CDs/DVDs
theartsdesk
This month's top releases are headed up by a brilliant covers album by Brazilian singer Seu Jorge, and the Manic Street Preachers and Richard Thompson on peak form. Elsewhere there is South African pianist Kyle Shepherd, Argentinian "eccentric mystic" Axel Krygier and dance music from Underworld and Superpitcher and "like a Humberside Randy Newman" Paul Heaton. Reviewers are Sue Steward, Joe Muggs, Russ Coffey, Peter Culshaw, Kieron Tyler, Marcus O'Dair, Bruce Dessau and Howard Male.CD of the MonthSeu Jorge and Almaz Seu Jorge and Almaz (Now Again Records)by Sue Steward"Errare humanum est” is Read more ...
graham.rickson
Horn of Plenty: A new CD showcasing Brahms, Mozart and Duvernoy leads this month's pick of the best new classical releases
This month’s new releases include a skilled orchestral re-imagining of Debussy piano music, some unfairly neglected late romanticism and a box of late Haydn symphonies. There’s a sublime Brahms chamber work, and three contrasting interpretations of Bach. A little-known Swiss contemporary composer gets an airing, a young cellist plays a nice set of transcriptions and a young Spanish group tackle three Hungarian string quartets. There’s also a timely reissue of a classic 20th-century opera. CD of the Month Trio! Horn Trios by Brahms, Mozart and Duvernoy Sarah Willis, horn; Cordelia Höfer, Read more ...
theartsdesk
 CD of the MonthTom Jones, Praise & Blame (Universal/Island) by Adam Sweeting Reinvention is all very well, and indeed indispensable for any career that aims to last longer than a series of X Factor, but you can have enough of seeing Tom Jones hamming it up with Robbie Williams or Cerys Matthews or Stereophonics. Jones seems to have reached the same conclusion. On his last outing, 2008’s 24 Hours, he circled back towards his traditional strengths, revisiting some of the musical styles he became associated with in the Sixties and Seventies but with the aid of a submerged iceberg of Read more ...
Graham Fuller
Violet may be the most violent colour in the spectrum, but its emotional equivalent in the cinema of Michael Powell is red, which frequently symbolises overwhelming sexual and artistic desire. Powell fetishised redness - and redheads like Deborah Kerr and Moira Shearer. This isn’t news for fans and scholars of Powell and Emeric Pressburger, his producing-writing-directing partner in the Archers, but the reds that show up on the Criterion Collection’s new Blu-ray editions of Black Narcissus (1947) and The Red Shoes (1948) seem to me to have a fresh lustrous intensity: call it Red-ray.In The Read more ...
Adam Sweeting
One of those deathless Sopranos moments is where Christopher Moltisanti turns up late at the Bada Bing club for a meeting with Silvio Dante and Tony Soprano, and they ask him what kept him. “The highway was jammed with broken heroes on a last-chance power drive,” Christopher retorts, quoting Bruce Springsteen’s New Jersey anthem “Born to Run”. Nobody would know this better than Silvio, since he was played by Springsteen’s E Street Band sidekick Steve Van Zandt.No other rock act has ever quite matched Springsteen’s feat of bringing his home-town roots and his personal background into the lives Read more ...
graham.rickson
Gustav Mahler would be 150 this year: 'few other composers projected their personalities with such force and panache'
It’s the 150th anniversary of Mahler’s birth, so we investigate a 16-disc box containing his (almost) complete works, along with two other recordings of Mahler symphonies. There’s an impressive new set of Beethoven piano concertos, and there’s more quality keyboard playing in new discs of Schumann and Schubert, who’s also represented by a new Lieder recording. More vocal delights are found in two very different operas recordings and you could do worse than take a step back in time to celebrate the opening of St Paul’s Cathedral, or plunge into the perfumed, modernist sound-world of Olivier Read more ...
theartsdesk
The-Dream: dark excess
This month's most interesting new music CDs according to theartsdesk music team includes a dark take on sex and consumerism by The-Dream, which is CD of the Month, "morally ambiguous" South London gangsta rap from Giggs, disco pop from Sia, Scissor Sisters and Robyn, "indietronica" from Grasscut and Tobacco, heritage rock from Tom Petty, immaculate jazz from David Weiss and a compilation of old Colombian dance music. Stinker of the Month is Eminem who is cordially advised to take up religion, get fat or do charity work. Reviewers this month are Joe Muggs, Thomas H Green, Bruce Read more ...
graham.rickson
Zoltan Kodály devised the hand signals which accompany the UFO's five-note signature  in Close Encounters of the Third Kind
This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable Schumann symphonies. Everyone’s favourite Latin American youth orchestra give us a Stravinsky classic, coupled with a fascinating Mexican rarity. Contrast is provided by two wonderful discs of more intimate music-making - Zoltan Kodály’s magnificent solo cello sonata and some lesser-known songs by Britten. Finally we dip our toes into the world of Read more ...
Adam Sweeting
This 1969 Italian movie has accrued a somewhat baffling mystique, not least because of the way it has been lavished with praise by the excitable Quentin Tarantino. This DVD issue includes a hilariously amateurish short of Tarantino hosting a low-rent showing of the film in Los Angeles, followed by an onstage chat with director Enzo G Castellari, clearly amazed to have been invited. He doesn't have to say much, since Tarantino just keeps babbling non-stop about how great he is. His Inglourious Basterds was, they say, hugely inspired by Castellari's Quel maledetto treno blindato, from 1978.In Read more ...
Graham Fuller
For the second time in four years, John Ford’s Stagecoach - the epochal black-and-white 1939 B-western that made a star of John Wayne and an icon of Monument Valley, and anticipated Ford’s unequalled run of westerns over the next quarter-century and the psychological westerns of the Fifties - has been remastered and reissued in a substantial two-disc DVD package. The eyes of Ford and Wayne completists should thus light up like those of the alcoholic Doc Boone (Oscar-winner Thomas Mitchell) relishing a couple of days’ proximity with the milquetoast whisky drummer Samuel Peacock (Donald Meek) Read more ...
anne.billson
Hollywood westerns and Japanese samurai movies have long been generic companions. Akira Kurosawa borrowed from the films of John Ford for his chambara (a term referring to period drama with swordfighting), while Hollywood borrowed back again by remaking The Seven Samurai as The Magnificent Seven, and Sergio Leone launched the spaghetti western subgenre by remaking Yojimbo as A Fistful of Dollars.Toshiro Mifune, star of both The Seven Samurai and Yojimbo, was the only Japanese actor of his era who might have been reasonably described as world-famous; he had already appeared in Grand Read more ...
Tom Birchenough
Note to lovers of those periodic lists of all-time international cultural landmarks: I seem to remember that Alexander Dovzhenko’s Earth once came in at number 82 in one such “best films ever” critical appraisal. Though that may place it somewhere in the lower third division, its release on the Mr Bongo label is a very welcome event if, like me, you probably last saw it decades ago on a bad 16-mm copy. It comes trumpeted as fully restored, in the full (that is, uncensored) version, complete with a stunning score that has an effect almost comparable to that of the images themselves. It's an Read more ...