CDs/DVDs
igor.toronyilalic
The tone of these two new Pier Paolo Pasolini's re-releases couldn't be more different. The Hawks and the Sparrows stars the Italian prince of laughter Totò and one of Pasolini's most popular Calabrian peasant-actors (and lovers) Ninetto Davoli, and ambles gently through the Italian countryside in a surreal and inventive and Last of the Summer Wine-ish way. Pigsty, on the other hand, is the kind of Pasolini film where, when two boys meet, you have no idea if they're going to fight each other, fuck each other or eat each other. Mostly, they eat each other - and anything else that they can lay Read more ...
Thomas H. Green
The Idjut Boys are a London DJ/production duo who, like peers such as Optimo, Ashley Beedle, Tom Middleton or DJ Harvey, are not corralled by the electronic pulse that rules dance music. Like many good DJs of their generation, they veer towards the spirit of acid house, but they plug a wide range of other, often older, music into that feeling without drifting off course. The pair of them – Daniel Tyler and Conrad McConnell - have been around for 20 years, running labels and parties, cutting tunes, DJing the global circuit, but are claiming this is their first artist album, despite long- Read more ...
joe.muggs
Sometimes a record tells you whether you're going to like it before you've even hit play. With electronica this goes double: track titles like "Scanlon's Leaping Gore Pull", "Pneuquonsis on Return" and "Fewton Tension Chords" are either going to intrigue a potential listener, or make you think "stop playing silly buggers". If the former, then this collection is for you; if the latter, then there's not one nanosecond in the collection of grinding, bending, warping electronic sounds that is going to make you think otherwise.Though there is some repetition to these grooves, there is nothing that Read more ...
geoff brown
Long before the invention of digital technology and the birth of Keira Knightley, cinema shows in Britain contained not one feature, or two features, but also what the advertisements called a "full supporting programme". That meant newsreels, maybe a cartoon, or what the trade called "interest" films: travelogues and such. Many of those weren’t interesting at all, nor have they become so with age, though that’s not the case with the 12 examples drawn by the BFI National Archive from a travelogue series shot all over London’s highways and byways in 1923/1924. The producer of the series, Read more ...
Thomas H. Green
On her sixth album Joss Stone does what she does very well so the only question is whether it’s worth doing. When she first appeared with volume one of The Soul Sessions, tackling songs such as Aretha Franklin’s “All the King’s Horses” and Carla Thomas’s “I’ve Fallen in Love with You”, it was generally acknowledged that, while she was vocally proficient, she was only 15 and hadn’t really lived enough to inhabit raw soul scorchers.A decade later few would argue she’s not been through the mill - battling EMI and narrowly avoiding a kidnapping, amongst much else – and her voice is, indeed, a Read more ...
Thomas H. Green
Coming off the back of million-selling soul concept album The Defamation of Strickland Banks, the third album of Plan B - who is soon to be seen as George Carter (the Dennis Waterman role) in the remake of The Sweeney - is a belated soundtrack to his feature film ill Manors.Ben Drew’s 2006 debut was the sweary, snarling urban youth apocalypse and Daily Mail nightmare, Who Needs Actions When You Got Words? His latest returns to the same gritty British hip-hop territory, but with harsher criminality and disgusted social commentary. It is of a piece with the film, dropping in snippets Read more ...
theartsdesk
Blur: 21Bruce DessauThe recent closure of Word magazine has been seen by some as linked to the demise of "Fifty Quid Man". Who can afford such a wallet-frightening splurge these days on the kind of music the monthly's writers wrote so eloquently about? Well, have a chat with your friendly bank manager because this lavish tribute to the winners of the Britpop long game retails at £134.99 and is just about worth it. Every stage of Blur’s career is here – apart from, annoyingly, one their recent new tracks, "The Puritan" – charting the band's evolution from pre-Madchester incarnation Seymour to Read more ...
Adam Sweeting
As a refreshing change from Disney-style hyper-tech 3D animated blockbusters, A Cat in Paris offers a modest story of adventure and intrigue on a pleasingly human, as well as feline, scale. The titular character is a faintly sinister black-and-orange tomcat called Dino, an accomplished lizard-hunter who lives in a Parisian apartment with Zoe and her mother Jeanne. Or at least he does by day. After dark, he slips out onto the rooftops and window ledges of Paris, and becomes the accomplice of Nico, the notorious cat burglar. Writers Jacques-Rémy Girerd and Alain Gagnol (who also co- Read more ...
Kieron Tyler
The sacred word 'om' is spoken in different ways according to its context. Elongated, it can be stretched over multiple syllables. As a musical unit, OM work with building blocks that are similarly minimal, yet drawn out for maximum effect. And like the origins of their name, their heady, psychedelic music is heavily indebted to cultures which lie to the east.California’s OM were originally vocalist/bassist Al Cisneros and drummer Chris Hakius. Both used to be in drone/metal outfit Sleep. After a late-2007 five-hour live set in Jerusalem, Hakius left and was replaced with Emil Aros. Although Read more ...
Lisa-Marie Ferla
Brian Fallon, The Gaslight Anthem’s heart-on-sleeve frontman, would be the first to tell you that there’s nothing complicated to it: big songs with tons of heart; love and death and the last light of fading youth, all to the accompaniment of your favourite songs on the radio. Inspired in no small part by hometown heroes (let’s get the Springsteen references out of the way early, shall we?), the New Jersey band’s major-label debut ramps up the big rock choruses, but retains an intimacy through its wistful lyrics and Fallon’s bruised vocal delivery.Lead single “45” delivers a typically anthemic Read more ...
Ismene Brown
No matter how many war films come out about unbelievable suffering or astonishing heroism (and there are several around just now), there will always be more stories untold, hidden unlikely saints, overshadowed because some bigger movie did the job already. Schindler’s List did sterling work to lionise a “good” German; Agnieszka Holland’s In Darkness compellingly brings to light a Polish sewer-worker who concealed 10 Jews from the Germans for 14 months underground.Holland doesn’t put a halo around Leopold “Poldek” Socha - when we first see him he is burgling a house, his potato face hard and Read more ...
Thomas H. Green
Occasionally sounds from the dance underground come blasting into the wider pop world through sheer zest. It’s not that these tunes veer from the essential clubland blueprint of simply keeping the dancefloor full – as opposed to rock’n’pop’s focus on songs and melody – but that their ebullience makes them irresistible to a wider audience than was ever anticipated. Think of The Prodigy, Chase & Status or Dizzee Rascal’s “Bonkers” and now add Sleepin’ Giantz to the list.Sleepin’ Giantz do not have major-label backing so may not be thrust immediately into the wider limelight but, musically, Read more ...