CDs/DVDs
joe.muggs
End of year lists are, of course, wildly arbitrary – based on what raddled writers can scrape from their memory-barrels come deadline day, with half an eye on what we think our colleagues are going to pick so our choices will end up in aggregated lists too.I could easily find a way to argue that the rarefied ambience of Santiago Latorre was my record of the year, or sing the praises of Message To Bears's chamber music all day long. I could honestly say that I'd been playing the Jessie Ware and Norah Jones albums on repeat, or loving the off-centre electronic squonk of Mouse On Mars, just to Read more ...
Thomas H. Green
First off, if you want to read a proper review of Two Fingers’ album just head here where I reviewed it a few months back. Instead, starting today and for the rest of the year, the musical side of Disc of the Day will be devoting itself more subjectively to theartsdesk's new music writers’ favourite albums of 2012.My contenders range from Orbital’s startlingly vital post-sabbatical return (Wonky) to Dexys' superb concept album about life, love and relationships (One Day I’m Going To Soar), from the very different, fascinating femme-pop of Santigold (Master of My Make Believe) and Sinead O’ Read more ...
howard.male
I suspect that this cruel, clever sitcom is more loved by men than women, because what woman really wants to delve this deeply into the murky pool of the unreconstructed male psyche? But after a decade of Jeremy (Robert Webb) and Mark (David Mitchell) fucking up their lives and fucking off their girlfriends there’s a pall of foreboding lingering over proceedings in Series 8 that suggests this can’t go on forever. Or can it? Every show that focuses on a particular period of our lives – from the teenagers of The Inbetweeners to the 20-somethings of Men Behaving Badly - has had to free its Read more ...
graham.rickson
Does this disc succeed in doing what it sets out to do? Yes, it does, which makes my minor carpings irrelevant. It’s already selling in industrial quantities. But, to quote a review of another Christmas album on this site, “an album full of tunes you’ve been hearing all your life needs to be adept at reinvention”, and too many of the traditional numbers featured here follow the same template – gloopy, synthetic sounding production values and glacial tempi. Experience has convinced me that carols can be most emotionally potent when they’re sung by untrained, youthful voices. We’ve all welled Read more ...
Russ Coffey
The best Christmas songs are a bit like the best decorations: more glittery than tasteful. Merry Christmas Baby's tracks may have a jazzy sheen but deep down they fit that bill. Its cover photo – Rod dressed in a white pimp-suit in front of a snowy bauble-laden tree - says all you need to know about what sort of crooning he's been up to here.This is the kind of music you might expect to hear coming out of the speakers in an upmarket department store. That's no criticism. Who wouldn't enjoy a well-executed mix of warm and fuzzy easy-listening seasonal standards and carols? Vocally there’s the Read more ...
theartsdesk
The Prodigy: The Fat of the Land 15th Anniversary Expanded EditionThomas H GreenAlmost a decade after acid house changed the landscape of British music, it seemed rave culture was finally about to take over pop. The Chemical Brothers hit the top of the charts, assisted by Noel Gallagher, in Autumn 1996 with “Setting Sun”, Goldie led a wave of drum & bass eagerly signed by major labels, 12” singles were selling by the ton and, leading the charge, The Prodigy topped the single’s and album’s charts in mid-1997 on both sides of the Atlantic with “Firestarter” and its parent album The Fat of Read more ...
Lisa-Marie Ferla
“I think the Muppets hit a new low.” “Yeah, and his first name’s Cee!” In the hierarchy of Statler and Waldorf’s cutting put-downs it’s more of a turkey than a Christmas cracker, but Cee Lo’s Magic Moment was never supposed to be subtle. The album’s cover art features the soul star, clad in a pink fur coat, playing Santa in a convertible Rolls Royce driven by reindeer and drawn by three white horses. If you peer closely enough, you’ll notice that among the gifts falling from the back of the car are copies of Cee Lo’s previous three albums. That the star has chosen a bombastic pop number based Read more ...
Kieron Tyler
Zombie Flesh Eaters was at the heart of the early Eighties’ video nasty furore. Pilloried without being seen, it was cast as revolting and shocking, and subsequently banned from release. This pin-sharp, definitive restoration of Lucio Fulci’s 1979 over-the-top zombie fest isn’t going to suddenly elevate it to classic status, but it does show it to be good, workmanlike exploitation cinema of the highest calibre. Nothing in it is unwatchable, even if a few scenes are mildly disgusting.Fulci, a journeyman working in Italian cinema since the late 1940s as a writer and director, was commissioned Read more ...
Thomas H. Green
It would be a fool who came to any Christmas album sternly expecting radicalism and the pushing of sonic frontiers, and an even bigger fool if they expected the same from one by John Travolta and Olivia Newton John. Christmas albums revel, for the most part, in idealised nostalgia and ritualised celebration but, since it’s now de rigeur for anyone to have a go in this area, the deluge increasing each year, it seems reasonable to hope for a few twists to keep us interested. We don’t get them from Travolta and Newton John.The pair, who reached superstardom with Grease in 1978, reunited when it Read more ...
Jasper Rees
An album full of tunes you’ve been hearing all your life needs to be adept at reinvention. Cerys Matthews has already proved that she has a gift for repackaging the familiar in her enchanting Tir, which anthologises much loved Welsh folk songs and hymns. But then in that intoxicating voice, which breathily suggests both sweetness and transgression, she has just the instrument for sprinkling a fresh coat of fairy dust over, in this case, children’s carols.The pleasure of Baby, It’s Cold Outside: Christmas Classics from Cerys Matthews is also partly in the arrangements. There’s a distinct tinge Read more ...
Graham Fuller
Although Anthony Mann is best known for the five James Stewart Westerns (and one apiece starring Henry Fonda and Gary Cooper) he directed during the 1950s, it was the dour film noirs he made during the previous decade that made his name. Like Mann’s T-Men, Raw Deal, He Walked by Night, and Border Incident, Railroaded! (1947) was written by John C Higgins, whose pacey, violent stories owe much to the pulps.The opening is particularly impressive for being low key. A heist on a beauty parlour that’s a front for a gambling racket goes wrong when a cop is murdered by the masked robber (John Read more ...
Kieron Tyler
It’s got to be difficult making a Christmas album. Not only are there all the preceding offerings which must weigh heavily, there’s the practical issue that it has to be completed way before any seasonal release date. For those choosing to make one, Christmas must be summoned early. The frosty, reflective mood created has to feel genuine even if the sun is blazing. With the seemingly effortless Tinsel and Lights, Tracey Thorn has made an album that suits any season. Its gentle pensiveness isn’t just for Christmas.Although Tinsel and Lights draws its songs from a raft of writers, it’s a Read more ...