16th century
Lia Rockey
Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink by one too many new books on Shakespeare, each nervously proclaiming truly never-before-seen revelations – I suggest patience. Schoch is aware of the balance that writing this kind of book demands. He also has the sort of well-oiled experience that reassures us of a pair of safe hands. There’s a sweet spot that must be struck when writing a Shakespeare book, one between nicheness and accessibility, Read more ...
Gary Naylor
Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare? Well, the fact that there is nothing old to be said about him (very little is known about the life of the glover’s son from Stratford) means that there’s always something new, as the evidence to gainsay any claim is minimal. Tedious conspiracy theories aside, it’s the kind of paradox the man himself might have appreciated.That’s the jumping off point for 72 Films’ lavish production for BBC Arts, a three-hour series that sits somewhere between the "clips and talking heads" Read more ...
Helen Hawkins
The RSC apparently has a hit on its hands with its West End transfer of Hamnet. Box office demand has already prompted an extension of the run by six weeks, until February 2024.The draw is presumably the bestselling 2020 novel by Maggie O’Farrell on which the play is based, which is a commandingly and inventively written unfolding of the Shakespeare family’s poignant story over almost two decades, at the heart of which is Agnes Hathaway’s relationship with Will Shakespeare and their three children, who include the Hamnet of the title.O’Farrell maps out this story in chronological zigzags, Read more ...
Sarah Kent
Despite the fact that it’s a cruel depiction of an aging woman, I have always loved Quinten Massys’ The Ugly Duchess (pictured below, left). The Flemish artist invites us to laugh at an old dear who, in the hope of attracting a suitor, has tucked her hair into a horned headdress and decked herself in a décolleté gown that exposes her wrinkled cleavage. Even in 1513, her ridiculous outfit would have been outmoded. In her hand she holds a rosebud, suggestive of amorous intent; the implication is that this misguided soul has donned her youthful finery in an attempt to regain her lost allure and Read more ...
David Nice
When the first volume of Estonian master Jaan Kross’s peerless historical trilogy first appeared in an English translation by Merike Lepasaar Beecher back in 2016, what leapt out at me about this fictionalised saga about the adventures of real-life chronicler Balthasar Russow was how much it had in common with the Thomas Cromwell of Hilary Mantel’s Wolf Hall.Like Cromwell, Russow came from humble stock – though whether the peasantry into which he was born was Estonian-speaking, as Kross assumes, is open to question – and rose to mingle with aristocracy and royalty, a thorn in the side of many Read more ...
Helen Hawkins
“It was like Woodstock on steroids,” opines an expert in Netflix’s new release about the doomed marriage of Henry VIII and Anne Boleyn (yes, another one).Not sure you remember anything of that description from your history lessons? That would be the Field of the Cloth of Gold, the lavish spectacle staged near Calais in 1520 for a summit between Henry and François I of France. This remark should tell you the key thing you need to know about Blood, Sex & Royalty. It’s probably not for you, unless you are vetting it on behalf of teenage offspring. Its mesh of costumed soap with Read more ...
David Kettle
"The poem is real," intones entertainer-turned-courtier Ellen solemnly as a prologue and epilogue to Rona Munro’s vivid, vibrant new James IV: Queen of the Fight, presented by Scottish producers Raw Material and Edinburgh’s Capital Theatres in association with the National Theatre of Scotland, and getting its premiere at the city’s Festival Theatre before a Scotland-wide tour.It’s the follow-up – and latest in a projected series of no fewer than seven historical plays (the sixth, Mary, opens soon at London’s Hampstead Theatre) – to Munro’s James Plays trilogy unveiled at the Edinburgh Read more ...
Matt Wolf
"Get out!" The order, spoken some way into the third and final episode of Channel 5's entry into the Tudor drama sweepstakes, Anne Boleyn, certainly seizes one's attention. Not only is our doomed heroine snapping under pressure on the way to one of history's most-chronicled deaths, but her command to Thomas Cromwell marks one of the very few times across nearly three largely prosaic hours that Jodie Turner-Smith, in the title role, raises her voice. For most of the rest of the director Lynsey Miller's retread of this time-honoured story, Turner-Smith speaks in an often coy, whispery purr Read more ...
Miranda Heggie
For their concert debut at St Martin-in-the-Fields, The Gesualdo Six brought a programme of English motets for the final instalment in the venue's trio of Easter concerts. Having come together for a one-off project in 2014, singing Carlo Gesualdo’s Tenebrae Responsories for Maundy Thursday, this young, all-male ensemble found their vocal chemistry worked so well they carried on making music together. Though Gesualdo was absent from this performance, the works performed were all from around his time, opening with Orlando Gibbons’s "Come oh Holy Ghost".The group have a remarkable blend, Read more ...
Robert Beale
There’s an atmosphere of tender restraint through most of the programme created by Ruby Hughes and Manchester Collective for Lakeside Arts at the University of Nottingham. It was streamed live yesterday afternoon, and, as is the way with most performances just now, was in an empty hall, with its slightly strange "empty" acoustic affecting the spoken word as the artists introduced their music.Talking to an audience is very much the style of Manchester Collective, though, and artistic director Rakhi Singh does it with natural ease even when she can’t see who she’s talking to. She and the other Read more ...
Saskia Baron
Terrence Malick completists might consider this Blu-ray of The New World the dream version. Criterion's three-disc release contains the three different cuts of Malick's 2005 opus, which critics either believe is an incomparable masterpiece or an overly lavish work of self-indulgence.As well as a 4K restoration of the 172-minute version, there’s the 135-minute theatrical cut and the 150-minute first cut. Also included are an on-set documentary and new interviews with the producer, the production designer, the editors, and the stars, all of whom speak reverentially of Malick and made Read more ...
Jill Chuah Masters
It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days.Andy (Charlize Theron) leads a band of renegades who use their immortality to thwart crime. Their secret power makes them outcasts, so their existence is increasingly threatened by surveillance and modern technology. A new immortal, Nile (KiKi Layne), joins their ranks at the exact moment that their freedom is most threatened. Read more ...