1980s
10 Questions for Bobby Gillespie of Primal ScreamFriday, 02 July 2021![]() Bobby Gillespie (b 1962) is best known as the lead singer and driving force of rock band Primal Scream. He was born and raised in Glasgow and met future Creation Records boss Alan McGee at school. The pair would later move to London and, after a... Read more... |
Album: Laura Mvula - Pink NoiseWednesday, 30 June 2021![]() Album number three from Ivor Novello-winning singer-songwriter Laura Mvula sees her paying singularly personal homage to the music of the 1980s. Change, Chic, Michael Jackson and more are all called to mind at various points, with “Church Girl”... Read more... |
Blu-ray: Fast Times at Ridgemont HighTuesday, 01 June 2021![]() Watching Fast Times at Ridgemont High in 2021 is like taking a trip in a time machine and stepping out into a totally different world. The 1982 teenage comedy marked the debut of director Amy Heckerling (who would go on to make Clueless)... Read more... |
Reissue CDs Weekly: The Loft - Ghost Trains & Country LanesSunday, 30 May 2021![]() “All the best bits of Dylan and the Velvets with a post-punk Eighties edge to it.” That’s how Alan McGee described The Loft to NME in November 1984. Their first single, “Why Does the Rain”, had come out on his Creation label that September. Their... Read more... |
Album: Gary Numan - IntruderThursday, 20 May 2021![]() Gary Numan says that his new album “looks at climate change from the planet’s point of view… it feels betrayed, hurt and ravaged… it is now fighting back.” Intruder is, then, a bleak, apocalyptic concept album. Given his last album explored similar... Read more... |
theartsdesk on Vinyl 64: Chet Baker, Lava La Rue, Bob Mould, Krust, The Yardbirds, The Fratellis and moreMonday, 17 May 2021![]() Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The Great Gatsby. It's because there's so much good music that deserves the words, from jazz to metal to pure electronic... Read more... |
A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunitedMonday, 19 April 2021![]() There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s new play that there are moments when we almost forget the weighty historical circumstances that lay behind the long-awaited encounter between two old... Read more... |
Memories of My Father review - the richness of childhood, the cruelty of historySaturday, 27 March 2021![]() Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-language title of both book and film, El Olvido Que Seremos (“... Read more... |
Reissue CDs Weekly: Linda Smith - Till Another Time 1988-1996Sunday, 21 March 2021![]() “I See Your Face” opens with a short burst of Phil Spector-ish tambourine rattling. The sort of thing also employed by the early Jesus & Mary Chain. Then, a cascading folk-rock guitar paves the way for a disembodied voice singing over a spooky... Read more... |
Album: LOUISAHHH - The Practice of Freedom (HE.SHE.THEY.)Thursday, 11 March 2021![]() Somewhere in dance culture or other, the Eighties revival has now been going on more than twice as long as the actual Eighties did. Starting around 1998, it reached an initial peak in the early 2000s as the dayglo-fashion led electroclash, but... Read more... |
Deutschland 89, Channel 4 review - the Wall comes down, what next?Saturday, 06 March 2021![]() Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of... Read more... |
Reissue CDs Weekly: Disco Zombies - South London StinksSunday, 14 February 2021![]() “Witless punk” was the weekly music paper Sounds assessment of Disco Zombies’s first single “Drums Over London”. NME’s Paul Morley was more measured, declaring it “ill-disciplined slackly structured new pop but the chorus alone makes up for it.”... Read more... |
