1950s
Trouble in Tahiti/A Dinner Engagement, Royal College of Music review - slick, witty and warmSaturday, 29 June 2019
It’s a clever decision to pair Lennox Berkeley’s A Dinner Engagement with Leonard Bernstein’s Trouble in Tahiti. The first is all about happily-ever-after, while the second is all about what happens next. The optimistic grime and smog of 1950s... Read more... |
Reissue CDs Weekly: Marty WildeSunday, 09 June 2019
Although Marty Wilde will forever be inextricably linked with the late 1950s British rock ‘n’ roll wave he rode, his career did not peter out as musical styles transformed. While he didn’t have the high-profile mutability of Cliff Richard or claim a... Read more... |
Wife, Kiln Theatre review - queer epic is joyful and intenseWednesday, 05 June 2019
In one lifetime, the many loves that once dare not speak their names have become part of everyday chatter. But it would be shortsighted to believe that ancient prejudices are easy to overcome, or that change does not run the risk of creating... Read more... |
Lee Krasner: Living Colour, Barbican review - jaw-droppingly goodMonday, 03 June 2019
If you know of any chauvinists who dare to maintain that women can’t paint, take them to this astounding retrospective. Lee Krasner faced patronising dismissal at practically every turn in her career yet she persisted and went on to produce some of... Read more... |
Summer of Rockets, BBC Two review - pride and prejudice in 1950s BritainWednesday, 22 May 2019
Hallelujah! At last the BBC have commissioned a Stephen Poliakoff series that makes you want to come back for episode two (and hopefully all six), thanks to a powerful cast making the most of some perceptively-written roles.His most recent efforts,... Read more... |
Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepowerThursday, 16 May 2019
Where would Tennessee Williams's onetime flop be without the British theatre to rehabilitate it on an ongoing basis? Arriving at the Menier Chocolate Factory in a co-production with Theatre Clwyd, where Tamara Harvey's production has already been... Read more... |
Blu-ray: Khrustalyov, My Car!Tuesday, 30 April 2019
The title of Khrustalyov, My Car! comes, infamously, from the words uttered by NKVD chief Lavrenty Beria as he departed the scene of Stalin’s death in March 1953, and Alexei German’s film comes as close as cinema can to dissecting the surreal terror... Read more... |
Billy Budd, Royal Opera review - Britten's drama of good and evil too much at seaWednesday, 24 April 2019
On one level, it's about Biblically informed good and evil at sea, in both the literal and the metaphorical sense. On another, the love that dared not speak its name when Britten and E M Forster adapted Hermann Melville's novella is either repressed... Read more... |
Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of BritpopSaturday, 13 April 2019
If you were a fan of “Rock Island Line” when it became a pop hit, you’d have to be at least in your mid-70s now. In 1956, Paul McCartney heard Lonnie Donegan perform it live in Liverpool, and Paul’s rising 77. How many below that age know it is moot... Read more... |
DVD/Blu-ray: The White ReindeerFriday, 05 April 2019
Finnish horror is a niche genre if ever there was one. Erik Blomberg’s directorial debut The White Reindeer is a seminal example, a beguiling, unsettling little film that’s two parts local colour to one part metaphysical thriller. Blomberg cut his... Read more... |
The Pilgrim’s Progress, RNCM, Manchester review – a theatrical triumphThursday, 04 April 2019
The Royal Northern College of Music’s spring opera is a theatrical triumph and musically very, very good. It’s 27 years since they last presented what Vaughan Williams called his "morality" – that was a triumph too, and they made a CD of it which I... Read more... |
The Crucible, The Yard Theatre review - wilfully over-stirredWednesday, 03 April 2019
The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for manipulation. Never more appropriate than now, you might think – and in a year in which the work of Arthur Miller... Read more... |
