alternative
Gary Numan, Assembly Hall, Worthing review - hot and hammeringFriday, 20 July 2018
Arriving back onstage for an encore a broadly smiling Gary Numan bathes in roared football chants of “Numan! Numan!”. He tells us it’s just over 40 years since he released his first single, “That’s Too Bad”, but that he and his tight four-piece band... Read more... |
CD: Pram - Across the MeridianFriday, 20 July 2018
Birmingham outfit Pram achieved profile amongst alt-music connoisseurs shortly after the millennium. They’d been going for over a decade but their weird-masked presentation and spooked, abject music suddenly struck a chord. Being truly an art band,... Read more... |
CD: Laurel Halo - Raw Silk Uncut WoodFriday, 06 July 2018
So the ambient revival continues apace, getting deeper and wider with each passing year. From the interstices between the classical concert hall, abstract art installations, the backroom of more insalubrious little raves and festivals, the small... Read more... |
CD: Gorillaz - The Now NowWednesday, 27 June 2018
It’s hard to know who to write about when reviewing a new Gorillaz release. According to the official line, the band have shorn their usual guests to focus on the core creative team: vocalist 2D, drummer Russell, guitarist Noodle, and new bassist... Read more... |
The Cure, RFH review - sterling close-up show from alt-pop stalwartsTuesday, 26 June 2018
The Robert Smith-curated Meltdown festival in London came to a close on Sunday night with a spectacular, concept-driven headline set by The Cure, or CUREATION 25, as the band was actually billed, presumably because of a previously contracted show at... Read more... |
CD: Let's Eat Grandma - I'm All EarsSaturday, 23 June 2018
Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s contributed much to rock and pop. This may be about to change. The music of Let’s Eat Grandma, 19-year-old... Read more... |
theartsdesk on Vinyl 40: Talking Heads, Ornette Coleman, Crayola Lectern, Brian Eno, Ash and moreThursday, 21 June 2018
Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the assembled that, “People pay for vinyl not because they have to but because they want to - they want a... Read more... |
CD: Melody’s Echo Chamber - Bon VoyageWednesday, 13 June 2018
Sophomore records are never easy, especially when your debut was as acclaimed and beloved as french artist Melody Prochet’s first outing as Melody’s Echo Chamber, and this follow-up has had its fair share of bumps in the road. Prochet first... Read more... |
Courtney Barnett, Albert Hall, Manchester review - mesmerising indie-rock setWednesday, 06 June 2018
Although once famous for her Australian drawl and hazy jams, on her most recent album Tell Me How You Really Feel, Courtney Barnett has transformed herself into an all-singing indie star, resulting in something more assured, vulnerable, and intense... Read more... |
Unknown Mortal Orchestra/Deerhunter, Albert Hall, Manchester review – New Zealanders and friends create festival vibeMonday, 28 May 2018
Unknown Mortal Orchestra’s four albums all centre around off-kilter pop and flirtations with distortion; their latest LP, Sex & Food, carries this tradition forwards in a more laid-back manner. Their current European tour in support of the album... Read more... |
Malcolm Middleton, Brighton Festival review - mordant brillianceFriday, 25 May 2018
Before starting this review a decision was taken: that the over-used description of singer-songwriter Malcolm Middleton as a “Scottish miserablist” would not appear. However, this has proved impossible. Middleton is renowned, to the coterie who... Read more... |
Problem in Brighton, Brighton Festival review - comic but patchy rock showFriday, 11 May 2018
Problem is Brighton is down in the Festival programme as an “alt-rock/pop pantomime”, with actors involved and the inference it’s some sort of musical featuring “instruments specially created by David Shrigley for the performance”. This turns out to... Read more... |
