Africa
Jasper Rees
Isabelle Huppert has always had a wandering soul, ever since she cropped up as a strawberry blonde cowboy’s moll in Michael Cimino’s fabled folly, Heaven’s Gate. That was 30 years ago. Middle age has by no means withered but certainly has hardened her pretty freckled moue into something fierce and obdurate. The owner of that forthright jawline ploughs a self-sufficient furrow these days. The characters she chooses to embody are, for one reason or another, doing it for themselves out on society’s limb.In Villa Amalia a betrayed wife dumps every vestige of her marital existence to embark on an Read more ...
Peter Culshaw
Afro-Cubism is the fruition of the World Circuit label's original intention for Buena Vista Social Club album, which was to have been a stellar collaboration of musicians from Mali and Cuba. In 1996, the African contingent of Bassekou Kouyate and Djeliomady Tounkara claimed they couldn't get visas and so the label used the studio time to record the Buena Vista album, and the Rueben Gonzalez one, and the Afro-Cuban All Stars' first album, a trio of classics. (Another story has it that the Africans were offered a better paying gig at home - if so, bad call, gents, as the Buena Vista album has Read more ...
alexandra.coghlan
“Tragedy reminds us how to live,” declares Moira Buffini’s democratically elected heroine, Eurydice. It’s a reminder the playwright herself and her latest work, Welcome to Thebes, is eager to provide. Following on the well-worn heels of last season’s Mother Courage at the National comes a new play that once again places women in the front line. Leaving to Brecht the barren fields of Western Europe, Buffini sets up her stall in the fertile dramatic ground of contemporary Africa – a place where gang-rape and murder are just the prologue.Within this political reaction chamber Buffini collides Read more ...
theartsdesk
This month's most delicious sounds found by our reviewers include a return to form by jazz pianist Keith Jarrett and bassist Charlie Haden, new electronica/grime from Rude Kid, impressive debuts from Villagers and Hindi Zahra, and the latest from Band Of Horses, Tracey Thorn, Teenage Fan Club, Nina Nastasia, Konono No1, Bobby McFerrin and the Ipanemas. CD of the month is by the "lovely and kaleidoscopic" Afro-Colombian band Choc Quib Town. Reviewers are Robert Sandall, Sue Steward, Howard Male, Graeme Thomson, Russ Coffey, Bruce Dessau, Thomas H Green, Marcus O'Dair, Joe Muggs, Peter Quinn, Read more ...
fisun.guner
From his tall column in Trafalgar Square, Admiral Lord Nelson won’t be able to glimpse the new work on the Fourth Plinth, since he faces the other way. But of all the works that have occupied this space – from Marc Quinn’s Alison Lapper Pregnant, to Antony Gormley’s One & Other – the latest must surely be the one that would please him most: a model of his own ship, HMS Victory, displayed in a huge bottle.From his tall column in Trafalgar Square, Admiral Lord Nelson won’t be able to glimpse the new work on the Fourth Plinth, since he faces the other way. But of all the works that have Read more ...
Peter Culshaw
With Fela Kuti's old band playing Brighton this evening fronted by his son Seun and on the same bill as Tony Allen, the drummer who co-created the increasingly influential Afro-beat sound, it seemed a good excuse to revisit the first interview I ever got published, which was with the great African pop star in 1984 (in Blitz magazine, also a version for the Observer). A polygamist, with at one point 28 wives, a political and musical revolutionary, Fela was one of the most extraordinary musicians ever to walk the planet.Watch Fela Kuti and his band in 1971Paul McCartney found himself in Lagos Read more ...
Peter Culshaw
Brian Eno’s on the phone. He’s been up all night. But he does want to talk to theartsdesk about his Afro-beat concert in Brighton as part of the Brighton Festival he is curating which this evening sees Seun Kuti - the son of Fela Kuti, who has basically inherited his legendary father’s band - and Tony Allen’s band on the same bill. Tony Allen was the drummer with Fela’s band and co-creator of the Afro-beat sound which seems to become more popular with each passing year (Fela died in 1997).Brian says that he became obsessed with Afro-beat in about 1972. “I thought at that time it was the most Read more ...
Aleks Sierz
Religion, and a sense of the revival of belief, is such an important part of everyday life in the wider population that it is one of the stranger facts about contemporary theatre that so few plays tackle this subject. In fact, the last new British play to do this at the National was David Hare’s Racing Demon in 1990. Now, 20 years later, the same Cottesloe theatre space bears witness to a new play, which opened last night, about the same subject.Canadian-born playwright Drew Pautz’s Love the Sinner begins at an international meeting of church leaders in a hotel somewhere in Africa. As these Read more ...
igor.toronyilalic
David McVicar's new Aida production had an opening mise en scène of such unashamed ugliness, a revolving main feature (a wall of scaffolding) of such audacious featurelessness, a wardrobe of such brazen tastelessness (think Dungeons and Dragons), that my critical faculties sort of went into a coma. I looked on, my mouth so wide open I was virtually dribbling, wondering what had happened to the great McVicar, praying for the return of a refreshed and fragrant reality, imagining that something - a fire, a flood - might intervene on my behalf between now and the end of the opera to Read more ...
graeme.thomson
Rokia Traoré has always seemed most comfortable creating at trysting points, darting between different worlds without ever quite belonging to any one of them. The daughter of a Malian diplomat, as a child her favourite locations were airports, “this middle point between two places; the idea of leaving a place to go to another one was the most interesting part of my childhood”. As a musician, too, the singer and songwriter gets a creative kick out of being in transit, moving from Mozart to Billie Holiday, from folk to jazz, in order to escape what she calls the “kind of jail” of world music. Read more ...
howard.male
Fool’s Gold’s debut album brims over with the enthusiasm of a band who have discovered - primarily through African music - that there’s another way to play the electric guitar other than to just form workman-like bar-chords, stamp down hard on the distortion pedal, and then hit those six strings as hard as you can. And fortunately for them, there’s a young audience clearly thrilled to have this discovery passed onto them. By the end of their set at the jam-packed Bar Fly, there’s actually a substantial number of the audience pogo-ing! I never thought I’d see that occurring to music that owes Read more ...
ash.smyth
When the subversive graphic artist Sarnath Banerjee won a MacArthur grant he opted "to research the sexual landscape of contemporary Indian cities", embroiling himself in the aphrodisiac market of old Delhi and introducing the English reading public to the great Hindi word swarnadosh (erm, "nocturnal emissions"). Banerjee (b. 1972) is generally credited with having introduced the graphic novel to India. Incorrectly, as it happens; but with Corridor (2004) and The Barn Owl’s Wondrous Capers (2007) – over and above his work as illustrator, publisher and film-maker – the Goldsmiths-trained Read more ...