1940s
Oriole Ensemble, Conway Hall review - sublimely peculiar chamber musicTuesday, 28 January 2020![]() When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I reviewed chamber music at Conway Hall I looked forward to my next visit. So a Conway Hall programme... Read more... |
Street Scene, Opera North review - a true ensemble achievementMonday, 27 January 2020![]() Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of work. Its music ranges from the seriously dramatic to fun numbers like the "Ice Cream Sextet" and the jitterbug dance song “Moon Faced, Starry... Read more... |
Peter Grimes, Bergen Philharmonic Orchestra, Gardner, RFH review - more instrumental than vocal intensitySunday, 01 December 2019"Sadler's Wells! Any more for Peter Grimes, the sadistic fisherman?," a cheery bus conductor is alleged to have called out around the time of this towering masterpiece's premiere in 1945. The side of a "Grimes bus" today would probably proclaim over... Read more... |
Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiereSaturday, 09 November 2019![]() Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello... Read more... |
The Irishman review - mobster masterclassThursday, 07 November 2019![]() Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more ... Read more... |
Werewolf review - post-Holocaust horrorsSunday, 06 October 2019![]() There used to be this myth that we knew nothing about the concentration camps until the victors opened their gates in 1945, and that the survivors were then nursed back to health. The Russians put out newsreels filmed weeks later of nurses tending... Read more... |
Balsom, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - made in BrumThursday, 03 October 2019![]() There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of... Read more... |
CD: Renée Zellweger - JudyWednesday, 18 September 2019![]() Renée Zellweger already has strong musical cinema form, Her role as Roxie Hart in Chicago garnered her second Oscar nomination. However, playing and singing Judy Garland is a whole different ball game. The film Judy takes a late-Sixties run of... Read more... |
Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019Friday, 09 August 2019![]() Following a triumphant resurrection of Jesus Christ Superstar, now playing at the Barbican, the Park works its magic on another of Andrew Lloyd Webber and Tim Rice’s Seventies rock operas. Jamie Lloyd’s stripped-down, super-sleek, contemporary take... Read more... |
War and Peace, Welsh National Opera, Royal Opera House - bold epic weakened by loosely-directed characterisationsWednesday, 24 July 2019![]() On the UK's biggest day of shame, it was some relief to tap in to the fury of the Russian people at a much greater national degradation (Napoleon's invasion in 1812, Hitler's in 1941). Though it works even better at the end of the first, "Natasha... Read more... |
Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy scriptThursday, 11 July 2019![]() Better than the 2001 film but likely to disappoint devotees of the book, Captain Corelli's Mandolin onstage works best as a reminder of the identifiable stagecraft of its director, Melly Still. Playful, non-literal, and often endearingly physical (... Read more... |
Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childishSunday, 30 June 2019![]() Svetlana Alexievich’s Last Witnesses: Unchildlike Stories is a collection of oral testimonies conducted between 1978-2004 with Soviet and post-Soviet citizens who were children during the second world war. They recount strange and terrible... Read more... |
