CDs/DVDs
Kieron Tyler
Michael Hurley: Armchair Boogie / Hi Fi Snock UptownWith songs about werewolves, penguins, the English upper classes, trains, the police and more werewolves, these albums from surrealist folk maverick Michael Hurley are charming and occasionally disconcerting. His ramshackle delivery seems a little offhand but it brings an intimacy that can’t fail to worm its way in. Armchair Boogie (credited to Michael Hurley & Pals) was originally issued in 1971; Hi Fi Snock Uptown in 1972. Both originally came out Raccoon, the label run The Youngbloods.Armchair Boogie was the belated follow-up to Read more ...
Tim Cumming
Nashville’s singer, songwriter, luthier and hard liver Guy Clark delivered one of the best country albums of the Noughties, 2009’s Somedays the Song Writes You. Sporting the likes of "Hemingway’s Whiskey", "The Guitar" and "Maybe I Can Paint Over That", it ranked with the best he’s done. Four years later, the world must be a darker place for Clark following the death of his wife Suzanne. Nor is he well enough to tour. We’ll not get the chance to see him in the UK again. And that, considering the strength of these new songs, is enough to make you weep.The album is cowritten with a variety of Read more ...
Thomas H. Green
It’s bemusing that Gogol Bordello are not a mainstream success story. Shouldn’t they be a new Green Day or a 21st century Pogues? When Rick Rubin signed them to his American Recordings for their last album, 2010’s Trans-Continental Hustle, which he also produced, they were surely going to supernova? No such luck. Despite the album being a riotously accessible corker, the New York gypsy punks’ usual moniker in passing media mention is still “global festival favourites”.Their sixth album was recorded in El Paso, Texas, and, like their last one, continues to throw Hispanic flourishes into their Read more ...
Kieron Tyler
The default word for these films, made by the band Saint Etienne with their collaborator and former guitarist Paul Kelly, is "poignant". As elegiac visual poems which capture the always-evolving environment of London, they certainly are expressive. They are also often described as nostalgic, as they cast a lens across businesses and buildings, proprietors and townscapes that are now gone. The mood they evoke is one of longueur: a figurative sigh. Fine as far as it goes, but that’s passive wallowing. What they generate from my viewpoint in north London is a tremendous anger, one born from a Read more ...
Lisa-Marie Ferla
At the risk of coming over a bit Daily Mail, my, hasn’t she grown up? I refer not to the career management decisions that have seen the former Disney Channel star turned head Belieber handed dubious photoshoots and sexed-up roles in Harmony Korine films, but rather to the fact that on Stars Dance the just-shy-of-21-year-old sounds about 35.It’s a well-established pattern, so it’s hard not to be cynical: child star reborn with raunchy new image; a first video (featured below) replete with writhing, heavy breathing and lyrics with a suitably subjugated message despite the appearance of sexual Read more ...
joe.muggs
Drawing connections between the far margins and the relative mainstream always leaves you in a difficult position, as it invites judgement from different groups with very different criteria. And the duo of Andrew Hung and Benjamin John Power put themselves in that position more than most.For all the outré edginess of their name, their occult imagery, their presentation of their music as 10-minute noise-drone epics and their claims to be “aggressive, malevolent, apocalyptic,” it was not as great a surprise as it might seem that they were selected by Danny Boyle and Underworld to soundtrack Read more ...
David Nice
How do you solve a problem like The Birth of a Nation? Do you admire the first part and turn away from the second (after all, the Germans screened The Sound of Music for years in a Nazi-free version ending with the marriage of Maria and Captain von Trapp)? Can you balance social, historical and aesthetic responses?My own were to admire every technique D W Griffith throws at the story-telling of the American Civil War as a fine, at times Tolstoyan interweaving of truth with the fiction of two families from north and south, only to throw in the towel at the flabbergasting rewritten history of Read more ...
mark.kidel
The Roma have always existed on the margins: by choice, as they are nomads, but also through prejudice, as they and their outsider status evokes the threat of the unfamiliar. The brilliant gypsy clarinet players of Istanbul, cousins of the virtuosi of klezmer and Balkan wedding music, have entertained at parties for centuries. The best known, Selim Sesler, Barbaros Erköse and Mustafa Kandarili, may be admirable musicians, but, anxious to please the bourgeoisie, they have tailored their native fury to the needs of the Turkish nightclub.The Turkish clarinet player Cüneyt Sepetçi is something Read more ...
Kieron Tyler
Various Artists: Sophisticated Boom Boom!! – The Shadow Morton StoryWithout Shadow Morton, Amy Winehouse could not have made Back to Black. The songs the enigmatic sonic wizard wrote and produced for The Shangri-Las in the mid Sixties were integral to what made Back to Black tick. Amazingly, Sophisticated Boom Boom!! – The Shadow Morton Story is the first career-spanning collection of Morton’s work. For that alone, it would be, at the least, exciting. But with its massive, well-illustrated booklet, the involvement of and interviews with Morton – who died in February this year, before he Read more ...
joe.muggs
Somewhere round about 10 years ago the concept of “folktronica” settled down to become a relatively stable area of music. Fringe its appeal may have generally been, but it incubated some major talents who are still making great music, and for better or worse primed general music fans' ears for the sounds of folk and thus arguably laid the ground for the monstrous success of Mumford & Sons.This year has seen a subtle resurgence in the sound, with artists affiliated to the first wave of folktronica like Tunng, The Memory Band, Colleen and CocoRosie all making extremely fine albums. But Read more ...
Russ Coffey
It used to be said that singer-songwriting was one style of music that would never go out of fashion. In the past few years, however, a glut of insipid twanging – Ben Howard and James Morrison, hold up your hands – has been sending many dedicated music fans elsewhere. The common complaint is that a genre that once brought so much real soul-baring is now reduced to drippy navel-gazing. And this backlash is a real shame for Jon Byrne. He may sound, on occasion, a bit like Paolo Nutini but he’s considerably more interesting.But what makes Byrne intriguing is not necessarily what his record Read more ...
Karen Krizanovich
“I hate these kids. Hate ‘em,” says Tanner (Jeffrey Dean Morgan), a handsome, mature commando who wants to help a bunch of high school football players save America from, yes, a North Korean invasion in the 2012 remake of John Milius’ and Kevin Reynolds’ 1984 right-wing fightfest Red Dawn. Competently directed by second unit/experienced stunt coordinator Dan Bradley, Red Dawn was shot then shelved before being recut by the studio marketers. This means Red Dawn never had a chance to shine. Hence, it has little to recommend it in any department – not music, direction, makeup, production design Read more ...