Theatre
aleks.sierz
Updating the classics is not without its pitfalls. How can a modern audience, which has a completely different set of religious beliefs, relate to a 17th century morality tale in which the lead character behaves really badly, but gets his comeuppance by being roasted in hell fire? This is the case with Molière’s Don Juan, or The Feast with the Statue, which was originally staged in 1665. In 2006, playwright and director Patrick Marber took this classic and pummelled it into shape as a play for today, complete with contemporary references aplenty. Now it’s being revived, with some rewrites, in Read more ...
Veronica Lee
You may be having a moment of déjà vu, as Ian Hislop and Nick Newman’s new play (which lands in the West End after a UK tour) was previously a BBC film (shown in 2013), and a very fine one too, covering as it does a true story from the First World War. Now, with added music by Nick Green, they have turned The Wipers Times into an intimate stage piece.In the mud and mayhem of Flanders, in a bombed-out building in the Belgian town of Ypres (mis-pronounced Wipers by British Tommies), two officers – Captain Fred Roberts (James Dutton) and Lieutenant Jack Pearson (George Kemp) – discover an Read more ...
Heather Neill
She was Lyra in Philip Pullman’s His Dark Materials at the National, she has shared the stage with Eileen Atkins (in Honour and The Female of the Species), played Isabella in Measure for Measure, Regan in King Lear and Sally Bowles in Cabaret. She has worn bonnets in Bleak House and North and South, a corset as Elizabeth Darcy in PD James's Death Comes to Pemberley (pictured below) and a prison officer’s uniform in Accused, a gritty Jimmy McGovern story on television. An enviably versatile actress, Anna Maxwell Martin has won two BAFTAs (for Esther Summerson in Bleak House and N in Poppy Read more ...
Jasper Rees
David Storey, who has died at the age of 83, was the last of the Angry Young Men who, in fiction and drama, made a hero of the working-class Northerner. His father spent his life down a Yorkshire pit, and out of guilt that he belonged to an educated post-war generation which ducked the same fate, Storey would always see his career as a daily series of grinding shifts mining black stuff from the seam of his own soul.He remained resolutely best-known for This Sporting Life (1960), his debut novel set in the gritty world of rugby league which three years on was made into a groundbreaking film Read more ...
Jasper Rees
In Radcliffe, an early novel by David Storey, one character murders another with a telling blow from a hammer. The author was later advised that Kenneth Halliwell was reading Radcliffe on the night in 1967 before he killed his lover Joe Orton, also with a hammer. But however many Orton plays Storey indirectly lost, he pulped many more of his own.In the first part of this two-part interview the writer, who has died at the age of 83, talked about the forces which shaped him: the fact that he dodged a life down the pit to pursue his ambition to become an artist, a choice paid for by a reluctant Read more ...
aleks.sierz
The beauty of fiction is that its stories have both compelling shape and deep meaning – they are dramas where things feel right and true and real. The trouble with real life is that it’s the opposite: it is messy, frequently shapeless and often meaningless. So, at the Royal Court, Simon McBurney’s adaptation (with help from co-director James Yeatman) of the autobiography of 1970s Hollywood mogul Robert Evans is a hazardous venture. Evans was once one of the hottest producers in Tinseltown, responsible for multi-million-dollar hits such as Love Story, The Godfather and Chinatown; then this all Read more ...
Jenny Gilbert
What’s in a yellow dress? Hope over experience? Reckless confidence? This is a legitimate question when the second big cross-Atlantic people-pleaser hoves into view featuring a girl in a frock of striking daffodil hue. It doesn’t take a degree in semiotics to translate this. Forget the bad stuff, people. C’mon, get happy.As grand escapism, An American in Paris – a Broadway adaptation of a Hollywood movie-musical – is superb, despite its attempts to introduce a little darkness to the 1951 original. Anyone who remembers the Gene Kelly/Leslie Caron film as flimsy and forgettable should, well, Read more ...
Tom Birchenough
What's in a name? Terence Rattigan’s Love in Idleness is a reworking of his 1944 play Less Than Kind (never staged at the time, it was first produced just six years ago). It reached the London stage at the very end of the same year with the Lunts, the premier theatre couple of their time, in the leads. Inter-generational – and inter-family – dispute about the shape of post-war Britain is at its heart, and Rattigan revised the role of his arch-capitalist, War Cabinet minister protagonist to make it more sympathetic for Alfred Lunt.With its story of a son returning to his mother to find another Read more ...
David Nice
It felt good to be encountering Shakespeare at his most political with a world event to smile about, for once (hailing, of course, from this brilliant Dutch company's homeland). It felt even better to emerge six hours later spellbound and deeply moved by the triumph of the personal, albeit in a kind of love-death, after so many power-games. Thrust voluntarily onstage to witness some of those conferences, even at close quarters you couldn't see the joins in the performances of Ivo van Hove's ensemble. This is not so much acting as being, or so it seems.Those who'd seen the first Barbican Read more ...
Veronica Lee
Richard Harris's award-winning comedy about a group of seven women and one man who attend a weekly tap-dancing class in a dingy north London church hall ran for three years from 1984 in the West End, from where it went to Broadway. It subsequently became a film starring Liza Minnelli and Julie Walters, and then Harris wrote a musical version which hit the West End in 1997. Director Maria Friedman now revives the dramatic version, with choreography by Tim Jackson.Over the course of several months we get to know this disparate group as they chatter about their work, home and sex lives. We Read more ...
aleks.sierz
Michelle Collins, actor and TV presenter, is so strongly associated with her roles in EastEnders and Coronation Street that it is something of a shock to see her live on stage at the Park Theatre, and not behind a bar or in a snug. And although she has always had an energetic versatility, she’s been most comfortable as a chatty Cockney, a quality that Stewart Permutt says attracted him to writing the part of Gina in his engaging new two-hander, A Dark Night in Dalston, specially for her.Set, unsurprisingly, in East London, the story starts as an odd-couple encounter. Gina (Collins), a 49-year Read more ...
Tom Birchenough
Trimmings, trimmings. They prove the final straw for Molière’s Harpagon in this new adaptation of the classic French comedy-farce. The menu for his wedding banquet – which he doesn’t want to spend a centime more on than he has to – is being concocted by chef-cum-dogsbody, Jacques. Soup, yes; a bit of meat, possibly. But trimmings… The very thought of them provokes a howl of despair from Griff Rhys Jones, who plays The Miser’s titular tight-purse with enormous gusto.Sean Foley’s West End production definitely doesn't hold back on the trimmings, and they’re not just the standard stuffing on-the Read more ...