21st century
Saskia Baron
Nitram is an object lesson in how to make a responsible film about a mass shooting, right down to not using the fame-seeking perpetrator’s real name as the title but the mocking ananym given to him by bullies at school.Scriptwriter Shaun Grant has drawn on accounts of the 1996 gun rampage at the heritage site Port Arthur in Tasmania. The 19th century convict colony became infamous as the scene of the worst massacre in modern Australia's history, leaving 35 people dead and another 23 injured. We don’t see the killings – there is no vicarious, visceral horror on screen. Instead Read more ...
Graham Fuller
It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else.Watching the pell-mell scurry of Anaïs Demoustier’s title character in Anaïs in Love, it’s impossible not to compare it with the elegant canter with which Renate Reinsve’s Julie freezes time in The Worst Person in the World. If they were running toward the same admirer or career opportunity, you’d back Anaïs to leave Julie in the dust because, as her ex-boyfriend complains, she’s a bulldozer.The knowing first feature written and Read more ...
Sebastian Scotney
The French seaside has been the setting for all kinds of summer holiday capers. We are used to the idea that this is a place where young people set about finding out who they are. At the top of the quality spectrum are Éric Rohmer’s well-observed comedies of manners like Pauline at the Beach (1983) and A Summer's Tale (1996). Down at the bottom, there are shockers like Axelle Laffont’s Milf (2018).The trope normally involves a portrayal of a relatively carefree existence. Emilie Aussel has a different idea in mind, however. Her feature debut Our Eternal Summer starts off Read more ...
Gary Naylor
LJ's dream has come true - she has her very own wine bar. Unfortunately for us, it turns into a bit of a nightmare.This new musical open on a nostalgic 70s vibe. Tables and chairs fill almost all of Southwark Playhouse's smaller space, a set that conjures memories of the sitcom from that period, Robin's Nest, or the infamous dining room at Fawlty Towers; recent films such as Boiling Point have also found comparable environments fertile ground for exploring the narrow line between comedy and tragedy.Initially we focus on LJ herself, Mischief theatre alum Nancy Zamit's harassed manager Read more ...
Robert Beale
It’s an ill heatwave that brings nobody any good, and Buxton International Festival’s decision to move its highlight concert, by Manchester Camerata with Jess Gillam and the Brodsky Quartet as their guests, from the Buxton Octagon to St John’s Church meant not only that it was heard in probably the only coolish venue in town yesterday afternoon, but also that it benefitted from an acoustic that’s excellent for instrumental music.The Camerata is celebrating its 50th anniversary in different places this year, and while the personnel seen yesterday may not overlap entirely with the band we are Read more ...
Robert Beale
Buxton International Festival’s opera scene is clearly back on track for 2022, and its most substantial production a taut and tension-filled presentation of Rossini’s La Donna del Lago.Jacopo Spirei’s production, with design by Madeleine Boyd, has just one basic set: it changes from Act One to Act Two by removing two evocative visual elements (a hearth and a panel of generally rustic appearance) and replacing them with geometrical and electrically dazzling shapes, and it has a binary contrast of costumes – ragged rebel Highlanders and sophisticated, techno-style royal loyalists.So, from the Read more ...
Gary Naylor
We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really only sees the descriptions, too, and that the aesthetic and artistic elements barely register. The maid has been given the evening off – it’s soon obvious why – and an art dealer flits about nervously waiting for his client to arrive with a view toward arranging a significant purchase. The artist is Black; everyone else, indeed, Read more ...
Robert Beale
Manchester Collective were back on home ground last night in the tour of a programme featuring the first performances of a new song cycle by Edmund Finnis, Out of the Dawn’s Mind. Soprano soloist was the amazing Ruby Hughes.It was home ground for her, too, in a sense: as a former student at Chetham’s School of Music she’s an old friend of the Collective’s leader and artistic director, Rakhi Singh.Ruby Hughes and the Collective created a moving and stimulating online streamed programme from the Lakeside Arts venue at the University of Nottingham in February last year – Dowland, Debussy, Mahler Read more ...
Graham Fuller
Porcupine Tree’s members have said they don’t know if their 11th album and this autumn’s North American–European tour will conclude their 35-year career. If it does, it would be typical of the progressive rock trio – as averse to standing still as King Crimson – if they bowed out with a record that doesn't suggest a grand finale. As its title hints, Closure/Continuation sounds like a work in progress.Less dependent on singer-guitarist (and here bassist) Steven Wilson’s compositions than its predecessors, the project was jammed into life by him and drummer Gavin Harrison, and composed with Read more ...
Mark Kidel
Nick Cave has always been a spoken-word man, and these seven short poems set to music with regular collaborator Warren Ellis are the latest in a genre he explores with exceptional talent. He is an artist driven by a need to create, constantly and in many forms, from concept albums to collage, and from drawing and song-writing to shamanic stage performances.This latest excursion was written over seven days in lockdown and recorded at the tail-end of a more conventional studio session. These are short texts, prayers to a God who is as wrathful as he is a saviour. The psalms invoke the deity Read more ...
Sarah Kent
Cornelia Parker’s early installations are as fresh and as thought provoking as when they were made. Her Tate Britain retrospective opens with Thirty Pieces of Silver (pictured below left: Detail). It’s more than 30 years since she ran over a collection of silver plate with a steamroller, then suspended the flattened objects on strings so they hang in silver pools a few inches above the floor. The familiar shapes are like place settings or wedding gifts whose tawdry glamour has been crushed along with the dreams of grandeur which they embody.Since Parker is a conceptual artist as much as a Read more ...
Mark Kidel
There is so much gospel out there that it’s not easy to stand out above the crowd. Mavis Staples, with a distinctive voice that has delivered a gritty contralto for many decades, never stops. This new release, a set of songs that were recorded in 2011, is a collaboration with the Band’s late drummer Levon Helm, a sure-fire fan of African-American church music.It’s a only just more than a decent collection, with a few moments of glory, not least a rocking and rolling version of the classic “You Got to Move”, but there's something a little too efficient rather than ecstatic about it, even if Read more ...