1980s
A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunitedMonday, 19 April 2021
There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s new play that there are moments when we almost forget the weighty historical circumstances that lay behind the long-awaited encounter between two old... Read more... |
Memories of My Father review - the richness of childhood, the cruelty of historySaturday, 27 March 2021
Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-language title of both book and film, El Olvido Que Seremos (“... Read more... |
Reissue CDs Weekly: Linda Smith - Till Another Time 1988-1996Sunday, 21 March 2021
“I See Your Face” opens with a short burst of Phil Spector-ish tambourine rattling. The sort of thing also employed by the early Jesus & Mary Chain. Then, a cascading folk-rock guitar paves the way for a disembodied voice singing over a spooky... Read more... |
Album: LOUISAHHH - The Practice of Freedom (HE.SHE.THEY.)Thursday, 11 March 2021
Somewhere in dance culture or other, the Eighties revival has now been going on more than twice as long as the actual Eighties did. Starting around 1998, it reached an initial peak in the early 2000s as the dayglo-fashion led electroclash, but... Read more... |
Deutschland 89, Channel 4 review - the Wall comes down, what next?Saturday, 06 March 2021
Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of... Read more... |
Reissue CDs Weekly: Disco Zombies - South London StinksSunday, 14 February 2021
“Witless punk” was the weekly music paper Sounds assessment of Disco Zombies’s first single “Drums Over London”. NME’s Paul Morley was more measured, declaring it “ill-disciplined slackly structured new pop but the chorus alone makes up for it.”... Read more... |
Reissue CDs Weekly: Richard Hell & The Voidoids - Destiny Street CompleteSunday, 24 January 2021
"Three plus versions of the same album. It’s ridiculous, but I’m glad.” The first paragraph of Richard Hell’s text in the booklet accompanying Destiny Street Complete lays it out. There are, indeed, three versions of his and his band The Voidoids’s... Read more... |
Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'Tuesday, 08 December 2020
Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into... Read more... |
Reissue CDs Weekly: Scars - Author! Author!Sunday, 06 December 2020
Scars’s tour de force album Author! Author! has been out of sight for too long. Originally released in 1981, it first reappeared on a swiftly withdrawn CD in 2007. Apparently, there were issues about where the rights for its reissue lay. Now, it has... Read more... |
Small Axe: Red, White and Blue, BBC One review - sobering real-life story of police officer Leroy LoganMonday, 30 November 2020
The third film in Steve McQueen’s Small Axe quintet (BBC One) took for its subject the real-life story of Leroy Logan, the Islington-born son of Jamaican parents who joined the Metropolitan Police in the early Eighties. Despite encountering racism... Read more... |
Album: Miley Cyrus - Plastic HeartsFriday, 27 November 2020
Miley Cyrus has always been, broadly, A Good Thing. A Top Pop Star. A sassy, funny, puritan-scaring, omnisexual chaos monkey at the heart of pop culture, doing pretty much whatever she fancies when she fancies. Not that this has always meant she’s... Read more... |
Reissue CDs Weekly: Do You Have The Force - Jon Savage’s Alternate History Of ElectronicaSunday, 22 November 2020
“During 1975, 1976 and the first half of 1977 punk was the future but, after the highpoint of ‘God Save the Queen’, London punk already seemed spent. By the time that the Sex Pistols ‘Pretty Vacant’ was tumbling out of the charts in early... Read more... |
