1950s
Kieron Tyler
Various Artists: Who’s That Man – A Tribute to Conny PlankThe list of acts Konrad Plank worked with is a Hollywood Walk of Fame of Krautrock. As an engineer or producer he was behind seminal albums by Neu!, Cluster, Harmonia, La Düsseldorf and Kraftwerk. From outside Germany, Ultravox and Eurythmics came to him. Later-blooming locals like DAF sought him ought. Naturally, Brian Eno was around, both collaborating with Plank and bringing Devo to his studio to complete their first album. As the liner notes of this four-CD box set note, Plank turned U2 down, something Eno did not.Plank died Read more ...
ronald.bergan
Both on screen and off, Montgomery Clift was sensitive, hesitant, introspective, self-destructive and often tortured. A personality that expressed itself on film as if afraid of what the camera would reveal. There were at least three faces of Clift. The early public one of the dark, romantic, handsome star of the fan magazines; the face of extraordinary beauty marred after a car accident in 1956, and the private face of drink, drugs and a series of unloving homosexual encounters. Although the accident itself had not really disfigured him too seriously, it seems to have scarred his character Read more ...
joe.muggs
Feast aims high. Very, very high. Steered by experienced and much-lauded director Rufus Norris, five playwrights and one choreographer seek to make a fusion of physical theatre, dance, onstage music, straight drama, abstract poetic dialogue, projected animation and knockabout comedy to tell no less a story than 350 years of the history of the Yoruba people of west Africa. It spans four continents through recurring manifestations of a group of their “Orishas”, or gods, a series of meals, and an ongoing quest for eggs. Yeah, that old chestnut. It has the potential to be a glorious creation, one Read more ...
Lisa-Marie Ferla
I somehow avoided the period medical drama phenomenon that Call the Midwife became in its first series until the Christmas special. As befits the holiday season its storyline was trite, focusing on a teenage mother who miraculously managed to single-handedly give birth in a cupboard with no mess and little fuss.Such is a woman’s work: thankless, bloody and not suitable to be shown uncut while the nation’s families are gathered around the television after Sunday dinner (although, if you believe the adverts from nearly every major supermarket chain over the festive period, that too is mum’s Read more ...
Graham Fuller
Like the Will Hay classic Oh! Mr. Porter and the droll BBC miniseries Love on a Branch Line, Charles Crichton’s 1953 Ealing comedy, the first shot in Technicolor, celebrates the English love of rural railways run by unworldly eccentrics in whose hands ancient locomotives are objects of love, and sometimes dangerous weapons. A slight but ineffably charming pipedream, it was both nostalgic for pre-war village life and prophetic of the Beeching railway cuts that slashed branch lines in the mid-1960s, ending a way of life. When a greedy bus company threatens the fictional Titfield Read more ...
Kieron Tyler
Broadcast: Berberian Sound Studio Original SoundtrackMore than the soundtrack to one of last year's most impactful films, the release of the music for Berberian Sound Studio is a tribute to the memory of Trish Keenan. With her Broadcast partner James Cargill, Keenan had begun working on Peter Strickland’s film before her death in January 2011. Cargill found sound files of her voice on her computer and began from there – a task that must have been both eerie and poignant.Broadcast had long drawn inspiration from Italian soundtrack music and their 2009 album collaboration with The Focus Read more ...
geoff brown
René Clément? Who he? Sixty years ago the question didn’t need to be asked: 1952 was the year of his greatest triumph, Forbidden Games (Jeux interdits), one of four titles being issued separately by StudioCanal to mark his centenary. A quick glance at The Deadly Trap (1971), a tension-free thriller, with Faye Dunaway and Frank Langella all at sea, will partly explain why his reputation faded. Poor material aside, Clément was also a victim of bad timing. Rising to fame just before the New Wave hit, he felt himself in his own eyes to be a New Wave precursor. To Godard, Truffaut and company Read more ...
Adam Sweeting
You have to wonder whether blood, squalor, flea infestations, DIY childbirth and urine-soaked tenements are really the perfect family viewing elixir for 7.30pm on Christmas Day, but the BBC has obviously decided that it's good for us. Or, considering that the ornate and crenellated shadow of Downton looms so large over the festivities, maybe they felt they had no choice but to deploy the Midwife weapon, the Beeb's biggest drama hit in a decade. If you could keep your lunch from launching itself across the carpet - the woman having her baby's head extracted from between her legs while she Read more ...
Adam Sweeting
When the first series of The Hour aired last year, there was a lot of excitable talk about how it was the "British Mad Men". Having sat through series two, I've concluded that in fact it's the British version of Pan Am, that bizarrely idiotic airline series where all the air hostesses were covert operatives for the CIA, and visits to exotic international locations were achieved using plywood props and big photographs of famous landmarks.Despite its superficial attention to 1950s detail (suits, hats, frocks, cars), the more The Hour tries to feel authentic, the less convincing it becomes. Read more ...
Karen Krizanovich
White Christmas is named so you know that gorgeous song is inside it somewhere. Yes, this is the 12-year-younger and lesser remake of Holiday Inn that also stars Bing Crosby and also features the cry-your-guts-out, I-regret-everything holiday tune by Irving Berlin. The big difference is that in White Christmas, Bing sings along to a music box.The plot centres on Danny Kaye and Bing as a duo of WWII entertainers who find success a decade after the war. Wildly popular, they’re on TV, on Broadway, wherever there’s an audience, that’s where they’ll be. One’s a lady’s man, the other isn’t. Both Read more ...
Mark Sanderson
The first rule of temptation is to yield to it slowly, says a sozzled roué surrounded by semi-clad lovelies, it’s much more fun that way… The Hour is back and, the silly conspiracy strand sewn up at the end of the first series, better than ever.The BBC’s Lime Grove studios were never going to be a match for Madison Avenue but television news with its endless deadlines is far more exciting than advertising. If Abi Morgan’s retro-soap can’t be Mad Men it doesn’t lack bad men: Hector Madden, the alcoholic news anchor (Dominic West oozing sleazy charm); Angus McCain, a shifty Whitehall mandarin ( Read more ...
Sarah Kent
William Klein’s exhibition opens with Broadway by Light (1958), a celluloid elegy to advertising made in the days before neon. Myriad bulbs flash the names of brands like Coca Cola, Camel, Budweiser and Pepsi across New York’s night sky. Silhouetted against vast hoardings, men perch on ladders to hang letters outside Broadway theatres or screw in brightly coloured bulbs that create gaudy, syncopated patterns which, when reflected in rainwater puddles, ripple and shimmer with the subtlety of abstract paintings.Dubbed the first pop art film, it has a celebratory mood that is in stark contrast Read more ...