abstract art
Mondrian || Nicholson in Parallel, The Courtauld GalleryMonday, 20 February 2012
Conversations between artists both verbal and visual are the flavour of the month: the big voice of Picasso is almost but not quite drowning out a septet of British artists over at Tate Britain. Now joining the chorus is a fascinating exploration of... Read more... |
Lucinda Childs Dance Company, Barbican TheatreWednesday, 19 October 2011
There are various disinterments of supposedly iconic dance-makers going on in this year's Dance Umbrella (some live ones more dead than the dead ones), but no one is going to beat for sheer éclat Lucinda Childs’ astonishingly beautiful minimalist... Read more... |
Frank Stella: Connections, Haunch of VenisonFriday, 30 September 2011
Art about art is one of my favourite kinds of art. Paintings, drawings, sculptures, films - works of art which talk about what art is, what the image is, what art can represent and what it can't - all appeal. It is not just a picture of some... Read more... |
Rothko in Britain, Whitechapel GallerySunday, 11 September 2011
Exhibitions with titles appended "in Britain" or "and Britain" tend to be the kiss of death: indicating concentration on a brief and insignificant visit, on the subject’s impact on British art or – even worse – the influence of local collectors on... Read more... |
Alina Ibragimova, Quay Brothers, Wilton's Music HallWednesday, 27 July 2011
Nine out of 10 attempts to feed an audience's visual responses to abstract music are doomed to failure; a great communicator will always conjure stronger pictures in the listener's mind. And there's no doubt that young violinist Alina Ibragimova... Read more... |
CD: Tuusanuuskat - Nääksää nää mun kyyneleetSunday, 03 July 2011
Abstract music will always be at a disadvantage compared to abstract art because of one thing: duration. It requires commitment and immersion, you can't sum it up at a glance, and when it stops it's gone until you go back to the start. Yet a record... Read more... |
The Vorticists: Manifesto for a Modern World, Tate BritainWednesday, 15 June 2011
Who were the Vorticists? Were they significant? Were they any good? And does this little-known British avant-garde movement – if it can be called anything as cohesive - really deserve a major survey at Tate Britain? Many of the group’s paintings... Read more... |
The Hepworth WakefieldSaturday, 21 May 2011
A town in desperate need of regeneration commissions David Chipperfield, the architect of the moment, to build an art gallery in the hope of attracting visitors with deep pockets. In case you are suffering an attack of déja vu, this is not an action... Read more... |
Max Bill, Annely Juda Fine ArtThursday, 19 May 2011
Max Bill might be the missing link in modern art. He died only in 1994, yet he studied at the Bauhaus in Dessau in the 1920s, taught by Josef Albers, László Moholy-Nagy, Paul Klee and Kandinsky. It is hard to imagine that someone who was working at... Read more... |
Cage 99, St George's BristolTuesday, 19 April 2011
John Cage, the focus of an adventurous three-day mini-festival in Bristol, is possibly one of the most influential figures in 20th-century culture. As much a practical philosopher as a composer of note, he made artists, writers and musicians think... Read more... |
Out Hear: Exaudi play John Cage Song Books, Kings PlaceTuesday, 29 March 2011
At its best, and most preposterous, John Cage's work can be a mind-cleanser. The overwhelmingly silly randomised conjunctions and ontological punning of the great Zen master of the 20th-century avant-garde can coax and trick you into letting go of... Read more... |
Mordant Mass, The VortexSunday, 13 February 2011
Avant-garde art, by its very nature, always treads a fine line between the sublime and the ridiculous, and between entertainment and alienation. Thankfully this is something understood very well by the joint curators of Friday night's show at the... Read more... |
