1960s
Thomas H. Green
To anyone other than Eighties and Nineties indie obsessives, the guitarist from The House of Love and Levitation and the singer from Adorable getting together in 2014 did not cause a stir. However, both had stylistically leapt away from their pasts, and the resulting album, Broken Heart Surgery, showcased rich, heart-worn songs, filtered through a sensibility somewhere between Lee Hazelwood and John Barry 1960s film scores. It brought them a new audience. Their second album is equally palatable.Boasting great cover art by photographer Rosanne de Lange, featuring the now disappeared car Read more ...
Liz Thomson
I was 10 in 1967 though I remember much about the year, indeed about the era, not least the release of Sgt Pepper and the first live global satellite broadcast, when the Beatles sang “All You Need is Love”, and all the great transatlantic hits, including of course Scott Mackenzie’s “San Francisco (Be Sure to Wear Some Flowers in Your Hair)”. Soon would begin my obsession with the 1960s – Joan Baez was the gateway drug, an album from my sister’s collection my route to learning guitar and her voice and music my entree to Bob Dylan and to the folk and folk-rock that enthrals me still and to Read more ...
Adam Sweeting
The precocious Steve Winwood joined the Spencer Davis Group when he was 14, when the Sixties themselves were still young, and hasn’t really stopped ever since. True, it has been nearly a decade since his last album of new material, Nine Lives, but he has toured with Eric Clapton and Tom Petty, pops up at assorted festivals and live events, and has put together a highly capable live band that can bend his songs into shapes you might never have thought possible. His voice and abilities on guitar and Hammond B3 organ (a wonderfully quaint instrument which looks like a small wardrobe) remain Read more ...
Anthony Quinn
I am intrigued by those writers who plan their novels with the bristling rigour of a military strategist, drilling their characters like counters on a model battlefield. And impressed that they seem in absolute control of the direction their story is going to take. One novelist friend told me he always has the final line of his book written before he even starts.I am not, alas, that kind of writer. I plot and scheme, of course, but it hardly ever comes out the way I’ve sketched in my head. The late William Trevor said of his writing: “If I didn’t believe it was a mystery, the whole thing Read more ...
Kieron Tyler
In a 1967 headline, The Washington Post pegged Lynn Castle as a “Shapely Blonde in Blue Jeans, Popular Barber in Hollywood”. She had attracted attention as the hairdresser of choice for The Byrds, The Monkees, Del Shannon, Sonny & Cher and Stephen Stills. Known as “The Lady Barber”, she also cut the hair of music business movers and shakers Lee Hazlewood and Monkees’ songwriters Boyce and Hart.The Washington Post had no interest in her other life as a songwriter. Her song “Teeny Tiny Gnome” (originally titled “Kicking Stones”) was recorded by The Monkees but wasn’t issued until 1987. In Read more ...
Mark Kidel
One-Eyed Jacks, the only film Marlon Brando ever directed, is a masterpiece by any reckoning, a classic western about love and treachery, as well as a startling and boundary-breaking re-invention of the genre.The tragedy unfolds, through many twists and turns, from a moment of betrayal that subsequently haunts two bank-robbers, Rio (Brando) and Dad Longworth (Karl Malden). The story focuses on Rio’s quest for revenge: after five years in a horrific Mexican prison, he comes upon Longworth, who has now re-invented himself as the sheriff of Monterey, California. The two actors, both originally Read more ...
Adam Sweeting
As the accompanying music reminded us, it's the time of the season for looking back in languor at the psychedelic daze that descended on America's West Coast in 1967. It was an era when one was enjoined, if going to San Francisco, to "be sure to wear flowers in your hair". "Feed your head," added the Jefferson Airplane, ensconced in their Haight-Ashbury rabbit-hole.However, the scope of this first of two programmes was much wider, and far more interesting, than a mere survey of the rock groups of the day. It went back to the beginning of the 20th century and travelled both east and west as it Read more ...
Adam Sweeting
It probably hasn’t escaped your notice that we are celebrating the 50th anniversary of Sgt Pepper’s Lonely Hearts Club Band, the triumphant vindication of the Beatles' decision to quit touring and instead exploit the possibilities of the recording studio. Could there be anything new to say about an album so thoroughly analysed, anatomised, eulogised and mythologised?Eager to answer that question with a resounding “yes” came Howard Goodall, bounding eagerly into the studio to tell us why, exactly, Sgt Pepper is so blinking marvellous and how it blew open the doors to a limitless new Read more ...
Kieron Tyler
Fat cigar at hand, Jim Morrison is pondering the future of music. “Maybe it might rely heavily on electronics, tapes,” he says. “I can envision maybe one person with a lot of machines, tapes and electronic set ups, singing or speaking and using machines.” When that prediction was first broadcast in late June 1969, what he described may have seemed outlandish but it came to pass. He can’t be held responsible for Howard Jones, but whole genres of music evolved which revolved around solo artists utilising, indeed, machines, tapes and electronic set ups.However, at that moment, it’s unlikely many Read more ...
Liz Thomson
Wow! An unconventional opening for a book review maybe, but ‘“wow!” nonetheless. Subtitled "How Skiffle Changed the World", this is an impressive work of popular scholarship by the singer, songwriter and social activist whose 40-year (and counting) career has embraced folk, punk, rock and Americana, and various combinations of those genres. It has also seen him anointed as an heir to Woody Guthrie, the late great journalist and song-maker, the Dust Bowl balladeer who, more than half a century ago, wrote a song about a little-known racketeer landlord whose mercenary tactics would lay the Read more ...
Kieron Tyler
Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider. Axton himself didn’t release a version until 1971, when “The Pusher” appeared on his Joy to the World album. The title track, another of his best-known compositions, had charted earlier that year for Three Dog Night. Back in early 1963 "Greenback Dollar", which Axton had co-written, was a US hit for The Kingston Trio.While his songs could have Read more ...
Adam Sweeting
We’ve recently seen how Formula One heroes Ayrton Senna, Niki Lauda and James Hunt can become box office gold, in the form of Senna and Rush. Roger Donaldson’s profile of New Zealand race ace Bruce McLaren is more for enthusiasts than a wider public, but for anyone interested in the sport it’s an illuminating portrait of a gifted F1 pioneer who has lapsed somewhat into obscurity since his death in 1970, aged 32.McLaren’s name still adorns the Woking-based team that has produced champions like Senna, Mika Hakkinen and Lewis Hamilton, but today’s technocratic monolith in its Star Trek Read more ...