TV
gerard.gilbert
Who’d be a traffic warden, eh? The answer, it would seem, is any number of immigrants willing to be paid £7 an hour to be verbally abused, physically attacked and generally despised by the great British public. And Olly Lambert, writer-director of Channel 4’s well-made and informative Cutting Edge documentary, Confessions of a Traffic Warden, says that although his original intention was to find out about the people beneath the uniforms, what he actually discovered was the hair-trigger vileness of Londoners beneath a badly scuffed veneer of civilised behaviour. None of this will have Read more ...
Adam Sweeting
This odyssey of party-goer and interior designer Nicky Haslam frequently resembled a Private Eye diary by Craig Brown, who’s always at his best when lacerating narcissistic name-dropping diarists from earlier generations. We watched Haslam swapping anecdotes about Picasso with the painter’s biographer John Richardson, reminiscing about how Mae West used to sleep with two monkeys on her bed, and pointing out where Marilyn Monroe and Tallulah Bankhead used to live in New York.He’d give us their exact house numbers, he said, but he’d left his compendious address book behind. The sense of parody Read more ...
Adam Sweeting
Has somebody got it in for poor Matthew Macfadyen? In the recent series of Criminal Justice he didn’t even make it to the end of episode one before he was fatally stabbed by Maxine Peake. Now here he was as Enid Blyton’s adoring and supportive first husband Hugh Pollock, books editor at the George Newnes publishing house, only to find himself on the wrong end of Ms Blyton’s brutally self-centred drive for success at any price. For heaven’s sake, was this any way to treat a man who’d given you your big break in publishing and even bought you a new typewriter?Eventually he was driven to drink Read more ...
josh.spero
As questions go, "What is beauty?" is quite possibly only second to "What do women want?" in the frequency of its asking and in the difficulty of its answer. As the first programme in BBC Two and BBC Four’s Modern Beauty season, What Is Beauty? features Matthew Collings skirting around the edges of an answer and in doing so inadvertently hitting upon one.Collings tries to identify ten different components of beauty with reference to some of his favourite artworks. Piero della Francesca’s Madonna del Parto from Monterchi is beautiful because of its simplicity, Robert Rauschenberg’s Charlene Read more ...
gerard.gilbert
Filmed in the same Thamesmead locations in south-east London as Stanley Kubrick’s A Clockwork Orange, Misfits also features a gang of young trouble-makers in boiler suits. Unlike Alex and his Droogs, who face the fearsome "Ludovico" aversion therapy (after which thinking about violence, or hearing Beethoven’s Ninth Symphony, triggers nausea), this bunch are on a fairly slack community service gig. They paint benches between spliffs and indulging in the sort of banter you’d find on any Facebook page not being monitored by the grown-ups.That all changes when a massive electrical storm gives Read more ...
gerard.gilbert
The last time I saw Andrew Marr in the flesh was at the Independent’s old offices in Canary Wharf, during a savage round of job-shedding in the late Nineties. To address the staff, editor Marr had jumped upon a table, like Keir Hardie addressing striking miners, and his old-school style of speech-making is perfectly in tune with the politics of the first half of the 20th century. Marr, in truth, wasn’t a very natural newspaper editor - he is a much better working journalist. However his truest vocation may be as a TV historian, because Andrew Marr’s The Making of Modern Britain is terrific Read more ...
Adam Sweeting
The premise of Collision (as well as its title) is unmistakably similar to that of Paul Haggis's movie Crash, in which a road accident provides the linking point for a cluster of disparate personal stories. However, instead of the boulevards of Los Angeles, Collision exploits the less often remarked upon mystique of the A12, which links east London to Great Yarmouth. In 2007, the A12 was adjudged "Britain's worst road" in a survey by Cornhill lnsurance, so Collision's creator and writer Anthony Horowitz has picked an appropriate location for his fateful multi-vehicle pile-up.
The strands of Read more ...
gerard.gilbert
“Green Wing, but set in a university” is one of those useful handles that reviewers were always going to grasp when discussing Victoria Pile’s new improvised ensemble comedy, Campus, the opening try-out in Channel 4’s new Comedy Showcase season of sitcom pilots. For once, the handy nut-shell description is spot on. Campus is precisely that: Green Wing, but set in a university – and as a fan of Green Wing I should feel that that is good thing. However I’m not sure the formula has survived the relocation from hospital to campus.For one thing, they are such different – almost opposite - Read more ...
Adam Sweeting
At the end of series seven, our tight-lipped MI5 squad risked designer shoe leather and impeccable coiffure to defuse a Russian atom bomb in London, and their boss Harry Pearce (Peter Firth) was kidnapped by dubious Russian agent Viktor Sarkisian. Hence series eight began with the hunt for Harry, whisked (unbeknown to his underlings, who expressed their concern by smiling even less than usual) by helicopter to a mansion in “Moscow on Thames”.One assumed that Harry would in due course be restored to his futuristic glass-panelled office, where he likes to drink whisky and reflect on the deaths Read more ...
Adam Sweeting
Nostalgists often hark back to a “golden age” of TV drama, referring to the likes of ITV’s Brideshead Revisited, or the BBC’s I Claudius or The Forsyte Saga. This week on the South Bank, the BFI launches a season which examines a lost age of a different kind, that of the radical TV dramatists who scorched across British screens from the mid-Sixties, through the Seventies and the Margaret Thatcher era, and finally into the ambiguous world of New Labour. The two-part season, United Kingdom!, stretches across November and December, and en route will take in such abrasive televisual benchmarks as Read more ...
Adam Sweeting
In Garrow's Law: Tales from the Old Bailey, writer Tony Marchant has turned to the real-life archives of the Old Bailey to find cases to illustrate the pioneering legal work of William Garrow. In the late 18th century, courtroom trials bore more resemblance to bear-baiting or witch-finding than to anything connected with justice or due process. Defendants couldn't speak in their own defence, and the notion of having counsel who could demolish dodgy witnesses or interrupt the prosecution's outrageous slanders hadn't yet caught on.Thus the stage was set for the redoubtable Garrow, who was so Read more ...
Jasper Rees
A few years ago he was voted the greatest Briton in a national television poll. Among his many books is A History of the English-Speaking Peoples. He went to Harrow, for goodness’ sake. And he is always played by English actors. Always. You name them: Robert Hardy, Simon Ward, Julian Fellowes, Albert Finney. So where, of all the unlikely places, did they look for an actor to follow in those footsteps for a new BBC/HBO drama depicting Churchill’s leadership in the Second World War? In the country, believe or not, where Churchill once threatened to send 300,000 troops to quell the natives. Read more ...