Theatre
judith.flanders
As the much-loved Arthur Marshall so profoundly noted, Ibsen is “not a fun one”. One could, with as much truth, say the same about Shakespeare’s rarely staged Timon of Athens: its misanthropy, missing motivations and mercurial shifts in temper do not spell a fun night out to most. It is greatly to the credit of director Nicholas Hytner and his team, therefore, that the evening, if it doesn’t exactly fly by, is consistently engaging, thought-provoking and downright intelligent.Hytner and his designer, Tim Hatley, have created a world that mirrors our own. Timon is officially “of Athens”, but Read more ...
alexandra.coghlan
Before Ibsen was, well, Ibsen, he had a successful career as a failed playwright. Producing works on a spectrum between unremarkable and outright bad, he muddled his way through to his late thirties when the publication of Brand derailed what might otherwise have been a spectacularly mediocre life’s work. With the change in fortunes came a change in tone – a welcome and necessary one if the leaden comedy of Ibsen’s early pastoral satire St John’s Night is anything to go by.Inspired by Shakespeare’s A Midsummer Night’s Dream, Ibsen’s play subjects the collision between man and magic to a Read more ...
theartsdesk
Even in this year of years, it has to be accepted that not everyone has a soft spot for sport. Anyone answering to that description may well attempt to sprint, jump or pedal away from the coming onslaught, but if you are anywhere near a television, radio or computer, the five-ring circus is going to be hard to avoid for the next few weeks. Though an arts site devoted to noting, admiring and every so often deploring fresh developments on the cultural map, we felt we couldn’t entirely allow the biggest sporting event ever to visit the shores to pass entirely unnoted. So as of tomorrow, Read more ...
Jasper Rees
Producers did warn it was going to be a bad summer for West End theatre, but the announcement of the closure of Chicago is still a curveball. For 15 years the musical - those credits one more time: music by John Kander, lyrics by Fred Ebb, a book adapted by Ebb and Bob Fosse from the play by journalist Maurine Dallas Watkins and choreography by Ann Reinking “in the style of Fosse” - has been keeping audiences entertained at the Adelphi, then the Cambridge and, as of last November, the Garrick. In that time it has grossed over £120 million. But as of 1 September one of the pillars of the West Read more ...
carole.woddis
At the end of The Riots, the Tricycle Theatre’s verbatim response to last year’s upheavals edited by Gillian Slovo and Cressida Brown, a local Muslim whose home was burnt down in Tottenham was asked to give his view on why it had happened. He summed it up with three words: “Just – angry – people.”Richmond’s excellent Orange Tree has now come up with another, even more urgent analysis adding further flesh to those three words, if little consolation. From their young writers group comes 23-year-old Archie W Maddocks’ Mottled Lines, taken from observation, his own life experiences and, as he Read more ...
alexandra.coghlan
The front door of Ibsen’s A Doll’s House may first have slammed shut in 1879, but it’s a sound whose echoes and re-echoes continue to resonate. The crash of feminist selfhood, bursting through the catatonic tranquility of domestic order, originally scandalised 19th-century Norwegian society, but with scandal now rather harder to come by, Ibsen’s play has acquired a quieter, but infinitely more pervasive impact. In Carrie Cracknell’s faithfully realist rendering it speaks with harrowing directness, cutting to the contemporary heart of the matter as few updated stagings have so cleanly done. Read more ...
Matt Wolf
The Taming of the Shrew celebrates its own rumbustious, raucous (mis)behaviour, so why shouldn't Shakespeare's comedy be granted a production that follows suit? From an opening gambit involving bodily fluids sprayed in the direction of the groundlings to a food fight later that would put the bad boys of Posh to shame, Toby Frow's directorial debut at Shakespeare's Globe turns up the volume to consistently giddy effect.That the staging also finds uncommon delicacy in a play that can seem as "cursed" as its eponymous heroine speaks to the dream team of Samantha Spiro (pictured below, mid- Read more ...
bella.todd
"I can’t live without horse flesh, if it’s only a piece of cat’s meat on a skewer.” So declares Patricia Hodge’s gung-ho racing fanatic Georgina in this straight-down-the-line revival of Pinero’s 125-year-old caper, which requires cast and audience to subsist on the theatrical equivalent of the latter.A rarely-seen drawing-room comedy about a put-upon vicar tempted into risking money and reputation on a horse, Dandy Dick was partly written in Brighton and possibly inspired by its racecourse. Hence its selection to launch Theatre Royal Brighton Productions which, under artistic director Read more ...
aleks.sierz
The Arab Spring has arguably been the most important international event after the credit crunch, yet it seems to be of little interest to British playwrights. Parochial, obsessed with writing only what they know, they have been put to shame by Hassan Abdulrazzak, an Iraqi playwright who was born in Czechoslovakia and now lives in London, working as a scientist. His 2007 debut, Baghdad Wedding, was a big hit, and his long-awaited second play is set in Cairo during the revolution that toppled dictator Hosni Mubarak.To be exact, the date is 28 January 2011. While the people gather in Tahrir Read more ...
theartsdesk
The Arts Desk has been voted Specialist Journalism Site of 2012 at the Online Media Awards. In a celebratory dinner at Arsenal's Emirates Stadium recognising "the best and boldest of online news-based creativity and also the most original", The Guardian were the major winners with five awards, but even their new Data Store section was outgunned in the Specialist Journalism category by The Arts Desk.In a category contested by 11 nominees, The Arts Desk's prize was the first of two given by the judges acclaiming two specialist sites "for very different reasons" - the other went to The Economist Read more ...
Jasper Rees
“Let slip the dogs of war.” Somewhere in the bowels of Kiev’s Olympic Stadium, a football coach will have said something along these lines around the half seven mark. Meanwhile, over on the clever-clever channel, an alternative meeting between England and Italy took place.Shakespeare set any number of plays in the Italy he encountered in his source material, but with the possible exception of Romeo and Juliet, none feels quite so much of a statement about the Italian state of mind as Julius Caesar. It’s no coincidence that this was the play given to an Italian company for the recent Globe to Read more ...