CDs/DVDs
Thomas H. Green
Santigold – Philadelphia singer Santi White - does not neatly fit into any stereotype of the modern female pop star. In fashion photographer Jason Schmidt’s multiple cover images she is both an Amazonian warrior guard and a waistcoat clad masculine business overlord, and on record she adopts many more personas, but none of them are submissive or porno-chic sexual. Instead, Santigold makes stomping proud, shout-pop, chanty anthems that sit midway between early Eighties chart-toppers and utterly modern post-R&B US dance, of the Beyoncé ilk.With a production team that includes DJs such Boyz Read more ...
Russ Coffey
Sometimes I feel I’m the only one who finds Jack White’s music overrated. Although he's undeniably a prodigious axe man, I've never found his trademark raw, “underproduced” sound as convincing. That, however, was The White Stripes and The Raconteurs. Now White’s made an album just under his own name. And that begs the question of whether he has come up with a new musical manifesto. And, if so, is it any good?Anyone hoping for a substantial creative left-turn will be disappointed. Blunderbuss still pounds the stripped-down blues rock trail. It's true there are more diversions along the way, Read more ...
Kieron Tyler
Poliça aren’t lacking support. Jay Z posted one of their videos on his blog. Prince turned up to check out their live debut. Bon Iver's Mike Noyce sings on a couple of Give You the Ghost’s tracks. For an outfit whose debut album is only just getting its UK release (it was issued in the States in February), Poliça have got the jump on most contenders. They’ve also got an added leg up by having their origins in hip Minneapolis collective Gayngs. Most importantly, Give You the Ghost is great.Like Gayngs, Poliça – Polish for policy – aren’t a band. Both are projects drawing together producers and Read more ...
Thomas H. Green
Anyone remember gabber? It was a moment in the mid-Nineties when Dutch and New York dance music went as fast and loud as it could. In retrospect it was a bizarre anomaly but achieved brief cult popularity combining puerile juvenility, punk, avant-garde experimentalism and techno in a way that’s never been repeated. It was a bloody racket but the best of it had a real venomous sting and eventually appealed to the heavy rock community as much as ravers. The same can be said of Huoratron, AKA Finnish producer Aku Raski.Raski was discovered by Last Gang Records, the label that homed fellow Read more ...
fisun.guner
Rainer Werner Fassbinder, the wunderkind of New German Cinema, worked at a prodigious rate. By the time of his death in 1982, aged just 37, he’d made over 40 feature films and directed over half as many stage plays. He also made films specially commissioned for television, something that was certainly looked down upon by both mainstream and avant-garde film-makers in the Seventies. Treating his television projects with no less commitment, Fassbinder was an arthouse film-maker who broke the mould in many ways, though his output must be said to be of vastly variable quality.I Only Want You to Read more ...
Lisa-Marie Ferla
As probably befits the title, when the words “human, don’t be angry” are spoken for the first time on the Chemikal Underground release of the same name the voice they emerge in is anything but. Repeated over a dreamy guitar riff rendered otherworldly under a synthesised beat, ostensibly male and female robotic voices sound conciliatory, confused, commanding.The final voice, as the track ends, slows and fades out as if dependent on a flattened AA battery or, more poignantly, recognising the central theme as a lesson in futility.Better known for a more straightforward style of arch, acoustic Read more ...
Kieron Tyler
Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking. First, however, we head for the offbeat end of the spectrum.After my first encounter with Denmark’s Sleep Party People, I remarked they were “a peculiar Read more ...
Thomas H. Green
Love is a four letter word. So is “shit”. But I decided not to travel the punk bile road on this one. Too easy. Still, I couldn’t imagine a worse fit for me than Jason Mraz, a relentlessly positive clean-living vegan Californian grinner. He’s not actually Californian, he’s from Virginia, but he might as well be since holistic sunshine bleeds from every note of his fourth album, like an acoustic Deepak Chopra ear enema. He appears to be the antithesis of everything likeable about popular music - so let’s give him a fair chance as there’s little lamer than a pre-estimated critique.The first Read more ...
theartsdesk
Various: Cumbia Cumbia 1 & 2 Peter CulshawThese totally irresisitible compilations were originally issued as separate albums in 1989 and 1993, and were for many (including me) a first taste of this loping, vivacious sound, which originated originally in the 17th century on the Caribbean Coast of Colombia and has been a badge of identity for Colombians ever since.The music is a mix of African and indigenous rhythmic elements overlaid by brass, accordion, clarinet and electric guitar, pushed along with an addictively rocksteady bassline.Although Cumbia has since spread to Mexico, with more Read more ...
graham.rickson
Endless Borders: Choral music by Bo Hansson The Choir of Royal Holloway/Rupert Gough (Hyperion)Swedish composer Bo Hansson began his musical life as a guitarist and teacher, moving into composition in his thirties. Hansson writes in the sleeve note that “the human voice is the nearest you can come to your soul.” And you’d be forgiven for expecting, with trepidation, an hour of wishy-washy new-age mediocrity. Fortunately the music on this disc is consistently good; Hansson’s beginnings as an arranger of folk and popular song have helped him develop gifts as a writer of contemporary Read more ...
Thomas H. Green
There was time when “trance” was not a dirty word amongst connoisseurs of electronic music. It became, eventually, regarded as an aberration in the hip techno universe. Gentlemen of a certain age still make statements such as “I only like real trance music, like Brian Eno and David Byrne.” They speak of pre-acid house music that is mantric, tribal, original and brilliant but “trance” came to mean something else, a Nineties style that was created by two German DJs, Sven Vath and Paul van Dyk, a bangin’ club soundtrack that combined the pulse of techno with the great melodic flourishes of Read more ...
Adam Sweeting
Terence Davies's screen treatment of Terence Rattigan's play gets plenty of things right, not least its smoggy evocation of the seedy, exhausted London of the early 1950s, with its shabby colours, peeling paintwork and bomb damage. The piece is essentially a three-hander, and Davies's lead trio acquit themselves admirably. Rachel Weisz may be a little too fresh and luminous as Hester Collyer, repressed wife of High Court judge Sir William Collyer, but her determination to break free from her background and claustrophobic circumstances through her affair with ex-fighter pilot Freddie Page Read more ...