Classical music
Hallé, Wong, Bridgewater Hall, Manchester review - declaration of thrills to comeFriday, 27 September 2024
If audience reaction is anything to go by, Kahchun Wong’s season-opening first concert officially in post as principal conductor of the Hallé was an outstanding success.And the reception was deserved. Still young enough, with a mop of hair cascading... Read more... |
Natalie Tenenbaum, Oslo Hackney review - shimmering hailstorms of notesThursday, 26 September 2024
Three years after Through the Noise’s first experimental “noisenight” at the Hoxton Underbelly, they are expanding into an international organisation with concerts scheduled for Paris and Brussels this season. Their drive to bring world-class... Read more... |
Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemothWednesday, 25 September 2024
If Angela Hewitt’s recital last night at the Wigmore Hall was a meal, it would have been two light, fresh – but nourishing – courses, followed by a big suetty pudding, splendidly cooked but sitting slightly heavy on the stomach. The delightful... Read more... |
Pavel Kolesnikov, Wigmore Hall review - unpredictable magicTuesday, 24 September 2024
All five finalists in the Leeds International Piano Competition, at which Pavel Kolesnikov was one of the jurors, should have been given tickets, transport and accommodation to hear his Wigmore recital the evening after the prizegiving. Not that... Read more... |
Lewis, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - adding the Moon to The PlanetsTuesday, 24 September 2024
The first piece by Grace-Evangeline Mason I heard was six years ago, a simple song in a multi-composer “Manchester Peace Song Cycle” performed at the Royal Northern College of Music when she was studying there.It was striking because of its eloquent... Read more... |
theartsdesk in Bradford - Leeds International Piano Competition 2024 finalists shine in St George's HallMonday, 23 September 2024
How do you make a two-part final featuring five piano concertos work as a couple of totally satisfying programmes? First, give a wide list of concerto options, ask each pianist for two choices, settle on what will make the best contrasts – and then... Read more... |
First Person: soprano Elizabeth Atherton on the decimation of the classical music sector in WalesMonday, 23 September 2024
Is it an opera company’s role to avert climate change? Should a circus troupe have to prioritize promoting the Welsh language? Is the purpose of a dance ensemble to bring about social justice? Should these issues be the main focus for our arts... Read more... |
Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - finish line of a remarkable marathonSaturday, 21 September 2024
“Mozart, made in Manchester”, the project to perform and record an edition of the piano concertos plus all the opera overtures, seemed a distant destination and an unlikely marathon when Manchester Camerata embarked on it eight years ago.But with... Read more... |
theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyondFriday, 20 September 2024
The high level of entries for this year’s Leeds Piano Competition – 366, almost twice the number who entered in 2018 – is just one reminder that any young pianist wanting to make their name today is negotiating shark-infested waters. Technical... Read more... |
Donohoe, Roscoe, Stoller Hall, Manchester review - two great pianists celebrate 50 yearsTuesday, 17 September 2024
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest pianists of their generation, who met at the Royal Northern College of Music, celebrated the 50th anniversary... Read more... |
Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroinesMonday, 16 September 2024
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair of shades. But the super-heroine pianist, who played Rachmaninov’s First Piano Concerto, turned out to... Read more... |
Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall review - running the gamutMonday, 16 September 2024
A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first half by rising to the challenge of Beethoven’s “Hammerklavier” - a title he suggests, in his series of... Read more... |
