cultural casualty of the financial crisis. Five months on and the bills continue to rise, but in the best Titanic tradition the band are determinedly playing on. It’s been five years since we last heard them at the Proms and their return last night under Chief Conductor Charles Dutoit saw a capacity crowd turn out to show their support and to hear the glossy music-making for which this orchestra is so justly celebrated.For a partnership so synonymous with French repertoire, the Read more ...
Kieron Tyler
John Grant’s Queen of Denmark was released less than 18 months ago. Yet here it is, already being performed at one these "so-and-so plays such-and-such an album" shows. Does it merit this treatment? Based on last night, yes. This one-off reunion of Grant with his patrons, Texas’s Midlake, lit the Festival Hall with the beauty and literate miserabilism of his songs. In jeans, suit jacket and a T-shirt, Grant strolled on stage and the audience erupted in applause. He’s touched a chord.Although last night was billed as “performing the songs from Queen of Denmark” it was more than that. It Read more ...
Nick Hasted
Days of Heaven made Terrence Malick’s legend. Released four years after his relatively conventional lovers-on-the-run debut Badlands (1974), it gave a similar story transcendental themes and images of painterly gorgeousness. Then he directed nothing else for 20 years. Choosing not to engage with interviews or celebrity, like Pynchon and Salinger he vanished into mystery and silence. Relative productivity since means this Malick-approved new print is issued in the wake of his fifth film, The Tree of Life. Badlands is the Malick you’re most likely to have seen, a Springsteen-referenced slice of Read more ...
Ismene Brown
Composer and music producer Nitin Sawhney (b 1964) is known for his variety of musical projects, reflecting his background fusing Indian and British heritage. He has written music for films, television, dance productions, studio albums and concert performance, and is increasingly developing the possibilities of video games.Born in Rochester, Kent, he took music lessons in Asian, classical and flamenco, and dropped out of law studies and an accountancy job, as his urge to become a musician took over. He made his first breakthrough teaming up with Sanjeev Bhaskar on what would become the BBC TV Read more ...
Russ Coffey
In 1989 when Lenny Kravitz released his debut Let Love Rule people complained that he had failed to quite master the Sixties influences that cut through it. They were wrong. That year it made Kravitz the most exciting black/white crossover artist since Prince. Since then, his path has been mainly a little more straightforward - maybe a little retro, but still consistently stirring. However with Black and White America Kravitz has again thumbed back through his Black-American songbook to find new styles with which to score his treatise on 21st-century race relations. Is it as good as Let Love Read more ...
Russ Coffey
These days Teddy Thompson seems entirely his own man. In fact, mentioning his family connections seems almost gratuitous. Last night, however, the son of Richard and Linda shared the evening with sister Kami and nephew Zak for a family knees-up before a devoted crowd. And, for the most part, they all seemed to be having a thoroughly good time. Opening up proceedings was Kami, who took to the stage casually in a white blouse and black pants as if she'd finished a day working in a local office. Kamila Thompson's set of bittersweet observational folk-rock came mainly from her Read more ...
aleks.sierz
The talented Mr Jude Law is back on stage in what must be the hottest ticket in the West End. Although not everyone warmed to his 2009 Hamlet, the mere presence in central London of one of Hollywood’s most bankable stars is enough to bring a touch of sunshine to a wintry summer. My main anxiety was that, as a reaction to the riots sweeping the capital, the Government would call a curfew and close the show, which was due to open last night. I needn’t have worried. It opened on schedule.And Law doesn’t disappoint. He has a real talent to surprise: here, he inhabits the bearded, brawny body of Read more ...
Kieron Tyler
Bruce Springsteen and Krautrock might not seem obvious kin, but the second album from Philadelphia’s The War on Drugs brings them together. It’s not clear what’s coming as Slave Ambient opens, but this is a dizzying, audacious and supremely confident journey that marries the seemingly disparate.There is a precedent though. Finland’s intense and stellar post-Spacemen 3 trio Joensuu 1685 made Springsteen’s “I’m on Fire” their own, turning it into a slab of Neu/La Dusseldorf white-light intensity. The War on Drugs's main man Adam Granduciel is probably unaware of these Suomi shamen, and it’s Read more ...
Matt Wolf
"Drop that long face," we're urged during the end of the giddy Regent's Park revival of Crazy For You, and if ever there were a time for such sentiments, it came during the lockdown that London remained under during the all too aptly cloud-filled evening that saw the Open Air Theatre not quite full. Nor was it lost on many spectators that the glorious George and Ira Gershwin score was giddily filling a night air punctuated at regular intervals by the distant (or maybe not) sound of sirens.But Timothy Sheader's production exerts its own siren song that functions as an escapist tonic Read more ...
Kieron Tyler
Little Rock, the state capital of Arkansas, usually comes to mind in association with hometown boy Bill Clinton. Soul and funk fans, however, aren’t fussed with the sax-playing former governor and president and fixate on the city’s True Soul label, the home of a raft of rare and sought-after sides. Two volumes compiling the imprint have just been issued and include previously unissued tracks. The harmony-driven soul, Southern grooves and tight funk make a case for True Soul being an essential component of soul USA.Musically, Bill C’s sax was in keeping with Little Rock’s limited musical Read more ...