New music
Guy Oddy
Kevin Martin is a musician, record producer and journalist. He is best know for recording and performing as The Bug, however, has been and continues to be involved in a variety of other musical projects including: GOD, Techno Animal, Ice, Curse of the Golden Vampire and King Midas Sound. During 2014, The Bug released both the Angels and Devils album and a collaboration with Dylan Carlson of American drone-metalists Earth, titled The Bug vs Earth – which sees its live debut at the Supersonic Festival in Birmingham on Saturday 13 June.Guy Oddy: The Bug vs Earth is a great record. How did you Read more ...
Matthew Wright
No one can accuse Gardot of stinting on the shoe-leather. For her previous two albums she has trotted the globe, drawing together samba, tango, bossa nova and calypso into a rhythmical pot pourri. This time, for the fourth album in seven years, Gardot turns her attention to the streets of LA, which she pounds, discovering, according to the release, the “helpless, homeless and hungry”, whose stories she tells here. Amid some undoubtedly charismatic performances, it feels as if the work’s main discovery has been the particularly diverse instrumentation settings menu in the production suite. Read more ...
Peter Culshaw
More than anywhere else, the Fes Festival of World Sacred Music has been the place where I have gone annually for most of the last 20 years to retune my ears, to find inspiration and connections, and to discover new international music. For fans, it was always more than a mere music festival; there was a visionary, idealistic element. The founder, Faouzi Skali, is a Sufi who started the festival as a response to the first Gulf war and invited musicians, thinkers and practitioners from all religious persuasions as a counterpoint to extremism and intolerance elsewhere. That mission’s importance Read more ...
Kieron Tyler
The Mothmen: Pay Attention!On their 20-minute “Mothman”, Manchester’s The Mothmen took a trip fusing bendy Captain Beefheart-style guitar, dub, insistent percussion and a Krautrock sensibility. The side-long track closed their album Pay Attention!, originally issued in March 1981 by the On-U Sound label. As a sign-off, “Mothman” was undoubtedly arresting but however absorbing it was, this was the sound of history. The workout was recorded by a line-up of The Mothmen which split shortly after it was recorded in May 1980.The band carried on with a reconfigured membership, but Pay Attention! is Read more ...
Russ Coffey
Being arty, in pop, is generally considered a good thing. When it comes to being clever, though, things are less clear. Three-minute songs are, after all, mainly about feelings: about how much you’ve lived rather than how much you've read. Which brings us to FFS, the collaboration between Franz Ferdinand and Sparks. Few musicians are as culturally-literate as the LA veterans, nor many as clever-clogs as the Scottish hipsters. How, then, does this musical partnership sound?From the off there’s a sense that both sets of artists enjoy being members of pop's intellectual elite. Ironic titles like Read more ...
Tim Cumming
The fifth Songlines Encounters Festival at Kings Place brought together artists from around the world, offerering a powerful cultural kick-back against all manner of extremist positions. The opening Thursday featured young Portuguese Fado singer Gisela João, with Cypriot trio Monsieur Doumani, and the closing Saturday paired the Shikor Bangladesh All Stars with the Anglo-Bangladeshi Afrobeat Latin grooves of Lokkhi Terra.But it was Friday night’s coupling of Iranian singers Mahsa and Marjan Vahdat with Highlands fiddler Duncan Chisholm that showed how striking and creative these Encounters Read more ...
Kieron Tyler
Reggie Watts has a few things to say about Norway. In Bergen to play Natjazz, the annual jazz festival, he’s concerned about the local predilection for fish soup. Be careful, he warns, it can be dangerously hot. Then there are trolls and the Norwegian crispbread knekkebrød, which is especially impressive as it can keep fillings dry. Sandwiches can be eaten in the rain – and it rains in Bergen. A lot. Watts is fascinated by the countryside cabins Norwegians take off to in the summer. Most of all though, the word Norway distracts him. It’s this close to “no way.” Don’t worry about your country’ Read more ...
Jasper Rees
There’s a lot of Seventies revivalism in the ether. Fleetwood Mac are back as a famous five after many years asunder. 10cc have on at the Albert Hall, although one astutely remarked that they really should have been billed 2.5cc. In When Pop Ruled My Life, the recent BBC Four documentary about fandom, it was lear that the Bay City Rollers are still very much a going concern. And this week it was announced that three titans of glamrock would stomp once again on British boards. They include The Rubettes, a band coyly billing themselves Mud 2 and – holy of holies – The Sweet.The Sweet were one Read more ...
Barney Harsent
Almost a decade ago, I went to a disappointing festival in Holland. Driven to distraction by the crowd – a sixth-form disco stuck between the third and fourth circles of Dante's inferno – I, on the advice of a friend, went to see Muse. Their theatrical pomp and overblown, muscular attack took the top of my head off and replaced my brain with a great big lump of wallop.The news, then, that their latest album, Drones, is a concept set to become a musical makes perfect sense. It also explains the, at times, over-expository lyrics and the big theme slapped on the front. Fans of Banksy will think Read more ...
Thomas H. Green
The 1990s were a great time for electronic dreamers. Before social networks and cat videos and tedium there was a sense of romance about “cyberspace”. This “virtual universe” seemed to have the potential to be cosmic, narcotic and exciting. There were even “brain machines”! It felt like we might meet a benevolent version of The Lawnmower Man around the next corner. Boosting this sense of possibility was a newish sound called “techno”, and futurist acts with sci-fi music and shows. Chief among them were Orbital, Future Sound of London and Leftfield. The last of these, a London duo who brought Read more ...
Guy Oddy
As Britain stares down the barrel of another five years of austerity, it’s disappointing that so few of the country’s musicians have anything to say about the very bad times that are heading our way. Slaves, however, have very definitely got something to say about the state of the world and Are You Satisfied? is the roar of a generation that knows that no-one is coming to save them.“The Hunter” sets out Slaves’ stall with equal parts social observation and wild hedonism. Isaac Holman’s thumping beat and Lauire Vincent’s menacing guitar back a chant of “It’s reckless and it’s pointless but it’ Read more ...
Tim Cumming
Sticky Fingers is the Stones’ defining album, a record that preserves the band in all its ragged, outlaw rock'n'roll glory. It captured them, too, between worlds of their own making, as the exploratory Sixties solidified into the excessive Seventies, Mick Jagger turned left into the first-class jet-set life, and Keith Richards turned the other way, into an image-defining drug addiction, scoring his mythos as permanently as a prison tattoo. Some things never fade away.In pretty well every aspect – music, image, cover, line-up – Sticky Fingers represents the Rolling Stones at their peak, on the Read more ...