America
Adam Sweeting
Though packaged as a tale of an ageing rock star, Danny Collins is really an autumnal comedy-drama about regret, redemption and trying to seize life's second chances. As the title character, a cheesy AOR veteran pitched somewhere between Neil Diamond and Neil Sedaka, Al Pacino demonstrates why he and rock'n'roll have never been intimately linked – he can't sing, he can't dance, and he hasn't a clue what to do with a baying live audience.Nonetheless this is Pacino at his warmest and most soulful, and, abetted by such wily old veterans as Christopher Plummer (as his manager Frank Grubman) and Read more ...
Marianka Swain
The “femmepersonators” of Harvey Fierstein’s 1962-set drama would be flabbergasted by today’s level of trans visibility, from Grayson Perry and Caitlyn Jenner to Transparent and Eddie Redmayne’s new film The Danish Girl. Yet it’s the still pertinent issue of private experience versus public profile that sparks a schism in this idyllic community of closeted cross-dressers, along with thorny questions of how gender fluidity might correlate with a more flexible approach to identity and sexuality.Open-minded Rita (Tamsin Carroll, pictured below with Matthew Rixon) runs an escapist Catskills Read more ...
Tom Birchenough
The repercussions of the revelations about intelligence gathering by American and other surveillance services made by US whistleblower Edward Snowden have proved huge. Laura Poitras’s documentary CitizenFour is no less revelatory about the process of their appearance, about just how Snowden came to be in that Hong Kong hotel room with reporter Glenn Greenwald, and what happened there.To call their encounter, the centrepiece of the film “eight days that shook the world” might be an overstatement, but not by much, so acute did the revelations make the question of the relation between Read more ...
Adam Sweeting
Starring Daniel Radcliffe as Sam Houser, who's portrayed as the dominant creative mastermind behind Rockstar Games and its phenomenally successful Grand Theft Auto series, The Gamechangers (**) sought to depict legal battles over GTA's violent and sexually explicit content as landmarks in the history of artistic freedom. Rockstar Games didn't approve the film and, having filed a lawsuit against the BBC for trademark infringement, denounced the finished product as "random, made-up bollocks".They do have a point, since the film visibly staggers under its own contradictions. A skimpy budget Read more ...
David Nice
Queen Margrethe II of Denmark attended Nielsen’s 150th birthday concert earlier this year in Copenhagen’s glorious new concert hall. Her grandparents were there at the premiere of Nielsen’s blithest work, his cantata Springtime in Funen on 1921. Our own dear Queen has never shown such interest in music, but all the same last night's Prom celebrated the day on which she became our country’s longest reigning monarch with Gordon Jacob’s fanfare-laden arrangement of the National Anthem. Then it was off with a gust of fresh air into national celebrations of a far quirkier nature by the greatest of Read more ...
Kieron Tyler
Various Artists: The London American Label Year by Year – 1966The arguments for 1966 as the year popular music irrevocably changed are sound. Rock began emerging from pop as its serious offspring. Earnest expression, as opposed to fluffiness or accessibility, would become the objective for many. With the 1967 release of Sgt Pepper’s, the album was set in stone as a different medium to the single. The foundations were laid when The Beatles began recording “Strawberry Fields Forever” in November 1966.A chaotic, kaleidoscopic 1966 single like The Yarbirds’s “Happenings Ten Years Time Ago” Read more ...
Tom Birchenough
Cartel Land opens with a group of crystal meth cooks at work somewhere in the dead-of-night Mexican wilderness. They boast about the quality of their goods: they have the best production equipment, and were even taught their expertise by a visiting American father-and-son team. They know the harm their drugs do, but what, they ask, are they going to do? They come from poverty. If life had gone another way, “We would be like you.”Matthew Heineman’s powerful documentary challenges our assumptions of loyalty – like you, like us? – as well as of good and evil. What happens when people rebel Read more ...
Marianka Swain
Well, here’s an oddity. You Won’t Succeed... is too fragmented for musical theatre, too bombastic for cabaret, and about as profound as a first-draft Wikipedia page. Channelling the self-referential levity of the Monty Python show from which it takes its name would certainly help, but it’s mainly played straight. And what insight into the indelible Jewish contribution to musical theatre does two and a half hours’ investment get you? Those guys…they wrote some great songs. Oy vey.The weakest aspect is the low-rent video clips – with basic animation and soporific voiceover – guiding this Read more ...
Florence Hallett
It was suggested more than once during this adventure in Warhol-world that Andy Warhol himself was the artist’s greatest achievement. It’s a neat sentiment if not an original one, and while it may well be true, it didn’t bode well for a documentary in search of the “real” Andy Warhol. However exclusive the access to Warhol’s “planning diary”, however frank the interviews with friends, relatives and Factory colleagues, it seemed unlikely – and as a venture somewhat misguided – that we would ever really get beyond the version of Warhol so carefully cultivated by the artist himself.In Read more ...
Marina Vaizey
Pop went the easel, and more, as we were offered a worldwide tour – New York, LA, London, Paris, Shanghai – of the art phenomenon of the past 50 years (still going strong worldwide). We were led by a wide-eyed interlocutor, the bright-eyed and bushy-tailed Alastair Sooke, to the throbbing beat of – what else? – pop music, Elvis and much else besides.Sooke protested a bit too much, doing down the previous big deal in modern art, Abstract Expressionism, in order to enhance the revolutionary nature of Pop in its fascination and appropriation of the tropes of advertising and consumerism. He Read more ...
Markie Robson-Scott
If you liked the Coen Brothers' Inside Llewyn Davis, with its Dave Van Ronk-esque hero in Greenwich Village in 1961, you'll enjoy the new exhibition Folk City: New York and the Folk Music Revival, a celebration of NYC as the centre of folk music from its beginnings in the Thirties and Forties to its heyday in the Fifties and Sixties. It's at the Museum of the City of New York, far uptown at 103rd Street in east Harlem, a block or two from Duffy's Hill, the steepest in New York and the scene of many cable-car accidents in the 19th century. The kind of thing Peter, Paul and Mary might have Read more ...
Marianka Swain
Polo played in surplus First World War tanks; zeppelin-shooting as a gentlemanly leisure pursuit; the mighty vessel RMS Tyrannic, proud host of the Grand Ballroom Chariot Race and so safe "that she carries no insurance". These are just some of Canadian satirical writer and artist Bruce McCall’s ingenious retro-futurist creations. Slyly merging meticulous realism and madcap fantasy, they depict – with parodic faux-nostalgia – a world that never quite existed in order to comment on the one that does.The prolific McCall worked on the original National Lampoon and Saturday Night Live before Read more ...