CDs/DVDs
Thomas H. Green
It’s too obvious just to take the Canadian charm-monkey down in a bile-fest, so where to begin? He looks a bit peaky on the album cover and peakier still on the first page of the CD insert booklet (not that anyone under 40 listens to CDs). He’s lost weight. He used to be chubbier with a hint of that blank-eyed M.O.R.-damaged look which Daniel O’Donnell perfected and which grannies adore. Bublé was never just a geriatric sex daydream, though. His easy, TV chat-show demeanour is beloved of a much wider range of women, young and old. There, rather than his music, lies the secret of his success. Read more ...
bruce.dessau
When I suggested reviewing Ian McCulloch's new album, our glorious editor was under the impression that it was just a live collection of ancient tracks. It is actually a double album – mainly old Bunnymen beauties on the self-explanatory Orchestral Reworkings from the Union Chapel plus a newish studio album,Pro Patria Mori, which had a low-key release in 2012 funded by fans. An understandable misunderstanding, as even the press release foregrounds the live album. Whatever Ian McCulloch's future holds, it is probably his illustrious early Eighties past that will be of most interest to his Read more ...
graham.rickson
The author B S Johnson would have been 80 this year. An accessible "experimental" writer, cheekily described by the author Jonathan Coe as “Britain’s one-man literary avant-garde of the 1960s”, he’s best remembered for The Unfortunates, a book in which the chapters can be shuffled and read in random order. Johnson also took film making very seriously and a peek into his British Library archive shows the level of care and detail with which his film projects were planned – every camera angle and frame painstakingly prepared.Which is surprising when one watches the most entertaining item here: Read more ...
joe.muggs
Some 20 years ago, a series of albums called Artificial Intelligence on WARP Records aimed to promote techno as home-listening music. They made up a frequently sublime collection, but unfortunately the word “intelligence” in their title was picked up by a movement through the 1990s that became known, horrendously, as “intelligent dance music” (IDM) and tended to the belief that intricacy and awkwardness made music somehow superior to that made with more sensuous or hedonistic aims in mind.Thankfully, in the wake of dubstep in the 2000s, the experimental and the danceable began to overlap Read more ...
Kieron Tyler
"Stately" is the best adjective for Françoise Hardy’s similarly measured follow-up to 2010’s La pluie sans parapluie. Fifty-three years on from her first release, there is no need for Hardy to break new ground or hare off on a tangent, but her regular release schedule suggests a contentment with sticking to what she knows best. That stretches to the creation of the album itself, where the lyrics are mostly hers but all the music is composed by others. As a pioneering singer-songwriter, it is sad this aspect of her creative self has been surrendered. Writing books seems her focus now.Despite Read more ...
Kieron Tyler
Sandie Shaw: Sandie/Me/Love Me Please Love MeThe former Sandra Goodrich probably would have emerged in the Sixties as an embodiment of the era. She could have been a model, actress or a TV presenter. But it was music that found her, and it suited her a treat. The reissue of her first three albums – each supplemented by the relevant singles and B-sides – is a powerful reminder of her potency. When The Smiths brought her on board for “Hand in Glove”, it further stressed her pivotal role in British culture.Her naturalness obscured the fact that she was a great singer. Ease of delivery did Read more ...
Thomas H. Green
When Major Lazer first appeared half a decade ago they were two on-the-rise DJ-producers, Diplo and Switch, touting a novel mash-up of electro and Jamaican rhythms. Like Damon Albarn’s Gorillaz before them, they hid behind a jokey conceptual conceit – the character of Major Lazer, a zombie-killing cartoon hero. Since then the duo has split and Diplo has taken the reins alongside new accomplices Jillionaire and Walshy Fire, both from West Indian-US sound systems. Aspects of their sound have been influential to the American electronic pop crossover, notably with “Pon De Floor” becoming the Read more ...
Kieron Tyler
While it’s impossible to know the effect of Captured on the few who originally saw it, you can be damn sure it packed a punch. It still does. This unforgettable film was made in 1959 for the Army Kinema Corporation to train personnel in resisting interrogation. Classified as “restricted”, it was seen only by a relevant and limited forces audience. Instead of making a dry, instructional film, director John Krish fashioned a drama with clearly defined characters and a slow-burn intensity which climaxes disturbingly.Its first-time release on DVD comes in the wake of Kathryn Bigelow’s Zero Dark Read more ...
joe.muggs
On hearing the opening track of this album, a friend said “I didn't expect to be listening to new albums of the YYYs 10 years on!” And this is kind of understandable: of all the new rock bands of the early 2000s – The Strokes, The Vines, The Hives, The White Stripes – they had the most air of hipsterism, their kooky demeanour and New York clubbability making it understandable that some could think they were a trend-driven flash-in-the-pan sensation.In fact it was their NYC compatriots The Strokes who all but collapsed under the weight of their own archness, while in contrast what drove the Read more ...
Thomas H. Green
Some bands pootle along in the background for album after album without anyone but their devoted fans appreciating their wares. Such outfits spend years in the shadows of majority culture, but very slowly, through friend sharing with friend, they can occasionally, eventually gather enough momentum to drift into popular consciousness. From Modest Mouse to Biffy Clyro to Flaming Lips, these artists are enjoyably unlikely rock stars for our Facebook eye-food age. Mice Parade have not yet reached such a tipping point (and possibly never will) but if their profile is ever to rise, Read more ...
Lisa-Marie Ferla
Paramore’s fourth album picks and chooses from so many genres that, first time around, I thought that I had accidentally begun to play it on shuffle. Its opening two tracks make an incongruous pairing: the seemingly light-hearted “Fast in My Car”, with its “we just want to have fun” refrain, and the gothy first single “Now”, which piles on the war metaphors.It’s on the second listen that I figure it out, which seems fitting because this self-titled release marks the full-length debut of Paramore the trio, following the departure of Josh and Zac Farro at the end of 2010. The album’s opening Read more ...
Kieron Tyler
Shuggie Otis: Inspiration Information/Wings of LoveShuggie Otis's vanishing act after the release of his 1974 album Inspiration Information belatedly created one of pop’s great what-ifs. However, it only became so in the Nineties after the album was recognised as a soul treasure. David Byrne reissuing the album on his Luaka Bop label in 2001 didn’t plug the information gap, and Otis remained in the shadows. Now though, with this new reissue, the enigmatic soul auteur has resurfaced to supplement the album with a series of unreleased tracks dating from 1971 to 2000. Whatever else he was doing Read more ...