Theatre
Veronica Lee
Jack and the Beanstalk, Hackney Empire ★★★ It's always good news when Clive Rowe decides to don the frocks to play the Dame, and this year he has also taken over directing duties (with Tony Whittle), with a script written by Will Brenton. It's a straightforward retelling of the tale, pun-heavy – although I did miss the sauce that Rowe has brought to proceedings under previous writer Susie McKenna, and couldn't fathom why the Dame's love interest, Councillor Higginbottom (Whittle) was dressed as a Freddie Mercury tribute act.A giant has stolen Hackney-on-the Verge's musical harp and magic ring Read more ...
Rachel Halliburton
No playwright has a scalpel as sharp as James Graham’s when it comes to dissecting politics; he has a brilliance and edge that strips away all unnecessary material till the beating heart of the matter is revealed. His latest tour de force takes the pulse of 1968 America where – against a backdrop of anti-Vietnam protests and outrage at the assassination of Martin Luther King – right wing polemicist, William F Buckley, is embarking on a series of TV debates with liberal Gore Vidal.Graham’s fondness for origin stories is well-chronicled. Ink, for instance, his play about the rise of Rupert Read more ...
David Nice
Has there ever been a Cabaret as dangerous as this one? Rebecca Frecknall’s disorienting take on the Kander and Ebb classic pulls you in and spits you out in a reinvention that pushes or dissolves boundaries at every twist and turn.Transforming a theatre into the Kit Kat Club, Berlin, early 1930s, is nothing new: the Edinburgh University Theatre Company did it in their Bedlam home 40 years ago (I was merely a singing waiter; others more centre-stage have gone on to great things). Nostalgia doesn't, however, blind me to the fact that what's been done to the Playhouse Theatre may well have led Read more ...
aleks.sierz
The National Theatre has a good record in staging classic American drama by black playwrights. James Baldwin's The Amen Corner, August Wilson's Ma Rainey's Black Bottom and Lorraine Hansberry’s Les Blancs have all had terrific new stagings. Now it’s the turn of activist writer Alice Childress’s Trouble in Mind, which was first successfully produced off-Broadway in 1955. By a grim irony, this play — which attacks the attitudes of white producers and directors towards black creatives — was itself a victim of racism: the proposed transfer to Broadway fell through because Childress wouldn’t tone Read more ...
Robert Beale
This is a story of an innocent who finds herself unexpectedly in a strange, unknown world. The same could be true for those in its audience.Scottish academia sets great store by the significance of folk tradition, and many are the books and papers on every aspect of the subject. It’s this that forms the background to The Strange Undoing of Prudencia Hart – the study of balladry, in particular – and a little gentle spoofing of that academic oeuvre gives the show its kick-off point.This may come as a bit of a surprise to those who don’t inhabit its world. It certainly did to me when I once Read more ...
Rachel Halliburton
It’s been seventeen years since Nicholas Hytner first directed Philip Pullman’s His Dark Materials at the National Theatre, ambitiously whirling audiences into Pullman’s universe of daemons, damnable clerics and parallel worlds. Now he has collaborated with playwright Bryony Lavery to bring this fluent, fluid adaptation of the prequel to His Dark Materials – The Book of Dust – to the stage, delving into Pullman’s myth-infused landscape to create a compelling narrative for our times.Samuel Creasey plays Malcolm Polstead, the bookish wide-eyed 12-year-old who becomes embroiled in forces beyond Read more ...
Tom Birchenough
Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all, have given new resonance to one of its central themes, the imbalance of law over nature and the quality of justice, but the play’s “resolution”, if it can even be called that, leaves the questions open.Or is it the imbalance – “balance”, as the title itself makes clear, being a key concept – between tragedy and comedy, between the deathly serious Read more ...
Jasper Rees
The energy of Antony Sher, who has died at the age of 72, was prodigious. He not only acted like a fizzing firecracker. He wrote books about his most celebrated roles, and several novels set in his native South Africa. He also wrote plays, and he painted. It was as if the stage could not contain him. The screen certainly couldn’t: Sher's acting style was so volatile, so expansive, so technically adapted for the theatrical space that aside from his well-remembered turn as Howard Kirk (pictured below), the voraciously heterosexual lecturer in Malcolm Bradbury’s The History Man (1981), his Read more ...
Rachel Halliburton
When the Canadian Yann Martel went to India as a young adult backpacker he fell in love – not with one person but with the rich imaginative landscape opened up by its religions and its animals. A struggling writer at the time, he channelled this new love into a dazzling idiosyncratic narrative about a shipwrecked Indian boy who survives 227 days at sea with a zebra, a hyena, an orangutan and a Bengal tiger called Richard Parker.Millions of people have now been swept up in his Booker-winning magical realist odyssey. Director Ang Lee has captured it – not entirely successfully according to Read more ...
Matt Wolf
It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving meal with friends just the previous day."They die but they don't," goes a lyric from Into the Woods, as my mind filled with multiple responses to the news, many of them culled from his work (and often cited by others in their own, instantaneous reactions). I, too, was "sorry/grateful" – bereft at the news and yet grateful for the work. But I suppose Read more ...
Gary Naylor
"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The Fall and Rise of Reginald Perrin. John Esmonde and Bob Larbey had the brainwave of combining the two in the BBC sitcom The Good Life - that and casting Felicity Kendal of course.The veteran writer-director Jeremy Sams takes us back to Tom and Barbara’s momentous decision to live off the land - in Surbiton - and their love-hate relationship with Read more ...
Rachel Halliburton
Words flow like water in TS Eliot’s Four Quartets, shimmering with allusion, swirling and eddying with the ideas and fractured philosophies of a poet at the height of his powers. It’s fitting that he chose Heraclitus to supply the epigraph, the pre-Socratic philosopher who, like Eliot towards the end of his life, believed that life was in constant flux, famously riddling that you “could not step twice into the same river”. Ralph Fiennes’ brilliant interpretation breathes air and physicality into Eliot’s fluid, abstract musings, allowing the poetry and the humour Read more ...