1970s
Tim Wardle: 'A documentary director has huge power over the interview subject'Wednesday, 28 November 2018
(Warning: spoilers ahead) For a brief 15 minutes, this was the biggest story in America: three boys, identical in looks, discovering each other at the age of 19. Edward “Eddie” Galland, David Kellman and Robert “Bobby” Shafran were all adopted from... Read more... |
Reissue CDs Weekly: John & Beverley Martyn, Mott The HoopleSunday, 04 November 2018
Although John & Beverley Martyn and Mott The Hoople were both signed to Island, the connection went further than being with the same label. When Guy Stevens conceived the band he named Mott The Hoople, the producer saw them as uniting the... Read more... |
John Fogerty / Steve Miller Band, BluesFest 2018 review - keep on chooglin'Friday, 26 October 2018
Rock critic Greil Marcus observed that John Fogerty’s songs are “about as contrived as the weather”, and there can surely never have been such an easy and instinctive songwriter in rock’n’roll. After his glory years with Creedence Clearwater Revival... Read more... |
Bohemian Rhapsody review – all surface, no soulFriday, 26 October 2018
If a Queen biopic called for drama, scandal and outrage, then Bohemian Rhapsody spent its fill in production. Several Freddies had been and gone, rumours swirling about meddling band members, and then director Bryan Singer’s assault accusations... Read more... |
Possum review - mind-infecting homage to 1970s horrorThursday, 25 October 2018
Matthew Holness clearly knows a thing or two about low-budget British horror from the early 1970s. In TV comedy Garth Marenghi’s Darkplace he was as merciless as he was affectionate in ripping the genre apart. His debut feature as writer-director is... Read more... |
Matthew Holness: 'I wanted to make a modern silent horror film'Friday, 19 October 2018
Watching Matthew Holness’ debut feature Possum, you’d be forgiven in thinking he was a tortured soul. Lead character Phillip (played by Sean Harris, pictured below) is a lean marionette of a man, prone to horrific flights of fantasy involving a... Read more... |
theartsdesk on Vinyl 43: Pixies, Nazareth, Yumi and the Weather, Beta Band, Northern Soul and moreFriday, 05 October 2018
There’s been a lot of conjecture over the last couple of years about HD Vinyl. It is, we’re told, a more precise and rounded analogue experience, taking record-listening to the next level. The company’s Austrian MD Guenter Loibl has explained that... Read more... |
The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strangeThursday, 04 October 2018
There’s a building site outside the Towner Art Gallery and a cement mixer seems to have strayed over the threshold into the foyer. This specimen (pictured below right) no longer produces cement, though. David Batchelor has transformed it into an... Read more... |
CD: Nile Rodgers & Chic - It's About TimeThursday, 27 September 2018
Nile Rodgers is a pop juggernaut, up there with the very biggest. Aside from Chic's disco monsters “Good Times” and “Le Freak”, he’s also responsible for Sister Sledge’s career (“We Are Family”), “Let’s Dance” by Bowie, Madonna’s “Like a... Read more... |
CD: Hawkwind - Road to UtopiaSaturday, 15 September 2018
Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt... Read more... |
CD: Many Angled Ones - Suicide: Songs of Alan Vega and Martin RevFriday, 31 August 2018
The long career of New York electronic duo Suicide finally came to an end upon the death of their vocalist Alan Vega in 2016. They had not, however - and to say the least – been very prolific in decades. Their reputation rests almost entirely on... Read more... |
CD: Paul Simon - In The Blue LightWednesday, 29 August 2018
Paul Simon is currently traversing the globe on his Farewell Tour. His new album clearly accompanies that. It’s a thoughtful look backwards wherein Simon has plucked numbers from his catalogue he feels deserve another go-round, recording them with... Read more... |
