21st century
alexandra.coghlan
There are few absolutes left in contemporary theatre. Fourth walls have long since crumbled underfoot; site-specific and immersive theatre experiences have further done away with divides between theatre and world, performer and audience. The one principle you can rely on is that consciousness is generally a good thing – that a play capable of putting you to sleep is bad. Oh, and that turning up to an opening night in your pyjamas is guaranteed to get you sent straight home again. Step forward maverick theatre company Duckie and their new show Lullaby, hoping to change all that.In a reversal Read more ...
alexandra.coghlan
Spitalfields Summer Music Festival is now finished for another year, but bid farewell to its audiences in fitting style with We Are Shadows – a new community opera devised by composer John Barber and librettist Hazel Gould. Bringing together over 200 local participants, whether as singers and performers or working behind the scenes to usher this two-year project to fruition, it’s a show that celebrates not only the talents of the Spitalfields community, but also that most universal of London icons: the rat.Inspired in part by Hans Christian Andersen’s nightmarish fable The Shadow, Gould and Read more ...
matilda.battersby
It has been eight years since Gillian Welch last released an album and her loyal fans – not to mention critics - have been waiting with bated breath. Will she have spent the years honing the delicious Americana and Appalachian-influenced folk that once set her and musical partner David Rawlings apart? Or will she have kept the hit-and-miss drums, the electric guitar and the chirpier outlook of her last album Soul Journey? Thankfully, the answer is the former: The Harrow and the Harvest might well be her best record yet.Welch and Rawlings have pared down their sound to produce a purity of Read more ...
graham.rickson
This week we’ve a grandiose choral work inspired by a composer’s love for the beautiful game, along with two noisily enjoyable attempts to portray physical movement in musical terms. A frighteningly young Russian soprano’s debut recital is released - a selection of flamboyant Rossini arias accompanied by a famous period instrument specialist. And there's the first recording of a new opera based on a terribly, terribly English story, composed by an American musician fondly regarded in the UK.Kamran Ince: Hot, Red, Cold, Vibrant, Requiem Without Words, Before Infrared, Symphony No 5, ‘ Read more ...
matilda.battersby
Brothers Caleb, Nathan and Jared Followill and their cousin Matthew Followill, better known as Kings of Leon, have come a long, long way from their humble Tennessee roots in the last 12 years. In London last night playing to a 65,000-strong crowd in the same week that a documentary charting their rise hits cinemas, the contrast between the life they were born into and the one they have carved out couldn’t be more marked.Opening with the Aha Shake Heartbreak hit "Four Kicks", people screamed and danced about to the roaring of electric guitars and the growling twang of Caleb’s voice. But Read more ...
stephen.walsh
Imagine you are at a study day being run by Friends of the Earth. They mount a play in which a group of angels who somehow got left out of the Book of Genesis fall to a completely barren earth, look around, and start reconstructing, re-enacting its life and death. They plant, grow, overgrow, eat, overeat; they tell themselves the earth will always be fruitful, but they’re mistaken. In the end two of the angels become Adam and Eve and walk off hand in hand into a ruined landscape lit by the rising sun. Then Luke Bedford sets it all to music.Glyn Maxwell’s last opera libretto, as far as I know Read more ...
Peter Culshaw
Strange portents – the weather is always dry and baking hot this time of year in Fes. This time it was like winter, with lashing rain and thunder for the first few days of the Fes Festival. But then things are strange in general here; events are moving fast throughout the Maghreb. The first day I was there saw a demonstration of thousands in Rabat, and a smaller one in Fes. By the last day a new constitution had been posted online, with the King renouncing some of his powers. The energy in the city seems slightly giddy with expectation and a certain optimism.Fes was always a fascinating city Read more ...
alexandra.coghlan
“Where once was certainty is now only void.” The age of John Donne was also the age of Galileo, Milton, of Hobbes, Francis Bacon and, of course, the King James Bible, whose 400th anniversary we celebrate this year. At the intersection of politics, religion and scientific philosophy, Donne’s life under James I holds up a mirror to the conflicted age that produced this extraordinary work of scholarship. Meshing the poet’s biography, his work and social history, Jonathan Holmes has produced a play whose scholarship and subject matter may be serious, but whose theatricality is poignantly, Read more ...
alexandra.coghlan
Cambridge University, cradle of Newton, Keynes and Wittgenstein, of Wordsworth, Turing and Tennyson, has produced 15 prime ministers and more Nobel Prize-winners than most nations. In its 200-year history, the university’s debating society has hosted princes, politicians and leaders in every field: the Dalai Lama, Winston Churchill, Nelson Mandela, and last week a 25-year-old east-London DJ, Kissy Sell Out. But lest pacemakers should stutter or tweed be set atremble at the presence of mixing decks and a speaker in baseball cap and wife-beater, the Union also invited Stephen Fry along – Read more ...
Adam Sweeting
The flying Twitter fragments said more about The Wedding than the battalions of experts, "palace insiders", historians and friends ever could (couldn't somebody have put a bag over Simon "infinite loop" Schama's head and had him bundled away from the BBC studio in the boot of a car?) Everybody seemed to adore Kate's dress. Some suggested that princesses Eugenie and Beatrice were in drag. "The Royal Family is BACK", tweeted Piers Morgan. "#proudtobeenglish" added former England cricket captain Michael Vaughan. "Harry's thinking, how did I not end up in a carriage with Pippa Middleton?" Read more ...
graham.rickson
Tansy Davies’s neon and inside out 2 can’t help but recall Stravinsky’s 1940s commission for Woody Herrmann’s orchestra, the Ebony Concerto. There’s an idiomatic use of rich, low-pitched sounds (plenty of bassoon and bass clarinet), and insidious, catchy dance rhythms bounce away in the bass. There’s a hint of Louis Andriessen-style Euro-Minimalism too; these are pieces which really move. But there’s a satisfying darkness to Davies’s imagination; for all the foot-tapping, this is music with unsettling power and immediacy.The main work on the disc is the recent song cycle Troubairitz - Read more ...
alexandra.coghlan
“Too fat, too miserable, too pinched” for love and life, the Brontë sisters famously made a kingdom out of their dingy rectory home in rural Yorkshire. Denied not just a room but an existence of their own, these three Victorian spinsters found authority and expression in novels the world would have them unfit to read, let alone write. It’s an attractive legend, one that leans over the shoulders of Jane Eyre, of Cathy, Heathcliff and Helen Graham, reflecting their virgin-born passions back with all the greater intensity. Reversing this process, Polly Teale’s Brontë invites us instead to Read more ...