adaptation
Visit from an Unknown Woman, Hampstead Theatre review - slim, overly earthbound slice of writer's angstSaturday, 13 July 2024Who was Stefan Zweig? It's likely that it's mostly older folk who studied German literature at A-level who have encountered this superb Viennese writer in his native language, though his short story from 1922, Letter to an Unknown Woman, eventually... Read more... |
Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years onTuesday, 11 June 2024It is a truth universally acknowledged that an actor tends to take a sympathetic view of the character he inhabits, however morally questionable. Adrian Lukis, who played the handsome, roguish militiaman, George Wickham, in Andrew Davies's (still... Read more... |
The Beast review - AI takes over the job centreFriday, 31 May 2024Adaptations of Henry James have often failed to click over the years. The author’s private, introspective works – sightseeing trips around people’s souls – seem hard to transpose into a crowded gathering where someone keeps yelling “Action!”.So it’s... Read more... |
Bluets, Royal Court review - more grey than ultramarineTuesday, 28 May 2024When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie Mitchell’s staging of Margaret Perry’s adaptation of Maggie Nelson’s Bluets – despite the casting of... Read more... |
The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!Saturday, 11 May 2024If there is a more striking, more moving, more downright enjoyable way to experience Shakespeare’s second-from-last play, I have yet to see it. The Winter’s Tale, originally a “romance” in five acts, is widely regarded as a problem play, not only... Read more... |
Spirited Away, London Coliseum review - spectacular re-imagining of beloved filmThursday, 09 May 2024Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking Grave of the Fireflies, but they revere Spirited Away, their, our, The Godfather and The Wizard of Oz rolled into one. Totoro has been magnificently... Read more... |
Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fiWednesday, 01 May 2024Towards the end of David Haig’s new adaptation of Philip K Dick’s 1956 science fiction short story, someone asks if three humans who have been symbiotically connected to a massive AI computer for a decade can survive the experience.Yes, she’s told... Read more... |
Blu-ray: The DreamersTuesday, 30 April 2024Isabelle (Eva Green) leans over, her long hair catches fire from a candle, and Matthew (Michael Pitt) devotedly snuffs it out. She doesn’t miss a beat at this real-life accident, consumed already by The Dreamers’ closed world of a Left Bank... Read more... |
London Tide, National Theatre review - haunting moody river bluesSaturday, 20 April 2024“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this description, by Charles Dickens in his 1865 novel, Our Mutual Friend, of his character Sloppy’s ability to read... Read more... |
Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knightMonday, 15 April 2024Shakespeare’s plays have ever been meat for masher-uppers, from the bowdlerising Victorians to the modern filmed-theatre cycles of Ivo Van Hove. And Sir John Falstaff, as Orson Welles proved in Chimes at Midnight, can be the star of his very own... Read more... |
Ripley, Netflix review - Highsmith's horribly fascinating sociopath adrift in a sea of noirSaturday, 06 April 2024There would have to be a good reason for making another screen version of Patricia Highsmith’s 1955 novel The Talented Mr Ripley, already successfully adapted by Anthony Minghella in his 1999 film. One this new adaptation presumably had in mind... Read more... |
Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarreTuesday, 02 April 2024Is there a more purely likeable actress than Sheridan Smith, the performer who was still a teenager when she stole the show at the Donmar in Into the Woods and who managed, as Elle Woods in the West End premiere of Legally Blonde, to bring... Read more... |
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