TV
David Nice
Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's Die Meistersinger von Nürnberg from the BBC Proms couldn't match up to the original Welsh National Opera production of the decade.In fact, from what I saw, it did wonderful things in quite a different way, even if when left to their own devices the singers became a tad more conventional in their very exposed acting-out, for all the eloquent hand Read more ...
theartsdesk
JasperRees He can't pronounce vuvuzelaJasperRees Is this really Becks' first time? What do he and Rourke say to each other? Bloody hell, Roxy are looking a bit seniorSweetingAdam Rourke once made a TV movie about Shergar. Title role I guess.JasperRees Did they deliberately choose a Mickey Rourke clip in which he didn't say a word?SweetingAdam They've put Rourke's head on backwards.JasperRees Has Woss ever told anyone they don't look fantastic? Rourke manifestly would qualify. He looks like he just got reconstructed after a fireJasperRees He's talking through his ears. I haven't heard a Read more ...
Adam Sweeting
There was a gnawing suspicion that The Silence wouldn’t amount to much, since it was dumped in a four-night splurge in the middle of the mid-summer doldrums, and even the normally docile Radio Times had decided to stamp its foot and pick holes in it. One’s apprehension proved ill-founded, however. It turned out to be taut, tense, well acted and smartly written, and carried enough pace to lift it over the more credulity-stretching passages.Australian screenwriter Fiona Seres had set the bar pretty high for herself. On the one hand, The Silence was a drama about an extended family, with the Read more ...
theartsdesk
As Jonathan Ross is an incorrigible tweeter, theartsdesk has decided to review his last stand on the BBC on Twitter. Adam Sweeting and Jasper Rees will watch Friday Night with Jonathan Ross and tweet a joint review live as the programme goes out. The show begins at 10.35pm on BBC One on 16 July.In order to catch their live review live, you'll need to sign up to Twitter, if you haven't already. Follow SweetingAdam on Twitter here and JasperRees here. (NB don't confuse SweetingAdam with another Adam Sweeting on Twitter. theartsdesk Adam's avatar is a picture of his red sports car being towed Read more ...
gerard.gilbert
So was it nice to see him (to see him nice)? Actually nice is probably the wrong word for Bruce Forsyth on the evidence of the opening documentary in a new series of Cutting Edge – tetchy, obsessive in his habits and (as we shall see) sometimes downright unpleasant, may be nearer the mark, as director David Nath gains access to Forsyth’s two palatial homes (both on the edge of golf courses, it almost goes without saying) in Wentworth, Surrey, and Puerto Rico.Living with Brucie was done a disservice by being advertised as if authored by his wife Wilnelia Merced-Forsyth, a sort of love letter Read more ...
Veronica Lee
If you know David Mitchell and Robert Webb from Peep Show on Channel 4 (written by Jesse Armstrong and Sam Bain), in which Mitchell plays the insufferably self-important Mark and Webb the self-deluding idiot Jeremy, then you will easily recognise similar stock types being used in That Mitchell and Webb Look on BBC Two, which goes to show you should never mess with a winning formula.That’s not in any way to denigrate That Mitchell and Webb Look, which started its fourth series last night, because, as with the British and swearing, it’s both funny and clever. Mitchell and Webb, who met at Read more ...
howard.male
As an 11-year-old boy, I was awestruck from the first moment I saw Concorde on our three-channel black-and-white television, seemingly rearing up from its runway like a cyborg swan. At that age - and during that era - fact and fiction became vertiginously blurred when it concerned the fast-forward march of science and technology. While Factual-man was taking one slow-motion giant leap for mankind, Fictional-man was going where no man had gone before. And even if the US Enterprise did have warp-drive, our very own Concorde didn’t seem that far behind, as it hurtled through the blue at the Read more ...
Adam Sweeting
Great comedy may be timeless, but that's probably because of the great comedians performing it as much as the material itself. Could you imagine Dad's Army being anything more than a shadow of its former self if it was remade with a new cast? Would Frasier achieve the same transcendent mix of bourgeois self-regard and millisecond farcical timing with James Corden and Mathew Horne in place of Kelsey Grammer and David Hyde Pierce? Do we want to hear anybody reciting the "Dead Parrot Sketch" ever again?Jonathan Ross's pretext for assembling a bevy of his comic chums to recreate rare sketches Read more ...
Adam Sweeting
The BBC just can't stop showing that flipping Lennon Naked drama. No sooner have we emerged from the Fatherhood Season, where it first appeared, than we're into a John Lennon Night on BBC Four, featuring Lennon Naked again under a new temporary flag of convenience. Chances are it'll ricochet back into the schedules for another encore when they do a Motherhood Season, Lennon being better known for writing songs about his mother Julia than about his unreliable dad.But earlier in the evening came the Classic Albums documentary about Lennon's Plastic Ono Band album, his post-Beatles solo debut Read more ...
gerard.gilbert
Dominic Savage’s new two-part film, part of BBC Two’s renewed commitment to intelligent and challenging drama (we shall see; fewer biopics please), comes billed as a look at modern teenage life, although it seemed more drawn to long silences - or the sound of the wind in the trees - and the seemingly desolate land and seascapes of the Lincolnshire coast. Your eyes kept being drawn to the edge of the screen, away from the young protagonists, Lindsey and Robert, which I suppose was meant to lend Dive a fatalistic edge, or a sense of universality.But what was more surprising, given that this was Read more ...
fisun.guner
He may be a writer, a director, an actor, a historian, and, of course, a former member of Monty Python, yet rather than being a Renaissance man, Terry Jones is clearly a mediaevalist at heart. We know this not only because he has written well-received books on Chaucer and medieval history, but an amiable half hour spent in his company at the National Gallery shows us just where his sensibilities lie. He was the first guest in a series inviting celebs to talk about their favourite artworks and Tim Marlow, whose televisual style is so effortlessly smooth and mellow that you might mistake him Read more ...
Jasper Rees
The voice, being 70, isn’t quite the untamed beast of yore. But it retains a certain feral throb. Alan Yentob stands across the recording studio, listening donnishly as Tom Jones belts one out. “You still feel the presence and power,” he reports. Not that you’d know from the way Yentob sways ever so imperceptibly in his BBC execuspecs. Yentobs don’t dance. Go on, man, do the done thing. Whip off your drawers and lob them lovingly at the Pontypridd Pelvis.Actually the knickers thing is sort of discouraged in the Jones camp these days. A couple of decades back the slightly simian lothario put Read more ...