America
Matt Wolf
Movies often come unwittingly in pairs, whether you're talking Capote and Infamous (both about Truman Capote) or Valmont and Dangerous Liaisons (both adapted from the epistolary novel by Laclos). And so it was that the late 1990s saw the release in successive years of Prefontaine (1997) and Without Limits (1998), both telling of the same American track star who died in 1975, age 24.Here's something else that the twin biographies of Steve Prefontaine, the Oregonian Olympic hopeful, had in common: they were both flops. Quite why, precisely, is hard to fathom, and not only because a British Read more ...
emma.simmonds
2012 has so far brought us a couple of notable surprises from the oft-maligned world of comic book adaptations: first came Joss Whedon’s Avengers Assemble with its boisterous banter and then there was depth and pathos from Andrew Garfield in the title role of Marc Webb’s The Amazing Spider-Man. With its key competitors faring well both critically and commercially, what of Christopher Nolan’s Caped Crusader?We last saw “the Batman” (as they insist on describing him) in 2008’s The Dark Knight taking the rap for the dastardly deeds of fallen hero Harvey Dent - providing Gotham with the martyr it Read more ...
Lisa-Marie Ferla
Brian Fallon, The Gaslight Anthem’s heart-on-sleeve frontman, would be the first to tell you that there’s nothing complicated to it: big songs with tons of heart; love and death and the last light of fading youth, all to the accompaniment of your favourite songs on the radio. Inspired in no small part by hometown heroes (let’s get the Springsteen references out of the way early, shall we?), the New Jersey band’s major-label debut ramps up the big rock choruses, but retains an intimacy through its wistful lyrics and Fallon’s bruised vocal delivery.Lead single “45” delivers a typically anthemic Read more ...
howard.male
Rather unjustly, this underrated 1976 thriller is best remembered for the dental torture scenes in which Laurence Olivier’s shiny-headed, shiny-spectacled Nazi, Dr Christian Szell, repeatedly asks Dustin Hoffman’s petrified and pain-crazed Levy if it’s safe or not, and Levy has no idea if the answer required is yes or no. But the rest of this movie is a much subtler, more involving affair than is suggested by a scene that is truly painful to watch . As an Olympic event, the marathon is about endurance as much as speed. For poor Levy the whole of John Schlesinger’s film is a test of Read more ...
Adam Sweeting
When he joined up with John Oates, Daryl Hall became half of one of the most successful duos in pop history, which has sold upwards of 60 million albums. From the mid-Seventies to the late Eighties, the pair notched six platinum albums and posted a remarkable streak of hit singles. Six of them were American chart-toppers, including "Kiss On My List", "Rich Girl", "Private Eyes" and "Out of Touch", while even the ones which didn't reach Number One became pop standards anyway, including "Sara Smile" and "Family Man".Born in Pottstown, Pennsylvania in October 1946, Hall majored in music at Read more ...
Adam Sweeting
The lugubrious soulfulness of Adrien Brody is not to all tastes, and in many cases is wholly inappropriate, but his casting in Tony Kaye's downbeat meditation on education, or the lack of it, is masterly. Brody plays Henry Barthes, a substitute teacher drafted in to plug a temporary gap in a failing school in some unspecified American city. He has a natural gift for teaching, but by never taking up a permanent post he's able to avoid painful emotional attachments. He lingers just long enough to gives some of his pupils a glimpse of what learning actually means before snatching it away again. Read more ...
Emma Dibdin
Having spent the last few years alternating deftly between high-profile, star-studded blockbusters (the Ocean’s trilogy, last year’s Contagion) and smaller, more niche projects starring largely unknowns (Bubble, The Girlfriend Experience), Steven Soderbergh may have found his perfect middle ground. Male stripping dramedy Magic Mike pairs big names (Channing Tatum, Matthew McConaughey) with near-unknowns; it combines trashy visual pleasures with shrewd, straightforward character writing; it was made on a $7 million shoestring, and has already become a box office hit in the US. It is something Read more ...
Jasper Rees
Apparently it’s the taking part that counts, which would explain why recent weeks have brought unseemly howls of protest and threats of litigation from British athletes who have failed to make it into the Olympic squad. You’d like to sit these people with their adamantine sense of entitlement in front of a couple of this week’s releases. One we know all about. Chariots of Fire has jogged back along the beach and onto cinema screens in time to remind us about all our amateur yesteryears. The ageless story of two British sprinters who defied the Establishment, it finds a remarkably good Read more ...
Nick Levine
Compared to previous Dirty Projectors records, Swing Lo Magellan is a walk in the park with a piece of cake to follow. Then again, previous Dirty Projectors records include a so-called "glitch opera" about Don Henley, a "re-imagining" of a punk album that Dave Longstreth hadn't heard in 15 years, and an EP featuring a 10-piece chamber music collective that Longstreth put together and then named "First Orchestral Society for the Preservation of the Orchestra."Their last album, 2009's Bitte Orca, found the singer-songwriter-producer and his willing minstrels edging towards the straightforward. Read more ...
Russ Coffey
Regina’s Spektor’s kooky New York piano gal shtick sure divides audiences. For every person who finds her a perfect antidote (I refuse to say adorkable) to all that’s mainstream and soulless, there is someone else who wants to punch her on the nose for singing “on the Braa-dio-uh-oh” instead of “on the radio.”Mind you, it’s not all icing sugar. She might have started her career sounding like an ad man's idea of a pixie dream girl, but time has proved she really means it. Still, it can get a bit syrupy, no? Well, last night it didn’t. Thumping out power chords and belting out slogans like “ Read more ...
graeme.thomson
Tracing a career arc which has taken him from stand-up comic to actor, writer and film director, it's not too fanciful to describe Bobcat Goldthwait as an anarchic, indie, low budget version of Woody Allen. The 50-year-old New Yorker started out in the clubs of Boston before heading west to Hollywood in the 1980s, where he cultivated a shrill-voiced, nervy, confrontational comic persona to considerable success. Increasingly, he became infamous for the somewhat contrived controversies he unleashed on the US chat show circuit; in 1994 he set fire to a chair on The Tonight Show with Jay Leno. Read more ...
emma.simmonds
Some movies are defined by sounds and Killer Joe is most certainly one of them. The squeak of a stripper’s heel on a clear plastic floor, the crack of thunder, the thrum of a motorcycle engine and the thump of a bouquet of flowers landing on a coffin – which unquestionably spell sex, trouble and death. From director William Friedkin - still best known for The Exorcist and The French Connection, films he made some 40 years ago – Killer Joe is pure juicy pulp. It’s hard not to get swept along as it delights in immorality and double-crosses, that is until Friedkin punches you square in the gut Read more ...