1940s
The Rake's Progress, Complicité online review - well-projected journey from pastoral to madhouseWednesday, 08 April 2020
One way to look at Stravinsky's celebrated collaboration with W H Auden and Chester Kallman is as a numbers opera in nine pictures, four of them indebted to Hogarth's series of paintings/prints. So it's not surprising that visual flair has marked... Read more... |
Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare worldWednesday, 08 April 2020
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April 1945, the BBC’s reporter Richard Dimbleby was there to record the occasion. It was Dimbleby’s report for BBC... Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century.... Read more... |
Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraintWednesday, 11 March 2020
No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and... Read more... |
Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perceptionTuesday, 03 March 2020
Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing... Read more... |
Blu-ray: Black AngelTuesday, 04 February 2020
Waking at a pivotal moment in Black Angel, alcoholic songwriter-pianist Marty Blair (Dan Duryea) momentarily mistakes his new professional partner Catherine Bennett (June Vincent) for his estranged wife Mavis Marlowe (Constance Dowling). Each is a... Read more... |
Belsen: Our Story, BBC Two review - inside the unfathomable horror of the HolocaustWednesday, 29 January 2020
The 75th anniversary of the liberation of Auschwitz reminds us once again of the unfathomable horror of the Holocaust. The revival of anti-semitism in our own country and elsewhere is why it’s worth telling these terrible stories again and again.... Read more... |
Oriole Ensemble, Conway Hall review - sublimely peculiar chamber musicTuesday, 28 January 2020
When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I reviewed chamber music at Conway Hall I looked forward to my next visit. So a Conway Hall programme... Read more... |
Street Scene, Opera North review - a true ensemble achievementMonday, 27 January 2020
Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of work. Its music ranges from the seriously dramatic to fun numbers like the "Ice Cream Sextet" and the jitterbug dance song “Moon Faced, Starry... Read more... |
Peter Grimes, Bergen Philharmonic Orchestra, Gardner, RFH review - more instrumental than vocal intensitySunday, 01 December 2019
"Sadler's Wells! Any more for Peter Grimes, the sadistic fisherman?," a cheery bus conductor is alleged to have called out around the time of this towering masterpiece's premiere in 1945. The side of a "Grimes bus" today would probably proclaim over... Read more... |
Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiereSaturday, 09 November 2019
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello... Read more... |
The Irishman review - mobster masterclassThursday, 07 November 2019
Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more ... Read more... |
