Neo-soul devotees Durand Jones and the Indications mine a vein of sensuous sounds, at the soft end of a genre that's partly defined by the raw passion of gospel. Their roots draw from vintage Curtis Mayfield and the smooth vocal harmonies of the Impressions, the delicate heartbreak evoked by Smokey Robinson, and a host of groups, many of them identified with the Philly Sound. Their latest album, following solo outings by members of the band, not least golden-voiced Aaron Frazer (Into the Blue - 2024), goes wholeheartedly for songs of romance and seduction, perfect for late-night Read more ...

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.So, what musical wonders has Dominic Harrison created in collaboration with his team of producer Matt Schwartz, composer Bob Bradley and guitarist Adam Warrington? Perhaps a reggae infused mix of hardcore punk, techno and folk rock? Or maybe a delirious fusion of heavy metal, grime, be-bop and desert blues?Unfortunately, not. Idols comes on like a full-on celebration of soulless second wave Britpop, with maximalist production that leans heavily into the “loudness wars” style of the Read more ...

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south London rapper’s most tender and experimental work yet. Building upon the introspection of Hugo (2022), this record takes listeners into Carner’s emerging domestic world.Hopefully! moves through genres and rhythms that resonate perfectly with his previous work yet push further outside the Lo-Fi Hip Hop box that had dominated Carner’s discography for years. Gone is the raw urgency of Hugo, replaced by a gentler, more meditative tone. Carner’s signature Read more ...

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies L.A. nostalgia-fest, Licorice Pizza, has done them no harm. I Quit is, the band says, thus titled because its songs are about “quitting something that isn’t working for us anymore”. More than its concept, though, the listener is swept away by the sisters’ joy in ransacking their skills and studio, any which way they can, to create sun-dappled retro-futurist pop.This is not pop in the Gaga/Roan vein, though. Alongside ex-Vampire Weekend super- Read more ...

A look at Darling on its 60th anniversary offers a sobering reality check on the "Swinging Sixties", a reminder of the fallacy of the decade’s gaiety and supposed liberation, especially for women. This attractive 4K restoration reveals the film to be a very complicated animal indeed – both in its own time and through the prism of today’s very different political correctness and gender ethics. While John Schlesinger’s "classic" plays like a scathing satire of the period, I’m not convinced that this was entirely intentional at the time, which of course makes it even more Read more ...

One of the great untold stories of the past decade is just how potent a cultural force R&B has been. It might not have had the wild musical innovation it did in the 2000s when the likes of Neptunes, Missy Elliot, Timbaland and Rodney Jerkins reigned supreme as producers – but through the 2010s and ‘20s, it has established a whole set of performers who are able to exhibit extreme range in subject matter, style and seriousness, held together with force of artistic personality.Post-Lemonade Beyoncé tends to absorb the majority of critical attention, but Kehlani, Jhene Aiko, Tinashe, SZA, H.E Read more ...

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These days, vocalist Franz Treichler looks like the psychopathic Bob from David Lynch’s original Twin Peaks TV series and still exudes a certain malevolence – which is more than reflected in their new album Appear Disappear.The Young Gods’ influence has been readily acknowledged over the years by the likes of David Bowie, Mike Patton and even U2, to name just a few. Their sound draws from the same sonic seam as industrial metalheads Ministry and Nine Inch Read more ...

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which I ended up putting on promotional badges: “BASS CULTURE IS FOLK CULTURE”. It referred to the way riffs, refrains, ways of acting were passed down the generations, from reggae to rave to grime and on. But it also quickly took on more meaning, about where soundsystem and club music exist in society.Hull-raised, longtime Bristol-based Sam “Binga” Simpson exemplifies a lot of this. First, he’s a scholar of the vernacular: this album in particular really shows Read more ...

When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of blistering rock’n’roll. His debut album with the Chrome Hearts, however, gives a bit of both – and it pretty much has Young at the top of his game throughout.Opening track, “Family Life” is a reflective ballad about Young’s view of his place on the planet, about his relations with his wife, his grandchildren and his friends. It’s certainly not syrupy though but comes on with plenty of grit and more than a dash of Country and Western vibes, curtesy of Read more ...

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through the arrangement. A guitar solo arrives just over a minute in: precise yet slippery, it complements the early space-age feel of the Pocket Piano synthesiser she also contributes to the track.The album’s cover image aptly captures the interplay defining About Ghosts. Just as the ghosts in the illustration slip through each other, each player Read more ...

Marina Diamandis is a proper pop star, brilliantly full-on, off on her own thing. The Welsh singer is primarily known for success 10-15 years ago as Marina and the Diamonds, but she’s retained global heft as an album artist, including in the US, where she now lives (she played Coachella this year). Her last album was 2021’s enjoyably unfettered Ancient Dreams in a Modern Land. Princess of Power is even more over-the-top, pushing sex-positive girl-power themes further. It’s a welcome counterpoint to contemporary trip-hop-ish “sad girl pop”.Marina 2025 is, perhaps, best summed up by the Read more ...

In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and living rooms as they sang into their webcams and iPhones, some more successfully than others, doing what they needed to do. The most successful, the one I truly looked forward to, was Mary Chapin Carpenter who, every week, welcomed us into her sun-dappled Virginia farmhouse for a chat and a song. She was joined by Angus, a puppyish Golden Retriever, and occasionally by White Kitty, a blind and aged Rag Doll rescue, who has since crossed the rainbow bridge as folks like to Read more ...