tue 03/12/2024

1990s

Album: Noel Gallagher's High Flying Birds - Council Skies

Council Skies was created in Noel Gallagher’s new studio, partly during lockdown, an attempt to reconnect with where he came from, Manchester, as per its cover art. It’s not an exercise in nostalgia (except insofar as everything either Gallagher...

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Music Reissues Weekly: Cherry Stars Collide, Waves of Distortion

In July 2007, an article in The Guardian expressed surprise that shoegazing was influencing a series of current musicians, Blonde Redhead, Deerhunter, Maps and Ulrich Schnauss amongst them.“You could hear the heady, woozy influence of a style of...

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Jah Wobble, Brighton Festival 2023 review - Coronation bank hol Sunday marathon

Jah Jah Jah blah blah blah. We’ll get to that.I meet Everest at Worthing station at 3.20pm. He’s clad in a light brown corduroy jacket and a cap. He looks dapper. Like a Len Deighton spy. We board the train to Brighton. I hand him a chilled bottle...

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The Dam review - a remarkably haunting allegory

Maher (Maher el Khair, an actual brick-maker) works in a brickyard sloshing sticky mud into rectangular moulds with his bare hands. Next the mud bricks are tipped out to dry in the sun, before being fired in a large, wood fired kiln. The same...

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Prohaska, Hallé, Bloxham, Bridgewater Hall, Manchester review - a sure hand at the helm

Getting on for 27 years ago, Thomas Adès’ These Premises Are Alarmed was one of the pieces commissioned by the Hallé for a premiere in the opening series of concerts at the new Bridgewater Hall, conducted by Kent Nagano.Now that Adès, then their...

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Album: Steve Mac - Bless This Acid House

Some rock bands base their career around being musically fluid, an ever-changing what-will-they-do-next? conundrum. Others, such as, famously, Motörhead and The Ramones, simply go on doing their thing, honing it, repeating ad infinitum, with an...

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Max Porter: Shy review - an ode to boyhood and rage

Max Porter continues his fascination with the struggles of youth in his newest release, Shy: his most beautifully-wrought writing to date, an ode to boyhood and a sensitive deconstruction of rage, its confused beginnings, its volatile results, and...

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Panda Bear & Sonic Boom, Komedia, Brighton review - a delightfully woozy head-trip

My associate for the evening has recently returned from Breaking Convention, a conference on psychedelics, celebrating their renaissance in recent years. He’s been microdosing regularly. Around us the crowd sways, many with eyes closed, bobbing,...

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theartsdesk on Vinyl: Record Store Day Special 2023

Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023Suicide A Way of Life Rareties...

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Orbital, Brighton Centre review - a solid hands-in-the-air night out

Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century.The Hartnoll brothers are also jigging onstage...

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Inspiral Carpets, Concorde 2, Brighton review - a raucous catalogue of Madchester-era hits

As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past. Seeing them play it at a 600-capacity venue makes me recall seeing them, over three decades ago,...

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Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woes

Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill...

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