Theatre
terry.friel
As hot, sweaty tourists dangle their feet in pools for Thai Nibble Fish to eat the dead skin from their feet at Kuala Lumpur’s quirky Art Deco Central Market, a small theatre upstairs is packed for a play about racial divisions and the myth of social unity here. The performance of Parah ( which means "severe") at the market’s Annexe Gallery by the young team from The Instant Café Theatre Company is a daring look at race and division in a country that paints itself as a shining example of unity, but whose policies are increasingly driving a wedge between the main groups – Malays, Chinese, Read more ...
aleks.sierz
Imaginative plays that explore the expanses of inner space are all the rage at the Soho Theatre this summer. First there was a superb revival of Anthony Neilson’s Realism, which puts on stage the thoughts of one man during a solitary Saturday, then there was Lou Ramsden’s Hundreds and Thousands, which used a horror-film aesthetic to explore female longing. Now Mongrel Island, which opened last night, looks at the thoughts and emotions of one woman who has a boring office job.Using the same cast as Neilson's Realism, Ed Harris's 90-minute play focuses on Marie, a young woman who is on Read more ...
aleks.sierz
Can journalists write good plays? Sarah Helm has been a Washington correspondent for The Independent during the first Gulf War in 1990, reported from Baghdad in the mid-1990s, and was based in Jerusalem for three years. So her debut play about the Iraq War, which stars Maxine Peake and opened last night, is grounded on a career of watching the Middle East. It is also based on experiences much nearer to home: she is married to Jonathan Powell, who was Prime Minister Tony Blair’s close personal adviser during the ill-fated invasion of Iraq.Certainly, after 9/11, Helm was in the thick of things Read more ...
David Nice
Whatever the quality of the material with which they're grappling, there are two undeniable truths about the Belarusian actors who've put their already curtailed freedom on the line by coming to the Almeida Festival this week: they're skilled practitioners of their art and courageous human beings. Read their biographies in the programme and you'll see that the words "detained", "arrested", "attacked", "dismissed" crop up rather a lot. In Europe's last dictatorship, stepping out on stage and speaking a line, a word even, can lead to imprisonment.Be cynical if you will about Western actors Read more ...
Matt Wolf
Death means learning to say "I love you" in the woozy world of Ghost, the 1990 film that has become a breathlessly vapid musical sure to keep hen parties happy for some while to come (especially now that Dirty Dancing has closed and Flashdance barely got going). The material is cheesy, often defiantly so, and it's here been polished to a high sheen by the director Matthew Warchus and a design team who pull out all the stops in order to snap to attention even the most ADD-afflicted in the house.One's individual taste for such fare may depend on individual tolerance for a piece that begins with Read more ...
David Nice
Can Thomas Heywood's prosy Jacobean drama of country folk hunting, card playing, screwing around, sliding aristocratically into debt and harrowing one another to death translate successfully to the aftermath of the First World War? Only, perhaps, as edgy semi-farce, towards which Katie Mitchell's nervy, twilit production sometimes veers, not often intentionally. Acting to make you half believe in impossible characters might have saved it. But here you spend less time focusing on the poor puppets who flap around Mitchell's claustrophobic world than looking at the handsome, haunting set.That's Read more ...
Jasper Rees
Hollywood has turned the special effect into a birthright for a generation of movie-goers. “How did they do that?” is no longer a question you hear in the multiplex. In the theatre it’s another thing entirely. Whatever the reception for the show in its entirety, the musical version of The Lord of the Rings did contain one remarkable illusion in which Bilbo Baggins vanished before the audience’s eyes. Even Derren Brown had no idea how it was achieved. The architect of that effect, and countless others in a long career in the theatre, was Paul Kieve.Kieve’s newest challenge is also his Read more ...
aleks.sierz
Situation comedy relies on strong brands, and some ideas just run and run. Yes, Prime Minister is the stage version of the long-running 1980s BBC television shows Yes Minister and Yes, Prime Minister, which memorably starred Nigel Hawthorne and Paul Eddington. First seen at Chichester last year, the play now returns, with a new cast, for a second West End season. But how does this trusty old brand stand up to the stresses and strains of current political life?Updated to include references to the Coalition Government, the story starts, and indeed remains, at Chequers, with Prime Minister Jim Read more ...
hilary.whitney
Based in a collection of barns on a cliff top near Mevagissey on the south Cornish coast, Kneehigh theatre company has always looked defiantly away from London and out towards the sea and the wider world. This streak of independence runs right through the heart of the company, which produces extraordinarily inventive, highly visual and sometimes surreal work that has been seen all over the world, from Australia to Colombia to Broadway and, yes, the West End. It has also made Emma Rice, who has directed some of Kneehigh’s most successful shows, including The Red Shoes (2002 and 2010) and Brief Read more ...
alice.vincent
The battlefields of the First World War are frequented most by secondary school groups and military history enthusiasts. And by David Grindley: a man for whom the play Journey’s End is an obsession, and his direction of it award-winning. RC Sherriff's play follows a group of British officers preparing for battle in frontline trench warfare, and which places “ordinary men into extraordinary circumstances”. This month sees Grindley’s production returning to the West End. It’s the seventh incarnation of the production since he celebrated the 75th anniversary of Journey’s End’s first night in Read more ...
aleks.sierz
Kafka is a bit of a stranger to British stages at the moment, but elsewhere he remains a strong presence. In his short parables, as well as in his classic novels such as The Trial, he conveys a deep understanding of the human condition. But while European postmodern culture might shrug off his insights, he is still close to the heart of some Middle Eastern theatre-makers. In this production, an adaptation of one of Kafka’s most famous short stories, the Palestinian ShiberHur theatre company prove his abiding relevance.Set in an almost deserted punishment camp, the story is as taut and spare Read more ...
aleks.sierz
Until quite recently, plays about sport were as rare as British Wimbledon winners. Then, over the past couple of years, came a whole slew of plays about various sports, led by punchy stories about boxing, from Roy Williams’s Sucker Punch to Bryony Lavery’s Beautiful Burnout. Now this growing list of recent fixtures is joined by Wexford-playwright Billy Roche’s bitter-sweet and humorous play, which originally premiered in Dublin in 2008 and opened last night in north London with several Roche veterans in its new cast.Set somewhere in rural Ireland in the 1960s, Lay Me Down Softly is concerned Read more ...