New music
Kieron Tyler
“I’ve been labelled as an angry young man / Because I don’t fit into the master plan / Under society’s microscope / I look funny but it’s no joke.I’m a social end product so don’t blame me / I’m a social end product of society / It’s not my fault that I don’t belong / It’s the world around me that’s gone all wrong.”Delivered with snot-nosed venom, the lyrics of The Bluestars’ December 1966 single “Social End Product” rail against the perceptions fostering the them-and-us generation gap. The music is suitably tough, defined by an insistent fuzz guitar riff and pounding drums. Wherever it’s Read more ...
Barney Harsent
With the possible exception of Talking Heads, I can’t think of another band who had such an exceptional run of early albums as Simple Minds. After a promising but uneven debut, they released Real to Real Cacophony in 1979 and barely put a foot wrong for five (some might argue six) albums.Big Music (2014) was a knowing look over a shoulder; a direct reference to the stark electronic thrum of their early albums, and one which largely eschewed the later stadium pomp. In doing so, it was open to accusations of mannered pastiche – some thought it an odd choice for a band that had once set so much Read more ...
joe.muggs
There's something oddly innocent, gauche even, about the US-based Anglo-Finnish trance trio Above & Beyond. They are almost implausibly huge – their weekly radio show, called "Group Therapy" after their 2011 second album, has some 25 million listeners, and polls consistently rank them among the most popular DJs in the world. Yet in a global scene dedicated by oafish American EDM bros and Dutch and Scandi DJs engaged in an arms race with said bros to achieve maximum empty audiovisual bang-per-buck – ultimately approaching something resembling something vaguely totalitarian in its Read more ...
Tim Cumming
Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years. With their 28th studio album featuring a line-up that’s as stable as it gets in The Fall's rickety table of elements, they continue to make music like no other band, young or old. Read more ...
Thomas H. Green
On paper Django Django seem a perfect band. The four-piece, half Scottish, quarter English, quarter Northern Irish, boast an indie songwriting sensibility, but filtered through a natural pop suss, an engaging sense of psychedelia, a desire to rave it up, and a ripe capacity for harmonisation. Their third album is fat with melody and interest, right from its ballistic opening title track, yet in the end, why is it eminently likeable rather than loveable?See, I keep trying to have a love affair with Django Django’s music. Their last album, Born Under Saturn (2015), sounds luscious but in the Read more ...
Russ Coffey
The Time is Now sees Craig David's career well into its Indian summer. The story of how he got here is well known: back in the early noughties a series of hits like "7 Days" made him the toast of the UK Garage scene. Then comedian Leigh "Bo' Selecta " Francis turned David into a figure of fun. The singer relocated to Miami to become a club DJ. Finally, he returned to the UK and released the Number One album, Following My Intuition.It wasn't just the latter's sales figures that were impressive. Over the past two years, David has also picked up a MOBO and filled London's 02 arena Read more ...
Kieron Tyler
How much of someone else’s despair is it possible to take? What are the limits on putting a sense of desolation or isolation into a song? Can such naked expression be mediated by a glossy production or crowded instrumental arrangements which distract from the core essence of the song?All three questions are raised by the new Television Personalities archive release Beautiful Despair. Rather than being an unreleased album, it is a collection of 15 previously unheard home recordings taped in 1989 and 1990 between the albums Privilege (1989) and Closer to God (1992). This was a period of Read more ...
Guy Oddy
If sunny tunes that put a spring in your step and a positive spin on the day are what you are looking for to blast away the Arctic-powered January Blues, then Hollie Cook has them in spades. Vessel of Love is the daughter of Sex Pistol Paul Cook and the former Slit’s third solo album and one that is awash with lilting lovers rock grooves that bring to mind the classic pop reggae sounds of the legendary Janet Kay and even has hints of Lily Allen’s summery debut album Alright, Still on occasion. This is mellow music for swinging hips and, as the temperature plummets, it’s just what the doctor Read more ...
Thomas H. Green
The third album from Thomas White under his Fiction Aisle moniker is a match for its delicious, under-heard predecessors. White remains best known for his output with The Electric Soft Parade and Brakes but the prolific Fiction Aisle (three albums since 2016) deserve to gain wider purchase. This time round the mood is more tentatively upbeat than previously, and White’s Pink Floyd-ish tendencies are on the back burner, but, at its core, cosmic easy listening is still the game.The Fiction Aisle aspire to John Barry’s cinematic orchestrated scope, but tinted with hints of Morrissey’s vocal tics Read more ...
howard.male
Growing up with the music of David Bowie is probably not the best grounding for being a music critic because it raises expectations unreasonably high for every other adventurous musician one happens upon. When I first heard the intense, bordering-on-hysterical music of Merrill Garbus (the main creative force behind Tune-Yards) eight or so years ago, I actually had to get up from my desk and pace the room. I was so excited to hear something that both acknowledged pop and rock templates and crushed them underfoot. But with love comes responsibility. But unfortunately Garbus seems to have Read more ...
Katie Colombus
With the tragic passing of Cranberries lead singer Dolores O'Riordan, I've been thinking a lot about the importance of the soundtrack to youth. I spent days wailing along to "Ode to My Family", raging out to "Zombie" or bouncing around the local indie disco with friends to "Linger". They are moments that now seem frozen in that time, that were reflected in the quirks, uniqueness, newness and message of the Cranberries' sound.What strikes me with First Aid Kit's Ruins is a similarity (perhaps imagined as I'm consumed with memories of one of my old faves) in the uniqueness of Swedish Read more ...
Thomas H. Green
Many hard rock aficionados say that Motörhead’s greatest work was all with the “classic” line-up of Lemmy, drummer Phil “Philthy Animal” Taylor and guitarist “Fast” Eddie Clarke (who died last week aged only 67 - this review was written before that news came through). While there’s no denying their 1976-82 output was storming, Motörhead’s later career contained multitudes of gems that were its match. The band’s guitarist for this period, for 31 years from 1984 until Lemmy’s death, was Phil Campbell. He now releases the debut album by a band he formed with his three sons shortly after his Read more ...