1990s
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Bonnie Raitt, Brighton Dome review - a top night with a characterful, very American blues rock queen
Thomas H. Green
If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of your life. They are the kind of purely American rhythm’n’blues experience, tempered with FM radio balladry, that somehow works best, and perhaps only, on those endless highways and dusty plains.Tonight she imports that spirit – the best of America at a time when the world is seeing the worst of it – to a 200-year-old hall full of septuagenarians on the British south coast.Raitt plays for an hour-and-a-half and has real presence, a gregarious chatty Read more ...
Sarah Kent
Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they would become household names so their work is now familiar, he disappeared from view. It makes his Whitechapel retrospective feel like a rediscovery – incredibly fresh and immediate.Stepping into the main gallery, you are infused with a supreme sense of calm. Hanging from the ceiling is a Newton’s cradle – 18 glass orbs suspended a few inches apart on fine wires (main picture). Glowing golden yellow, these fragile vessels are serenely beautiful. Read more ...
Kathryn Reilly
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more dignified experience is on offer from Sheffield. More is Pulp’s first album for 24 years, which is a sobering fact for those of us who still remember the first time. Thankfully, this isn’t a reprisal of past glories but a vibrant and moving work of some significance. They’ve ripened delightfully and are living proof that age does not diminish creativity or relevance.The title of the first single had me worried. While slightly dreading a return to having left an important part of Read more ...
Thomas H. Green
A long time ago, in a galaxy far, far away called the late 1990s, there was a scene known as “big beat”. It consisted of club culture sorts making music closer in flavour to rock, and easier to drink beer to than house and techno.It gave us both Fatboy Slim and Chemical Brothers, as well as a thousand long-forgotten acts (with apologies to those still listening to Hardknox and Boom Boom Satellites). But perhaps the most intriguing artist was Death In Vegas. Their seventh album is Spartan, stern, crafted, enigmatic and dripping with Berlin-esque cool.Death in Vegas is now just DJ-producer Read more ...
Thomas H. Green
Morcheeba reach their 30th anniversary this year. The 1990s band, a unit once synonymous with phrases such as “trip hop” and “chill-out”, are up to album number 11. Their multi-million-selling oeuvre is based around a hazy combination of low-slung hip hop beats, stoned electronic atmospherics, spacey, slightly John Barry wah-wah guitar, and the luxurious voice of frontwoman Skye Edwards. Because the formula is always approximately the same, each album wins or loses dependent on whether they’ve nailed a sweet set of songs. On this occasion they do.Morcheeba has been the duo of singer Skye Read more ...
James Saynor
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the 1990s. The phrase brings the half-forgotten world of Generation X back to us from the mists of time, with its slackers and Douglas Coupland books and mumbling evasions.The New York-based Ulman says she wanted to explore this Gen X world in her second feature, Magic Farm – but rather confusingly she sets it in the present amid the X-ers’ successors, the Millennials. From her angle, there seems scarce difference between Read more ...
Hugh Barnes
The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second feature as a director, after the 2002 short film La Mer, but most people will remember her for an extraordinary performance as a 13-year-old actor in Uli Edel’s 1981 cult film Christiane F. The following year, she had an equally memorable walk-on in Rainer Werner Fassbinder’s last film Querelle.Edel’s movie controversially depicted the empty lives of teenage drug addicts in West Berlin a decade before the collapse of East German communism and the fall of the Wall. In Two to One, Brunckhorst fast-forwards, as it Read more ...
Helen Hawkins
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but before poker become a game for mathematical whizz kids. What it reveals as it maps the male psyche seems as pertinent as ever. Into the gladiatorial arena of a weekly poker game among restaurant colleagues comes a (disguised) pro player, and the results are explosive. There are no women here, which is the point. Their disapproving tongues aren’t needed as the combatants are perfectly adept at skewering themselves. These are men who have mistaken risk- Read more ...
Thomas H. Green
Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025Marianne Faithfull Burning Moonlight EP (Decca)A fitting and thoughtfully put together final release from an icon. Marianne Faithfull, who died in January this year, aged 78, was a one-off singer and creative, also a proper 1960s countercultural heavyweight, a woman who lived the best and worst of bright, fast hedonism. Read more ...
Thomas H. Green
Mike Scott is The Waterboys. Launched by wide-eyed 1980s folk-rock, and “The Whole of the Moon”, he’s long since roamed into whatever stylistic gumbo he fancies. The latest album – the band’s 16th – is a concept piece, a 25-track sonic biography of the late Hollywood maverick Dennis Hopper.It’s sometimes entertaining, sometimes preposterous, and sometimes pure cringe. The songs follow the chronology of Hopper’s life. For instance, there’s a floaty Floyd-ish song early on called “Blues for Terry Southern”, in honour of Easy Rider’s co-writer, while near the end is “Golf, They Say”, a southern Read more ...
Sarah Kent
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the palm of his hand is a fragile dwelling whose flimsy walls are held together by pins. This tiny model is made from pieces of the artist’s skin removed during one of the many operations he underwent during his short life; sadly he died the following year, aged only 37.His body was crumbling under the onslaught of sickle cell anaemia, a disease that almost exclusively affects people of African descent and for which there is no known cure. In one of his notebooks, beside a Read more ...