New music
Peter Culshaw
I am not that objective about Magma. For one thing, when I saw them as a 16-year-old in the Seventies the intensity of the band caused me to have an out-of-body experience, something that has happened neither before or since. It’s the kind of thing you remember. It’s hard to formulate balanced critical opinions when you are floating up near the ceiling, looking down on your body. I met the leader and creative visionary behind the band, Christian Vander, a couple of weeks before last night’s Barbican concert, which was billed as a Celestial Mass. As someone more expressive than me put it Read more ...
howard.male
If Bowie, Bolan, and Roxy Music were the shimmering glam triumvirate of early 1970s British pop, then what were Mott the Hoople? Surely they don’t belong with the likes of the Sweet, Suzi Quatro and… er… Gary Glitter. In fact with their R&B and rock 'n' roll roots they’ve more in common with some of the decade’s more credible rockers such as the Faces or even the New York Dolls. It was in their ragged swagger and the stylised arrogance that vocalist Ian Hunter projected while implicitly inviting every teenager in the land to join his gang rather than that bacofoil-clad impostor’s gang.But Read more ...
robert.sandall
You’ve got to take the pedal off the metal at some point, and in 2009 the prodigiously energetic New Yorker Joan Wasser – otherwise known as Joan As Police Woman - has apparently decided to ease up and release an album of cover versions.Any suspicions, however, that this might result in a night of cute karaoke knockabout were dispelled as soon as she took to the stage for an ecstatically received, sold-out show at London’s Union Chapel last night. Having spent the past 15 years working alongside pop auteurs of the calibre of Antony (of the Johnsons), Rufus Wainwright and Jeff Buckley, her Read more ...
joe.muggs
For some people, dubstep has an identity problem. Its suburban origins and recent global spread, its propensity for hybridity, the relatively genial nature of the scene, and perhaps worst of all its popularity with – whisper it – students lead some commentators to regard it with suspicion. A common attack is to compare it unfavourably with either its antecedent jungle (the wild polyrhythmic early-mid 1990s precursor to drum & bass), or its first cousin grime (the fearsomely jagged, lyrically ultra-violent sound of London's pirate radio stations in the first part of this decade): next to Read more ...
joe.muggs
Glasgow-born, south London resident Steve Goodman – better known to discerning lovers of modern music as Kode 9 – has a unique and privileged position in relation to the ever-shifting UK dance music underground. In the mid 90s he formed part of the slightly cultish Cybernetic Culture Research Unit (CCRU) founded by Sadie Plant and Nick Land at the University of Warwick, where he gained a PhD in philosophy.The CCRU cooked up a rich gumbo of postmodern theory, situationism, science fiction and HP Lovecraft, occultism, rave music (particularly jungle / drum & bass) and high-tech Read more ...
robert.sandall
Reputations, it seems, can grow in ways that elude even their owners. When the original five members of Mott The Hoople finally decided to re-form, 35 years after they drifted apart, they booked two shows at the Hammersmith Apollo in October and crossed their fingers. According to their 70-year-old vocalist Ian Hunter, “we realised if we were ever going to do it, it was now or never, but we still thought we’d be lucky to fill the second night.”The response astonished them – and me. Two sold-out nights at the Apollo rapidly turned into five, with talk of an American tour to follow. A list of Read more ...
Peter Culshaw
They played their first concert in 1969, and 40 years later the TP Orchestre Poly Rythmo de Cotonou, to give them their full name, had their UK debut last night at the Barbican as part of their first European tour. They are the latest expression of a growing cult of classic bands who hit their peak in 1970s Africa. The music of Nigeria’s Fela Kuti has never been more popular, strange jazz from 1970s Addis Ababa has been selling impressively on the Ethiopiques series of records, while Senegal’s Orchestre Baobab have reformed to great acclaim.Three cult albums, culled from a repertory of over Read more ...
theartsdesk
Welcome to the first in theartsdesk's monthly CD round-ups of new music. The selection is of the most interesting releases (and re-releases) to come our way in the last month, and spans Metal to Muse, ambient Krautrock to folk, via voodoo funk from Benin and the latest electronica. Some of these have been covered in the national prints, others overlooked. Feel free to comment on the selection or the reviews, or both.CD of the MonthDavid Sylvian, Manafon (Samadhi Sound)by Robert SandallAt first sight the cover of David Sylvian’s new record looks like a sly, camp joke on its elusive creator. Read more ...
joe.muggs
Dinosaur Jr never change. Formed in 1984, the trio added a heavy dose of rock classicism to the then-current sound of US hardcore, inadvertently inventing grunge in the process. Since then, members have come and gone around lead singer/guitarist J Mascis – eventually returning in 2005 to their original lineup featuring Lou Barlow (also leader of Sebadoh and Folk Implosion) on bass and “Murph” on drums – and the Mascis has calmly watched scenes come and go.Hardcore, grunge, nu-metal and emo all rose and fell, but Dinosaur Jr just kept on keeping on with their formula of Mascis's Read more ...
joe.muggs
Orbital occupy a singular position in the pantheon of Nineties dance live acts that made it to arena-show status. Paul and Phil Hartnoll's trademark shaved heads and specs-with-headlights gave them a massively spoddy image that belied an everyman quality to their music, but although their early releases unquestionably helped form the distinctively British sounds of rave and hardcore, they never quite became part of those scenes.On the other hand, if their insistence on remaining vocalist-free meant they couldn't match the Chemical Brothers, Underworld or The Prodigy for hit singles after the Read more ...
Thomas H. Green
With his latest campaign to become Governor of Texas just kicking into gear, Kinky Friedman should probably be at home in the US, rather than on the south coast of Britain. The man himself says that he's been "sent out of state so I wouldn't screw up". In 2006 he took 13 per cent of the vote as an independent candidate but next year he has the backing of the Democratic Party so it's more than just the eccentric whim of a Jewish country singer.Friedman is also here to promote his new book Heroes of a Texas Childhood. The book's subject matter is a change from his Read more ...
Adam Sweeting
They say you don’t know what you’ve got until it’s gone, and despite its sometimes erratic quality control, the loss of The South Bank Show (ITV1) is going to be like having a leg sawn off TV's arts coverage.The final season got off to a thunderous start last week with Tony Palmer’s film about the Wagner family. Wives, children and grandchildren elbowed each other aside in their eagerness to accuse each other of barbaric behaviour or rabid anti-Semitism. When Richard Wagner composed Parsifal, apparently he was creating nothing less than the complete blueprint for the Third Reich. Who knew? Read more ...