CDs/DVDs
Kieron Tyler
It can’t be a coincidence that the simultaneous release of four Agnès Varda DVDs draws a film each from the Fifties, Sixties, Seventies and Eighties, bringing the opportunity for a broad-sweep appraisal. It’s equally unsurprising that the films share Varda’s non-judgmental empathy with her subjects and their day-to-day worlds.La pointe courte, released in 1954, is Varda’s first film. Although it captures the life of the eponymous fishing village, it’s a loose-ended examination of the collapsing relationship between a locally raised husband and his Parisian wife. Even at this point Varda had Read more ...
Kieron Tyler
Walls reclaim the soft-focus beats and keyboard wash that soundtracks the lounges of continental European hotels. The half-remembered chillout of their second album hazily drifts through a world where Ibiza, shoegazing and Krautrock travel on the same passport.Walls are Alessio Natalizia and Sam Willis. Outside Walls, both have musical day jobs. Natalizia is the mainstay of the fuzzy, shoegazing-leaning Banjo or Freakout. Willis is a producer, and one of the people behind Allez-Allez, a regular dance podcast. Their first contact came in 2009, when Banjo or Freakout got the Allez-Allez remix Read more ...
bruce.dessau
The 14th album from Vince Clarke and Andy Bell is supposed to herald a change, or so we are told by their people. Have they gone Goth? Have they discovered dubstep? Like heck. The only thing that has changed appears to be Andy Bell's eerily robotic face. Don't be fooled by the title. There is nothing futuristic about the nine songs here. There isn't even a cameo on backing vocals from Raymond Baxter, the presenter of the BBC series that got to their title first.But before you start demanding a refund, have a listen. Tomorrow's World is classic handbag electro with knobs on. From the yearning Read more ...
Thomas H. Green
“Cocaine Blues” is a song whose murky origins lie at the very roots of blues, folk, country and rock’n’roll, possibly right back to the last days of minstrelsy. When Johnny Cash performs it on his riveting 1968 live album At Folsom Prison, it fairly hums with potency, just about as heartening as popular music gets. When Merle Haggard has a crack at “Cocaine Blues” on his latest album, however, the mood is the polar opposite. The clean easy-going tone conjures a country and western version of Hugh Laurie’s recent sedate, chart-bothering take on the blues.
Then again, Haggard, at 75, has Read more ...
peter.quinn
This Edition Records debut from pianist Andrew McCormack and saxophonist Jason Yarde is a powerful marriage of brilliant musicianship and composition of the first rank. While this is only their second release in the duo format, a follow-up to the 2009 album My Duo, their attention to the smallest detail of phrasing and dynamic has been steadily honed since the days of playing together in seminal groups J-Life and Tomorrow's Warriors, dating back to the 1990s.The new album ranges from the rolling, Jarrettesque vamp of album opener "D-Town" to the duo's elaborate unpacking of "Embraceable You Read more ...
joe.muggs
I never really dug Suede. I could hear great pop songwriting in some of their work, but their rampant adoption of Bowie-as-Ziggy-Stardust sonics and vocal tics seemed to be just as representative of Britpop's necrophiliac tendencies as did Oasis's tired Beatle-isms. So I'm slightly puzzled as to why I'm enjoying this record by their singer as much as I am, given that it is almost as retro – albeit in a different way.The soundscape of Black Rainbows is a return to rock after the orchestral stylings of previous solo records, but it belongs to the mid-1980s. In particular there is a Goth Read more ...
Thomas H. Green
Cosmo Jarvis’s welter of ideas is sometimes too much for him. He explodes in multiple directions at once, ebullient, madcap, raucous, goofy, the very antithesis of cool (hence a 1/10 score for this in NME). He simply cannot rein it in, thus beautiful melodic orchestration fights it out with sea shanty stomping, dodgy, heartfelt rapping, rugby club choruses and Jarvis’s inability to be serious for very long. Nothing, however, can disguise the fact that there’s raw talent here, discovering itself.The Devonshire 22-year-old’s second album is demented fun. His first was a blink-and-you-missed-it Read more ...
Ismene Brown
The clips as you load the DVD show women in extremis - women tied to the end of a rope, women being assaulted by mass male groping, women dancing on pointe with bleeding chunks of meat stuffed into their ballet shoes. Pina Bausch’s commentaries on women make her ballets disquieting viewing. Wim Wenders’ film, released as a 3D version in cinemas earlier this year, takes you into those deep, confused questions that Bausch’s dance works put.He had planned to make this film with Bausch, but her sudden death left him bereft. This film therefore became an elegy to her and her company, Tanztheater Read more ...
Thomas H. Green
First off Spank Rock, has nailed the second best album title of the year. It’s sweary, bleeds punk attitude and nails a point - rather than the usual focus-grouped opaquely resonant crap bands come up with (best album title of 2011, by the way: Mogwai’s Hardcore Will Never Die, But You Will – brilliant!).Secondly Baltimore MC Naem Juwan once again lives up to the hype, not easy to do when Tweet-trending futuroid numpties have been frothing over him non-stop for the five years since his debut album made them cream their jeans. Spank Rock brought a broken computer to the hip hop party in 2006 Read more ...
peter.quinn
Take the sounds of New Orleans brass, Prince-style funk, hip-hop beats and power chord axe-riffing. Stir them all together, add in an assortment of high-profile guests, and you produce the genre-defying greatness that is For True.At an age when most kids are developing a taste for solid food, Troy “Trombone Shorty” Andrews was lugging his horn around the Tremé district of New Orleans, where he was born and raised. This follow-up to last year's Grammy-nominated Backatown from the horn player and his wonderfully monikered Orleans Avenue band – Michael “Bass” Ballard (on, er, bass), Pete “Freaky Read more ...
david.cheal
It’s hard to imagine a director being able to make a film like More today. The plot could be written on the back of one of the soft-packs of cigarettes being constantly smoked in the movie; the characters are unlikeable; there’s little in the way of emotional engagement; the music, by “The” Pink Floyd, is used only as part of the action, ie, coming out of cassette players, record players, and so on, rather than as an actual soundtrack; the editing has a deliberately un-rhythmic, un-fluid, nouvelle vague quality; the camerawork is unostentatious; the acting and the dialogue are flat and Read more ...
Kieron Tyler
Scandinavia’s music is the gift that keeps on giving. Journeying through new releases from our friends in the north, this round-up encounters irresistible Danish electropop, absorbing Norwegian weirdness, hypnotic Finns, charming singer-songwriting from Sweden and Icelandic/Swedish jazz pop.Denmark’s Tiger Baby grab the pop crown here. They’ve been heard on the US reality show The Real L Word and are – inexplicably – popular in Indonesia, where they’ve charted and appeared on a film soundtrack. Open Windows Open Hills is the Copenhagen trio’s terrific third album. Its brilliant opening cut “ Read more ...