2000s
Brawn: The Impossible Formula 1 Story, Disney+ review - classic underdog tale of the little team that couldThursday, 16 November 2023
When they read the roll-call of British Formula One champions, the likes of Jackie Stewart, Graham and Damon Hill and Nigel Mansell tend to grab the spotlight, but Jenson Button’s dramatic and totally unexpected win in 2009 is every bit as worthy of... Read more... |
The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focusSaturday, 12 August 2023
There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours... Read more... |
Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effectSaturday, 22 July 2023
The shadow of Grenfell Tower has already produced Nick Kent and Richard Norton-Taylor’s dispassionately forensic but devastating documentary plays based on transcripts from the Grenfell Inquiry. Now comes a companion piece, the National’s Grenfell,... Read more... |
Album: Mahalia - IRLThursday, 13 July 2023
Ever since she broke through in her teens, Leicestershire singer Mahalia Burkmar’s music has often been referred to as retro or revivalist R&B. But that framing is a fundamental misunderstanding of the way the genre operates for young 21st... Read more... |
Blu-ray: Inland EmpireTuesday, 11 July 2023
Searching for a coherent narrative thread in David Lynch’s Inland Empire (2006) is probably futile, so it’s best to begin with the movie’s nervy central performance by Laura Dern in multiple, overlapping roles as “a woman in trouble”... Read more... |
Album: McFly - Power to PlayFriday, 09 June 2023
When McFly returned to our loudspeakers in the summer of 2020 with Young Dumb Thrills, the record marked their first in a decade. The foursome, comprised of guitarist/vocalist Tom Fletcher, bassist/vocalist Dougie Poynter, guitarist/vocalist Danny... Read more... |
The Shape of Things, Park Theatre review - the shape of what, exactly?Wednesday, 07 June 2023
It’s been more than 20 years since the premiere of The Shape of Things, Neil LaBute’s prickly drama about couples and friends and the ways we change each other. And boy, does it show. Director Nicky Allpress and a talented young cast try their best... Read more... |
Music Reissues Weekly: Cherry Stars Collide, Waves of DistortionSunday, 14 May 2023
In July 2007, an article in The Guardian expressed surprise that shoegazing was influencing a series of current musicians, Blonde Redhead, Deerhunter, Maps and Ulrich Schnauss amongst them.“You could hear the heady, woozy influence of a style of... Read more... |
Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this showTuesday, 11 April 2023
Chinese artist, Ai Weiwei has created an extremely beautiful installation at the Design Museum in which the disparate elements play their part in creating a powerful overall message. On one level the exhibition is about design, but it also... Read more... |
Album: The Zombies - Different GameThursday, 30 March 2023
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly figures in all time greatest albums lists, but it was a flop at the time and its reputation grew through a gradually... Read more... |
The New Electric Ballroom, Gate Theatre, Dublin review - fantasy and memory hauntingly interwovenThursday, 09 March 2023
Commuting between London and Dublin has its fascinations.10 days ago, I saw for the first time at the Southwark Playhouse’s Elephant Theatre, heart in mouth during most of it, Enda Walsh’s The Walworth Farce, his first Edinburgh Festival Fringe... Read more... |
Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woesTuesday, 21 February 2023
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill... Read more... |
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