CDs/DVDs
Thomas H. Green
Pet Shop Boys eleventh album leaps sideways into smooth, opulent US FM radio production in a way that will initially give long term fans palpitations. The duo sound… different. They recorded Elysium in Los Angeles with Grammy-winning Kanye West producer Andrew Dawson and it sounds that way too.Here’s the thing, though, whether you like the results or not, Dawson pushes them somewhere new, albeit sometimes in directions that jar. A case in point would be the way the snappy “Ego Music”, which ruthlessly satirizes the portentous self-importance of certain rock stars, is wilfully followed by “ Read more ...
bruce.dessau
One of the current tropes in stand-up comedy is the way that television appropriates music to manipulate emotions. Sean Hughes employs a flurry of Snow Patrol when he acts out buying some bread, while newcomer David Trent has Sigur Rós on his soundtrack as he celebrates winning a piffling £10 on the Lottery. Which brings us to The xx. The young band's Mercury Prize-winning 2009 debut album became a dinner party staple and a default promo choice, plugging everything from the BBC's Election coverage to teen tosh 90210. Their sequel must be as eagerly anticipated by creatively moribund marketing Read more ...
joe.muggs
There's a lot that's right with this album. Love This Giant sounds like Talking Heads for one, suggesting that David Byrne has made his peace with what made him great in the first place, and has seemingly stopped his slide into becoming a fascinating conceptualist and writer but slightly boring performer. It also, in several places, sounds strikingly like Róisín Murphy's Ruby Blue album made with Matthew Herbert, which given this is one of the most criminally underappreciated records of the 21st century is no bad thing at all. Yet despite that, it also sounds extraordinarily coherent and Read more ...
Thomas H. Green
Being such a massive phenomenon has made The Hunger Games an easy target to tilt at but the truth is that, staying close to the Suzanne Collins novel, this film adaptation is a lean, smart science fiction thriller that there’s much to like about. The premise is that in the future the USA has become a nation called Panem, 12 serf states ruled by the Capitol who organise an annual televised competition designed to engender obedience in the populace. On it a pair of "tributes" from each district fight to the death on the live TV show of the title. Sixteen-year-old poacher Katniss Everdeen ( Read more ...
Peter Culshaw
If the name is both banal and irritating – seemingly you are expected to spell it kNIFE and fORK – this album is a triumph on its own terms. Despite it being at times overly self-conscious, there are occasional flashes of dark genius.The band are a duo, Laurie Hall and Eric Drew Feldman, who last made an album eight years ago. They have attracted raves from PJ Harvey and Frank Black, although as Feldman has worked with both artists, and they are probably mates, how seriously should we take their plaudits? Still, it gives you some idea of the aesthetic parameters, as does the fact that the Read more ...
igor.toronyilalic
Even though their names are bound together in the portmanteau title, the directors of the four short films that make up RoGoPaG - Rossellini, Godard, Pasolini and Gregoretti - don't go for any sort of narrative tie-ins. The only thing that links the films are the Sixties themes: nuclear annihilation, the shifting role of women and the rise of consumer capitalism. The largely unsatisfying results would only recommend themselves to the dedicated arthouse fan or movie historian were it not for Pasolini's inspired contribution, La Ricotta.The generosity of vision in Pasolini's La Ricotta Read more ...
theartsdesk
Lee Hazlewood: A House Safe for TigersGraham RicksonLee Hazlewood’s voice can still invoke awe. It's gravelly, sonorous, rasping, but incredibly affecting – even when he’s scraping around in the depths it always sounds musical. A reissue of a hard-to-find 1975 LP, A House Safe for Tigers was originally the soundtrack to a Swedish TV movie directed by Hazlewood’s friend Torbjörn Axelman. Hazlewood had moved to Sweden in 1970, partly to ensure that his son wouldn’t be drafted to Vietnam. He continued to record and release new material, most of which slipped under the radar.A House Safe Read more ...
bruce.dessau
Growing up in public is never easy. After all the attention that The Vaccines attracted with their post-Strokes smash-and-grab debut What Did You Expect From The Vaccines? they have plenty to prove with their follow-up. Do they duplicate the Ramones-meets-Ronettes-in-the-Hadron-Collider template or go for something different and sophisticated? Well, they’ve got a new look, ditching the leather for denim and growing their hair, and the sequel certainly sounds different, but whether it is more sophisticated is another matter entirely.Come of Age is a tremendously easy album to like but a hugely Read more ...
Kieron Tyler
Nine albums and almost 10 years in, Animal Collective show no signs of smoothing the edges from their herky-jerk, ADHD psyche-pop. Vocals carry a melody, but everything else in the mix counters that – pinging sounds, Afro-inspired percussion, bloops, stabs of synth. Beyond Animal Collective, only a bear with a sore head could make psychedelia this twitchy.Obviously, Animal Collective are doing something right and I’ve tried and tried to get my head around their output. Seeing them live was confusing. I just wished they would stick to the song they had started and take it to its conclusion, Read more ...
mark.kidel
With the overwhelming acclaim that welcomed their first album, Très Très Fort, the musical paralympic champions Staff Benda Bilii faced a challenge with their second. Would their unusually stirring backstory as disabled polio victims and destitute street children in Kinshasa become a burden rather than a draw?Bouger Le Monde doesn’t disappoint, although there are moments when their very exuberance becomes a little excessive, as if they were responding to audiences that clearly preferred the super-charged frenzy of their up-tempo rumba to the slower songs that brought greater balance and Read more ...
Lisa-Marie Ferla
You’ll know by now, perhaps, that Sun is supposed to represent a “rebirth” for Chan Marshall, the famously intense singer-songwriter who performs as Cat Power. Since the release of 2006’s The Greatest Marshall has shunned her own material, instead reinterpreting Memphis soul and Delta blues in a sensual, dusky croon. When your songs are as personal, as taut and extreme as some of Marshall’s work can be, however, there must be times it pays to take a step back.It may sound as if I’m trying to say that Sun is one of those albums is difficult to listen to, but it’s not like that at all. It’s Read more ...
graeme.thomson
It’s remarkable how many of the 20th century's most culturally significant popular musicians – from Louis Armstrong to John Lennon – emerged from a childhood defined by lack or absence. As Kevin MacDonald’s epic and enlightening documentary about the life of Robert Nesta Marley illustrates, much of his righteous anger, steely determination and elusive nature stemmed from the dubious legacy of a shady, philandering English father who was white, feckless and an almost entirely ghost-like figure in his son's life.This is a vivid and balanced portrait, neither hagiography nor hatchet job, which Read more ...