CDs/DVDs
Thomas H. Green
Cold War Kids remain all mixed up. The Californian band appeared in 2006 bearing tasty blues-rock indie that leapt about in the same places Jack White hangs out. There was lots of media blather about their being a Christian band since most of them had met at the private Christian college, Biola University. Then it turned out they had much more complex and conflicted theological perspectives than were easy to sum up in music mag pull-quotes.Their first two albums were lively, punchy efforts in the blues-indie vein but on their last one, Mine is Yours, they appeared to be strugging to find Read more ...
Nick Hasted
Thomas Vinterberg made his name with Festen’s queasy social discomfort, but has struggled to match his Danish compatriot and Dogme 95 co-founder Lars von Trier’s iconoclastic career. The Hunt’s stomach-knotting intensity as an innocent man is accused of paedophilia restores him to the front rank.Mads Mikkelsen is Lucas, a small-town nursery worker coming back to life after a bruising divorce, and loved by the kids in his charge. Klara (Anikka Wedderkopp, pictured right), the daughter of his childhood friend Theo (Thomas Bo Larsen), is an imaginative, sad-eyed child. Hurt by Lucas’s chiding of Read more ...
Russ Coffey
Mark Hamilton, with his bushy beard and plaid shirts, looks like he might be the singer with indie hipsters Grizzly Bear. In fact he is Woodpigeon - an act with a similar sound, but whom some consider a little more twee. But, in truth, although Hamilton and friends can sound quite light, there are very few albums anywhere that can match the pastoral beauty of Woodpigeon’s first three releases. On Thumbtacks and Glue, however, the introspective Canadian seems to have decided that prettiness is not enough.Much of the album was written deep in the plains of Saskatchewan, where Hamilton travelled Read more ...
Adam Sweeting
Stephen Stills: Carry OnSprawling across these four discs is the curious saga of the megastar who fell to earth. From early 1967, when Stephen Stills's song "For What It's Worth" became a Top 10 hit for LA folk-rockers Buffalo Springfield, to 1973's Down the Road, the second and final album with his band Manassas, Stills was leading the charge at the white-hot edge of the rock revolution. But after that his stock plummeted, his albums falling lower and lower in the charts as his imperious aura dwindled bewilderingly. He last appeared on Billboard's Top 200 when his 1984 disc Right Read more ...
bruce.dessau
Sympathy vote time is over. After Edwyn Collins suffered two cerebral haemorrhages in 2005 his comeback album, 2007’s Losing Sleep, was greeted with ecstatic reviews. It was a certainly pretty good, but maybe critics, being the old softies we are at heart, were slightly swayed by our unbridled joy at the fact that the former Orange Juice frontman was simply back in the game. So the new album, Understated, is the real test of whether Collins can still cut the musical mustard.The verdict was hardly ever in doubt. From the opening Northern Soul stomp of "Dilemma" to the unashamedly sentimental Read more ...
mark.kidel
Unlike the Rai masters Khaled and Mami, who grew up in Algeria and are slightly uncomfortable with the audience-winning slide into rock, Rachid Taha is a beur, a North African born in France, raised on punk but with a thorough knowledge of his heritage: for him, music has always combined partying with political protest, fuelled by the righteous frustration of the second generation immigrant.On stage, Taha is an erratic performer: some of his gigs are magical invocations in which supercharged rock energy meets the complex rhythms of the Maghreb, and the singer darts around the stage displaying Read more ...
Jasper Rees
When Tess was released in 1979 much was made of the fact that Hardy’s western England had become Polanski’s northern France. Also, that he had cast a German actress in the title role with a wobbly Wessex burr. All these years on, Nastassja Kinksi’s performance looks as ravishing as ever, and doesn’t sound too bad either. An extra layer of otherness is added to her portrayal of a beautiful young country girl passively buffeted by fate – and seduced, possibly raped by a powerful male - with the recent revelation that her father Klaus Kinski abused her half-sister and tried it on with her too. Read more ...
Thomas H. Green
To the left of the electronic pop that dominates radio and the charts sits music which is that bit artier, emanating more class, imagination and sonic inventiveness. Think SBTRKT, Jessie Ware, Frank Ocean or Aluna George. Far, far to the left of that, then, out in a smeared alt-reality where Aphex Twin’s “Windowlicker” is the template for all, sits Lapalux.Twenty-five year-old Stuart Howard from Essex first popped onto most radars last year through a pair of 12-inches with incongruous cover art, images of posh Keira Knightly-esque models sprawling, pouting, smoking cigars. It looked like the Read more ...
joe.muggs
The portents were good. The single “Heaven” emerged with all the melodrama and crypto-religiosity hardcore Depeche Mode fans have loved – Dave Gahan hitting some notes that suggested he's spotted certain tics that Muse's Matt Bellamy has nicked from him and gone “ahaa no, THIS is how it's done.” It's a dirge in the best sense, a gorgeously crushing piece with – thankfully – digitally degraded sounds and robotic drum-rolls putting the guitars and pianos in their place: this is Depeche Mode at peace both with their stadium Goth stature and their history as electronic innovators. The follow-up “ Read more ...
Graham Fuller
Future writer-directors who cast their mothers in their first features should be as blessed as Barnaby Southcombe, who was able to cast his mum, Charlotte Rampling, in the title role of I, Anna. An actress on a formidable run, whose sphinx-like reticence usually shields her characters psychological complexities, she is typically riveting here.Southcombe adapted the script from the 1990 debut novel of psychoanalyst Elsa Lewin, transposing the story from New York to London. A soignée department store bed saleswoman, Anna exudes quiet confidence, but her desperate loneliness has led Read more ...
Lisa-Marie Ferla
There must be something quite frustrating about being a Stroke in 2013, assuming you just want to get on with the business of making music without constantly being reminded that you are part of a band once labeled the biggest in the world by the music press. It’s no wonder they aren’t giving interviews around the release of their fifth album, even if they’ve now pretty much outlived every magazine that once put them on the cover. The thing is, the Strokes have eschewed the simplicity of their debut on every release since, which is why the new wave-y synths and 80s influences on their latest Read more ...
Thomas H. Green
You will have to excuse my solipsism but I can find no way into this review without my own preoccupations butting rudely in. Music journalists sometimes end up reviewing albums utterly disconnected to their own interests, background and musical tastes. Some overcome this with ease, finding their inner dispassionate judge, while others find a meaty angle that adheres closely to their own perspectives, then pile in. I am closer in tone to the latter. However, it would be unfair and boring to play that game with Suede.I don’t like them and never have, yet they were ahead of the pack, a vanguard Read more ...