2018
Guy Oddy
2018 has been a quietly encouraging year for fans of music that doesn’t kowtow to mainstream norms. There were fine debut albums from feminist art punks Dream Wife and dancehall queen Miss Red, as well as King of Cowards, a cracking sophomore set from Newcastle’s energetic stoner rockers Pigs Pigs Pigs Pigs Pigs Pigs Pigs. Old hands like Cat Power’s haunting ballads on Wanderer and Dylan Carlson’s Conquistador with its minimalist dessert blues, however, were evidence that there were also plenty of established artists with something interesting to help revitalise the soul. The album that Read more ...
Matthew Wright
Matthew Bourne has been a significant experimental and collaborative presence on the scene since 2001, when he won the Perrier Jazz Award. This project with musician-producing duo Nightports (Adam Martin and Mark Slater) is the first of a series planned by Leaf Label, all following a simple rule that only sounds produced by the featured musician, in this case Bourne, can be included. To give himself the widest available palette, pianist Bourne assembled a selection of instruments from honkytonk to hoity-toity, which offer a fascinating range of textures. Balance is sometimes presented Read more ...
Barney Harsent
Kosua was released only last month, but its journey began two years ago when George Thompson, aka Black Merlin, released Hipnotik Tradisi, a beautiful and captivating document of his travels through Indonesia, seamlessly blending field recordings, found sounds and studio experimentalism.Around the same time, he was preparing for a trip to Papua New Guinea, which was to result in profound relationship with both the place and the people that inhabit it – most notably the remote Kosua tribe, whose name graces this album, available on vinyl and download, via Bandcamp. The bond that Thompson Read more ...
Thomas H. Green
It’s been an odd year for albums. The one I’ve listened to most is Stop Lying, a mini-album by Raf Rundel, an artist best known as one half of DJ-producer outfit 2 Bears. It’s a genially cynical album, laced with love, dipping into all manner of styles, from electro-pop to hip hop, but essentially pop. It’s easy and likeable but also short, and didn’t seem to have the required epochal aspects for an Album of the Year.Two albums that do are Kali Uchis’ Isolation and Your Queen is a Reptile by Sons of Kemet. The first one, despite tacky cover art that looks like a Victoria’s Secret catalogue, Read more ...
howard.male
The problem with being an increasingly senile but still rabidly enthusiastic music fan is that you find yourself declaring that an autumn release is Album of the Year only to realise – after glancing back through old Facebook posts – that you repeatedly made the same claim for another record back in the spring. So which one does the glass slipper actually fit? It’s tricky to decide because they couldn’t be more different.My spring Album of 2018, Let’s Make Love by Brazilian Girls, brims over with arch and cool songs that put this band up among the very best of what might be labelled Read more ...
Katie Colombus
I’ve noticed a stark shift in transition of the kind of music I want to spend my time listening to over 2018. I’ve slowed down. I’ve started listening to Radio 6. I’m a little bit in love with Mary Anne Hobbs. And I bought a record player.Constructed playlists of relentless bangers have been replaced by a mellow experience of sound – tactile and intimate. The mere nature of placing needle on vinyl makes me sit nearby, take time to stop what I’m doing, and just listen. I'm tired of the relentless buzz and noise of being always on, the addiction to 'results' whether of Spotify most Read more ...
Boyd Tonkin
If you believe the bulk of the “books of the year” features that drift like stray tinsel across the media at this time of year, Britain’s literary taste-makers only enjoy the flavours of the Anglosphere. With a handful of exceptions, the sort of cultural and political notables invited to select their favourite reading overwhelmingly endorse titles from the UK or US. For our book-tipping elite, it seems, a hard literary Brexit happened decades ago. Yet publishing history tells a different story. The sales volume for translations of literary fiction released in the UK has doubled since the Read more ...