African music
Thomas H. Green
Nick Mulvey’s 2014 debut album First Mind may be one of the century’s best so far. Album number two, then, has the critical bar set high. On that opening record, the ex-Portico Quartet singer-songwriter majored in complex-yet-simple songs that wove intricate Latin/classical-flecked guitar work with electronic tones and a sense of wide-eyed openness. Wake Up Now initially seems to be travelling a similar path, but soon proves to be marinated in African feeling and have its scope set more cosmically. It is a lovely album and a match for its predecessor.In a cynical age, where irony is king, Read more ...
joe.muggs
It's a monstrous cliché – all too often laden with problematically patronising overtones – to describe African, Caribbean, or Afro-Latin music in terms of “sunshine”, with all the carefree holiday brochure imagery that brings. But damn, the music of the Garifuna people of the Caribbean coasts of Honduras, Belize, Guatemala and Nicaragua makes it hard not to.In particular the Honduran Aurelio Martinez, the most prominent exponent of Garifuna music since the 2009 death of the Belizean star Andy Palacio, has a guitar style which combines the lilting arpeggios of West Africa with the tremolo- Read more ...
Tim Cumming
Tinariwen are one African band you don’t dance to. It’s not that kind of music. They emerged from refugee camps, guerrilla camps and nomadic desert camps through the Eighties and Nineties, and since reaching a global audience via The Festival of The Desert, they have released eight consistently fine albums (the recent Live in Paris is particularly good).Their music is internal, meditative, sombre, political, philosophical, poetic, and returns again and again to the long line of troubles besetting the Tuareg region of Saharan Mali, riven by Islamists – a former friend of the band ended up Read more ...
Boyd Tonkin
Just 22 years old, South Africa’s national “Day of Reconciliation” on 16 December has shuffled into its perplexed young adulthood. Although commemorative events abound, few people seem to know how to strike the right note for this (just) pre-Christmas holiday. It symbolically occupies a date dear both to Afrikaners - victory over the Zulu kingdom at the Battle of Blood River in 1838 - and to their erstwhile victims. On 16 December 1910, Africans protested against their disenfranchisement, while on the same day in 1961 the armed wing of the ANC - Umkhonto we Sizwe - came into being. One Read more ...
joe.muggs
A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the violent attack on Jo Cox started filtering through as we danced under the Catalan sun on Thursday afternoon, it threw the nature of Sónar festival into relief.Unlike a lot of international music events, which can often be little more than monocultural awaydays for Brits and/or Germans seeking hedonism in the sun, Sónar is both proudly reflective of its Read more ...
howard.male
When the Tuareg band Tinariwen first started to come to prominence a decade or so ago, world music purists tried to lay claim that they were purveyors of what they called "desert blues". The reason being, presumably, that the blues in their blinkered eyes was a purer, more authentic form than rock (which was what Tinariwen were really all about). But having said that, Tinariwen sound like Tanita Tikaram compared to parts of this second album from fellow Saharan desert rockers Kel Assouf (who feature Tinariwen guitarist and singer Anana Harouna). The title translates as "Surprise" and a Read more ...
joe.muggs
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new musicians, and passes into the current vernacular. Modern musicians play archaic styles day in day out until it becomes so worn into their musculature that it reflects their natural way of being. Tiny snippets of time that were once meaningless become memes that are shared and snared into the post-post-modern digital tangle.And in the thick of all Read more ...
mark.kidel
There was a magic moment in West Africa when, shortly after independence, in countries like Mali, Guinea and Senegal, the new leaders financed and encouraged new dance bands – telling them to dig deep into their own traditions and no longer feel obliged to imitate the music of their recently departed colonial masters. That exuberant joie de vivre shines through in the extraordinary music of that time, and this new compilation of rare and unreleased material from Senegal, subtitled "Sonic Gems and Previously Unreleased Recordings from the 70s", provides a delightful range of music that evokes Read more ...
Adam Sweeting
Last month, Ludovico Einaudi's album Elements debuted at No 12 on the UK album charts, which made it the highest-charting modern classical album since Henryk Górecki's Symphony of Sorrowful Songs reached No 6 in 1992. It was proof of the quietly burgeoning allure of Einaudi, which has been stealthily expanding around the world since his first solo release, 1988's Time Out.Subsequent albums such as Le Onde, Eden Roc and I Giorni have lodged several of his limpid and haunting compositions in the ether, whence they might descend to be played on radio, or heard in commercials or on movie Read more ...
mark.kidel
Songhoy Blues, a punchy guitar band with roots on the edge of the desert, take the downhome country sounds of Ali Farka Toure, Afel Bocoum and Sidi Toure and give them a high-octane dose of urban urgency. They don’t just play those mesmerising Sahel blues licks with electric instruments, but they pack a punch that comes from transplanting laid-back village cool to the steamy cauldron of the city. It’s a lot like Elmore James or Howlin' Wolf taking the raw Delta sound of Robert Johnson or Charley Patton and upgrading it to match the citified excitement of the South Side of Chicago.“Music Read more ...
Heidi Goldsmith
Rarely in London do the lights rise up after a live gig to reveal eyeballs glistening with euphoria, total body sweat and a communal stitch gradually dying down among the water-guzzling herd. Indeed it’s an unusually bestial scene for Café Oto, mostly home to a more intellectual post-concert fervour. But fully-misted windows and naked midriffs, it turns out, suit their concrete Berlin-esque chic surprisingly well. In fact there are few London venues who, through persistently interesting programming, have retained enough artistic integrity to properly showcase a group of Congolese punk- Read more ...
Matthew Wright
The Afrobeats scene is coming to a venue near you. Anglo-Ghanaian artist Fuse ODG, who won the best African Act MOBO last week for the second year running, launched his first album T.I.N.A. last night with a relentless, exuberant performance that brought out the African party flavour to these songs. His album release and tour, on the back of the MOBO success, marks a significant moment in his progression from niche internet popularity to the mainstream. Fuse is a working model of how to create a music career online, and his profile has been raised to its current breaking-through status Read more ...