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Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-facedThursday, 24 November 2022
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his... Read more... |
Album: Christeene - Midnite Fukk TrainFriday, 18 November 2022
Christeene is not so much a musical entity, as a performative assault, an artist who pushes drag somewhere visceral, caustic, wilfully edgy and defiantly unpolished. The creation of New York-based, Louisiana-raised Paul Soileau, her videos and shows... Read more... |
theartsdesk on Vinyl 73: Sandy Denny, Plastic Mermaids, Orbital, Speedy Wunderground, The Snuts, The Kinks and moreWednesday, 09 November 2022
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!VINYL OF THE MONTHEdrix Puzzle Coming of the Moon Dogs (On the Corner)Nathan Curran... Read more... |
Other Voices Cardigan review - a celebration of music on the cuspTuesday, 08 November 2022
Other Voices is, according to its founder Philip King, a festival which celebrates what’s about to happen. Indeed, artists like Hozier, Fontaines DC and Amy Winehouse cut their teeth at this unique musical event which, although it has its home in... Read more... |
Album: Daniel Avery - Ultra TruthTuesday, 01 November 2022
There is now a kind of “leftfield mainstream” in electronic music. It’s populated by people a decade or more younger than the original acid house generation, but who take their core inspiration from post-rave experimentation of the early-mid... Read more... |
Album: Goat - Oh DeathTuesday, 25 October 2022
It’s now six years since Goat last released an album of new songs and, despite a live disc and one of B-sides and other odds and sods that have appeared in the meantime, its Requiem title suggested that it might have been their last call to arms.... Read more... |
Let's Eat Grandma, Patterns, Brighton review - odd-pop duo remain a contagious one-offSaturday, 22 October 2022
At the start of the song “Two Ribbons” Rosa Walton and Jenny Hollingworth of Let’s Eat Grandma do a brief schoolyard pat-a-cake hand-game. The song is a guileless ode to female friendship, love even, a paean to their own bond, which was strained at... Read more... |
Beabadoobee, Barrowland, Glasgow review - teenage kicks provide a familiar feelingTuesday, 18 October 2022
Rarely will the bar staff at the Glasgow Barrowland have had an easier night. The crowd for Beabadoobee was so youthful that the vibe felt more like a school disco at times, right down to clusters of parents at the back and on the sidelines... Read more... |
Album: Yeah Yeah Yeahs - Cool It DownWednesday, 28 September 2022
It’s a minor tragedy that Yeah Yeah Yeahs arrived just in time to be bundled in with a spurious “new rock revolution,” because they were so much more than rock. The Strokes, The White Stripes, The Libertines all may have had decent enough songs, but... Read more... |
theartsdesk on Vinyl 72: Blondie, Joe Meek, Asha Puthli, Minions, Prince, Horse Meat Disco and moreFriday, 05 August 2022
This month’s reviews take in everything from New York new wave pop to apocalyptic electro to kitsch exotica. There are no genre boundaries at theartsdesk on Vinyl, just a constant desire to play music loud, whether new or reissues, then share what... Read more... |
Bluedot Festival 2022 review - science and space travel meet musical frolicking at Jodrell BankWednesday, 27 July 2022
FRIDAY 22 JULY by Caspar GomezWhen my regular festival pal Finetime and I have set up the wibbly, inflatable-poled tents he bought from Lidl, we settle to drinks, his from a chill-box, mine from a 35-pint container of Pilton Labyrinth scrumpy... Read more... |
Album: Damien Jurado - Reggae Film StarMonday, 27 June 2022
American singer-songwriter Damien Jurado is both prolific and enigmatic. His latest album follows too many to count (OK, not really, I think this is his 20th). On his own label, it's as opaque as anything he’s done, and that’s saying something.There... Read more... |
