1990s
The Chemical Brothers, O2 review - eye-boggling monster rave-upMonday, 02 December 2019
The O2 is usually a bright, sterile space before the bands come on. Its starkly lit US sports event ambience is accentuated by humanity milling around layered plastic seating clutching giant tubs of soft drink. Not so tonight. The venue has been... Read more... |
The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?Friday, 29 November 2019
Of all the groups you probably wouldn’t want to be part of, surely the hyper-adrenalised, hardscrabble populace of The Wolf of Wall Street, the Jordan Belfort memoir made into an amphetamine rush of a film by Martin Scorsese, must rank near the... Read more... |
CD: Pete Tong & HER-O - Chilled ClassicsThursday, 28 November 2019
Ever since rock’n’roll began, the orchestral cover version has played a contentious role in popular music. It has sometimes signified a revision of raw musical styles for those who prefer being spoon-fed; it has sometimes represented aspirations to... Read more... |
theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and moreWednesday, 13 November 2019
Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere... Read more... |
Lisa Stansfield, Royal Albert Hall - mutual Affection, 30 years onFriday, 01 November 2019
Rochdale boasts quite a number of star turns but those that spring readily to mind are William Walton, Andy Kershaw, Barb Jungr, Gracie Fields and Lisa Stansfield. And here’s a good pub quiz question: what, apart from Rochdale, links Gracie and Lisa... Read more... |
CD: Underworld - DRIFT Series 1Saturday, 26 October 2019
Underworld’s first album in three years comes in two versions: a seven-CD box set with a disc of Blu-ray visuals and an 80-page full-colour book or a stand-alone ten-track sampler, which is also included in the gargantuan release. As theartsdesk has... Read more... |
Richard Hawley, Barrowland, Glasgow - black clad crooner's songs remain full of atmosphere and heartThursday, 17 October 2019
When Richard Hawley arrived onstage, he had a confession to make. “I like to talk”, he declared, before adding “and play rock n’ roll”. Both were delivered in ample supply during the ensuing performance, the black clad quiff wearing troubadour a... Read more... |
Reissue CDs Weekly: Dip - Ḣ-Camp Meets Lo-FiSunday, 13 October 2019
The temptation with the 20th anniversary reissue of Ḣ-Camp Meets Lo-Fi (Explosion Picture Score) is to look for traces of what came earlier and pointers towards what would come in Iceland’s music. The album was credited to Dip, a collaboration... Read more... |
CD: 808 State - Transmission SuiteSaturday, 05 October 2019
Prior to the UK dance music explosion of summer 1988, house and techno were American micro-scenes, geographically restricted to Chicago, Detroit and New York. Small coteries showed interest in the UK, but few thought of making the stuff. Mancunian... Read more... |
Reissue CDs Weekly: The Daisy AgeSunday, 29 September 2019
In the lyrics of 1989’s “Doin’ Our Own Dang”, Jungle Brothers’ Mike D noted his combo were “Breaking the beat others wished they broke.” Going further, he acknowledged “Cause you’re trying to feel what’s on my reel to reel.” Jungle Brothers... Read more... |
The Intelligence Park, Linbury Theatre review - baroque to the point of obscurityThursday, 26 September 2019
Could Gerald Barry's first opera really be as enervating in the Royal Opera House's Linbury Theatre as it seemed nearly 30 years ago at its Almeida Music Festival premiere? Since then we've become accustomed to wonder at, even love, the Barry style... Read more... |
The Sisters of Mercy, Roundhouse review - hits delivered from the darknessMonday, 23 September 2019
While bands such as The Birthday Party, Siouxsie and the Banshees and, especially, Bauhaus had a hand in inventing goth music at the start of the Eighties, it was The Sisters of Mercy who defined it. Their combination of black clad cowboy shtick,... Read more... |
