Theatre
Matt Wolf
If it's possible for a piece of writing to remain significant, even important, without necessarily being great, that would describe the status of the epoch-defining Torch Song Trilogy 29 years after the triptych won Tony Awards for Harvey Fierstein as both author of the best play and best leading man. Notably different from the inimitably growly, outsized Fierstein, not least in terms of girth, David Bedella reinvents the demanding principal role in his own slimmer, always empathetic image. But neither he nor Douglas Hodge's affectionate production can quite erase one's sense that the Read more ...
aleks.sierz
A powerful trend in contemporary theatre is the family play. But the families usually depicted tend to be of the standard two-point-five variety, while other more complex forms — families as they actually are — tend to be ignored. So initially the good thing about Vivienne Franzmann’s new play is that it focuses on a family where the child is adopted. More controversially, it is about a white man who adopts a black girl from Africa.The story takes place in today’s Hampstead but has roots in the past. Joseph is a news photographer whose images of war and atrocity are world famous. Since the Read more ...
Tim Crouch
It has been nearly 10 years since I started writing for theatre. The second thing I wrote was a commission for the Brighton Festival who offered me the opportunity to make and perform a piece for young audiences inspired by a Shakespeare play. That was I, Caliban – a separate production of which is currently touring with Bristol Old Vic/Company of Angels alongside their version of I, Peaseblossom, the second of my Brighton commissions. After Peaseblossom came I, Banquo in 2005. And then I, Malvolio five years later – a show that is filling most of my touring commitments until the middle of Read more ...
Matt Wolf
James Corden (One Man, Two Guvnors) made it past the finish line, Tracie Bennett (End of the Rainbow) did not, and the art-house musical Once trumped Disney’s latest Broadway entry, Newsies, at the 66th annual Tony Awards in New York last night. The ceremony, honoring the best of the Broadway season just gone, was available in real time to nocturnally minded London theatre folk, who could watch the CBS gala streamed live on the web.So it was round 3.30 am in Britain when this country’s best hope for a 2012 Tony emerged victorious, Corden nabbing the top prize that had eluded him at the UK’s Read more ...
Sam Marlowe
If you weren’t sick when you arrived at Les Cerisiers, the private psychiatric hospital in this satiric early Sixties drama by Swiss playwright Friedrich Dürrenmatt, you probably would be by the time the institution had finished with you. Its all-female staff are either grotesque or pulchritudinous; and the latter category have a worrying tendency to wind up murdered.The former comprise the sanitorium’s head, hunchbacked, hollow-eyed Dr Mathilde von Zahnd (Sophie Thompson), and her butch, helmet-haired right-hand nurse, Marta Boll (Joanna Brookes). Together with their ill-fated subordinates, Read more ...
Tom Bird
Over the past six weeks, we at the Globe have put on a festival called Globe to Globe. The concept (an idea of Dominic Dromgoole’s) was always very simple to explain: all of Shakespeare’s plays, each in a different language. But the reality of that, of course, was unprecedented, unwieldy and just plain large. It’s impossible, particularly with hangovers literal and metaphorical, to sum up what it meant to the hundreds of actors, the tens of thousands of audience members (the vast majority of whom had never been to the Globe before), or the hardy souls who stood through every single play. All Read more ...
Jasper Rees
We’re fresh out of superlatives. The Globe to Globe season has put a girdle around the earth in 37 languages, and the visiting companies have now left the building. You have to high-five the Globe’s chutzpah for mounting this wondrous contribution to London 2012’s World Shakespeare Festival in the first place. But in quite properly keeping the biggest till last, it surely took extra testicles to stage the famous play about a royal family in turmoil on this of all weekends. Either side of the matinee and the climactic evening performance, another royal family processed down the adjacent Read more ...
Matt Wolf
Productions at the life-changing Globe to Globe sequence of international takes on the Bard have had numerous points of origin, from shows conceived directly for the event to reprises of stagings that in the case of the Brazilian Romeo and Juliet was decades old. So why shouldn't France of all countries deliver a Much Ado About Nothing straight from the charcuterie? Here was arguably Shakespeare's most affecting and nuanced comedy served up with funny voices, exaggerated gestures and an extra helping of jambon. In the end, the play still delivered the goods: it's Much Ado, after all Read more ...
David Nice
Diamonds one day, stones the next: compulsive giver Timon’s swift descent into raving misanthropy would be better packed into a gritty pop ballad than a full-length play. Still, Shakespeare just about pulls it off: having had more of a hindering than a helping hand from Thomas Middleton in early scenes, he comes into his own with howling, Lear-like invective. Unfortunately this is the very point at which the Bremer Shakespeare Company, which last appeared here when Sam Wanamaker's dream of the Globe was still a building site, loses the sharp edge of a clearly-told narrative amid the laughter Read more ...
Demetrios Matheou
The Comedy of Errors may not be one of Shakespeare’s most notable plays, yet this production embodied the essence of the Globe to Globe season. While the play was lent new kinds of hilarity and colour when interpreted within a different culture, I can’t begin to imagine what appearing in The Globe must have meant to the troupe performing it.In 2005 Roy-e-Sabs performed Love’s Labour’s Lost in war-ravaged Kabul, presenting Shakespeare in Afghanistan for the first time since the Soviet invasion in 1978. Challenging the country’s repressive conventions, the production featured men and women Read more ...
aleks.sierz
They say that men, at whatever age, never leave the playground. We are told that boys will be boys. But what is this kind of infantile masculinity really like, and is there anything new to say about it? Ella Hickson’s latest play kicks open the door on a group of students and youngsters living in an overheated Edinburgh flatshare, and catches them at a crucial point in their lives. At the moment, they plan to party. But what will happen after they sober up?Let’s start with their accommodation. It’s not a bad flat: there are five rooms and only four boys. It’s a bit grubby, but you’ve seen Read more ...