CDs/DVDs
Kieron Tyler
Can’s The Lost Tapes towers over any of the other reissues theartsdesk has covered this year. Although not strictly a reissue – it collected unheard recordings from tapes which had lain in the band’s archive – it rewrote the story of the seminal German band, offering a new perspective on their creative process and what they had issued. More than any of this, its three discs were a great listen and as essential as any of their albums - Soundtracks, Tago Mago and Future Days.Re-reviewing The Lost Tapes is unnecessary, but taking it as a yardstick for the year’s other reissues is, by turns, Read more ...
bruce.dessau
We're not doing a Best Gig of the Year chart on theartsdesk but if we did succumb to live listomania an unforgettable night in May would be certain to figure close to the top. One of pop's most mercurial figures, Kevin Rowland appeared on stage at the Shepherds Bush Empire and, more than three decades on from his band's incendiary beginnings, delivered the performance of a lifetime.Dexy's Shepherds Bush gig reinterpreted and revisited some of the band's early classics, but what was even more striking was that the new album, One Day I'm Going to Soar, performed in its entirety, more than Read more ...
Lisa-Marie Ferla
It feels a little like cheating to call Celebration Rock, the second album from Vancouver duo Japandroids, an album at all. Featuring only eight songs, the whole thing is over and done with in a little over 35 minutes. Plenty of bands these days would be happy to file that under "extended play".And yet, Japandroids squeeze so much into their alloted time that any more would be exhausting. This late in the year, it feels like giddy repetition to suggest that the album’s title is its mission statement; a summation as stark as the simple black and white cover art the band favours. The two-piece Read more ...
Kieron Tyler
Not-long into this farrago, Peter – the former Pete - Doherty opines that “nothing is beyond romance, except for the pain that is killing me every day”. Thankfully, the pain here is limited to the close-to two hours that Confession of a Child of the Century takes to trudge towards its conclusion.That the dialogue is so risibly apt cannot entirely be lain at Doherty's or director Sylvie Verheyde’s door. A faithful adaptation of Alfred de Musset’s dark 19th-century romance Confession d'un enfant du siècle, Confession… employs literal translations from the novel. But with a film this dull, this Read more ...
peter.quinn
On Sailing to Byzantium Christine Tobin's utterly singular music fuses with the amaranthine force of WB Yeats's poetry to create one of the most transporting jazz releases in aeons. From the iridescent colours of “The Wild Swans at Coole” and the statuesque tranquility of the title track, to the subtly ornamented melodic line of “The Song of Wandering Aengus” and the deeply poignant “Long-legged Fly”, the album's unique sound-world and intense depth of feeling completely seduce the senses.Tobin's incredibly empathetic band features Liam Noble (piano), Phil Robson (guitar), Gareth Lockrane ( Read more ...
howard.male
How does one choose just one favourite album of the year? Should it be the one that knocked you for six on a first hearing, the one that you admired rather than loved but nevertheless admired an awful lot, or the one that sneaked up on you gradually so that eventually you found yourself putting it on over and over again, even when you’d set out to play something else entirely, until eventually you ended up playing it more than any other album in 2012? Well, needless to say I’ve gone for the last.On early plays, my knowledge of all the 1970s bands that these bright young things from Read more ...
Jasper Rees
Berberian Sound Studio has the quirky flavour of an academic treatise on shlock horror with lively slide illustrations. Peter Strickland’s claustrophobic homage to the Italian giallo – in which diabolical dismemberings are perpetrated upon female innocents - would seem an odd leap from Katalin Varga, his brooding revenge drama set in rural Romania. But both films bring an outsider’s all but ethnographic eye to the rituals of Euro-barbarity. The game changer is that Berberian Sound Studio is also funny.A meek British sound engineer called, improbably, Gilderoy is hired by an Italian film Read more ...
mark.kidel
Leonard Cohen has been the king of melancholy ever since he set out on his slow journey through the dark side. Befriending the black dog means being aware of the finite nature of life at every moment. It’s also about relishing slowness. As he enjoys mature old age, Cohen now inhabits, with almost joyful resignation, the blue mood he has made his own – to the irritation of those who have dismissed him as a purveyor of self-indulgent bedsit blues.He was always old before his age: there is, in many ways, nothing new about Cohen’s Old Ideas, a collection of profoundly moving songs of love and Read more ...
Kieron Tyler
Gil Scott-Heron: The Revolution Begins – The Flying Dutchman MastersKieron TylerThis fine box set has a cuckoo in its nest which has to be dealt with instantly. Like Eric Clapton’s 1976 declaration of support for Enoch Powell, Scott-Heron’s “The Subject Was Faggots” is a blot that’s hard to erase from a career otherwise marked by inclusivity. “Giggling and grinning and prancing and shit… faggots who were balling because they couldn't get their balls inside the faggot hall,” is how it goes, with Scott-Heron plumping for “he, she or it” as his favoured signifier. Yeah, times were different, the Read more ...
joe.muggs
Thanks first to a David Holmes cover version then to some recent reissues of his records, I knew the approximate story of Detroit singer-songwriter Sixto Rodriguez. Roughly speaking: intelligent but borderline down-and-out Detroit musician is discovered, makes two amazing albums in the early 1970s, fails to sell anything, and turns his back on the industry to find steady work and raise a family.Meanwhile his records become the centre of a cult among white liberals in South Africa and symbol of the struggle against Apartheid. South Africans assume he's dead, and thanks to some industry Read more ...
graeme.thomson
One would hope that a man whose CV includes “teacher of wilderness survival” and burlesque dancer might be well equipped to bring a better than average sense of depth and drama to a set of folk songs handed down through generations via the oral tradition. Even so, Sam Lee's achievements on Ground of Its Own surpassed all expectations.I first heard of Lee last year courtesy of a piece on theartsdesk which followed his attempt to fuse English folk music with the indigenous sounds of Sudan. His tendency to look for interesting cultural connections is equally evident on his Mercury Prize- Read more ...
Kieron Tyler
The real test of whether an album stands apart from everything else is not whether it’s well crafted, moves a genre forward, is thrillingly original or is searingly confessional. The list could go on. The measure is whether it invites revisiting. Repeatedly. There’ve been many magnificent releases this year, but The Echo Show by Paris duo Yeti Lane is the one which has to be heard more than any other - again, again and again. This seductive swoon of an album has a rare beauty transcending the styles it’s rooted in.The Echo Show, Yeti Lane’s second album and first as a duo, nods towards Read more ...