CDs/DVDs
Tim Cumming
I write as a listener and concerned citizen. It's 2013, the legends of dad rock are facing the death squad: no liquids, no solids, no chance, baby. There's something dead in the water and a new breed is feeding on the remains. Welcome to Deathcore, Screamo, Metalcore, whatever.Asking Alexandria come from Yorkshire. They're on their third album, on the Sumerian label (got to love the name), and the lynchpins are guitarist Ben Bruce and singer Danny Worsnop. They rock like men on three legs – crunching, stop-start, arhythmic, stuttering guitar riffs that sound as if they sprouted out of the Read more ...
Kieron Tyler
Eddie Noack: Psycho – The K-Ark and Allstar Recordings 1962–69Eddie Noack’s 1968 single “Psycho” was virtually unknown until Elvis Costello released his cover version in 1981. By that time, Noack had been dead for three years. After its resurrection “Psycho” was recognised as one of the strangest songs ever. Although musically it is straight, George Jones-styled country, in its lyrics an unrepentant killer describes his actions to his mother – whom he had just killed. There was no redemption, no punishment, no pay off. Just the cold refrain “You think I’m psycho, don’t you mama?”“Psycho”, Read more ...
Thomas H. Green
It’s one thing to sound like an oldster recording back in the Twenties, Thirties and Forties, it’s quite another to look the part. In the half-century rise of gym body hegemony and homogenous Barbie’n’Ken facial aspirations, normalcy of human appearance has slowly become regarded as offbeat. All those years ago, from Hollywood stars - Humphrey Bogart to Leslie Howard - and musicians - Hank Williams to Bing Crosby - they just looked like themselves, a certain gauntness, faces and bods that were characterful but far from sculpted. Pokey LaFarge could have sprung from the same era, hair slicked Read more ...
Tom Birchenough
There’s black-and-white style aplenty in Štefan Uher’s The Sun in a Net, an elliptical look at a youthful boy-girl relationship that intermingles with a whole range of themes left open for the viewer’s interpretation. Heralding the better-known Czech New Wave and rather ignored in the aftermath of that movement, it earned opposition from the authorities in its time, but impresses today for its filmic rather than social edginess.It’s a story of young lovers and their families: Fayolo (Marián Bielik) and Bela (Jana Beláková) meet on the roof of their Bratislava apartment block, both to Read more ...
Karen Krizanovich
Snow White in silent Seville is glib shorthand for director Polbo Berger’s tasteful Blancanieves, a beautiful, quirky take on the recognisable fable. Nicely shot and well cast, this silent melodrama, shot in black and white, is not sweetness and light. It’s more gleaming Spanish gothic that will charm and shock, dismay and delight in equal measure.Daniel Giménez Cacho – the narrator for Alfonso Cuaron’s breakout Y Tu Mama Tambien - is wealthy, handsome bullfighter Antonio Villlalta. He’s the father of Snow White, whose story begins after a careless Kodak moment leaves the bullfighter Read more ...
Thomas H. Green
This is a buoyant, likeable album but – to be dismal and pessimistic – maybe the moment has passed for The Polyphonic Spree. This would be a shame as they’re more interesting than 90 per cent of the wannabe guitar pop stars out there. However, a dozen years and four albums (five, if you include the Christmas one) into their career they appear no closer to catching on. Yes, It’s True is not a great deal different in quality or style from any of their previous albums. The band are experts in light psych-pop that beams out a benign smile and melodic warmth. This is no slight on their music, just Read more ...
Jasper Rees
Since the announcement that he is suffering from Alzheimer’s, the music industry has splashily paid tribute to Glen Campbell: a big celebration at the Country Music Awards, a lifetime achievement Grammy. Campbell himself went out on the road to make a more personal farewell. This album is clearly his last word. The title – See You There – invokes the religious faith that has worked its way into Campbell’s songwriting since he turned away for the unholy country trinity of drink and drugs and divorce.When Campbell was recording Ghosts on the Canvas in 2011, he also re-recorded the vocals for Read more ...
peter.quinn
Think of the ingredients you look for in a great jazz record – inspired, exploratory improv, the complete reinvention of standards, ear-catching arrangements, sonorities you've never heard before – and this new big band recording from Mike Gibbs delivers them all. By the bucketload.In a career that's spanned four decades, the 76-year-old composer, arranger and trombonist has worked and recorded with many of the music world's leading lights including Pat Metheny, Bill Frisell, Joni Mitchell, Peter Gabriel, Kenny Wheeler and Django Bates. This latest addition to the Gibbs discography Read more ...
Kieron Tyler
Nilsson: The RCA Albums CollectionThe irony with Harry Nilsson is that despite being one of pop’s most distinctive and lauded songwriters, his two best-known singles were cover versions. In 1969 he hit the American and British charts with “Everybody’s Talkin’”, written by the ill-stared Fred Neil. Nilsson’s rendering was helped on its path by being featured in the film Midnight Cowboy. Then, in 1972, his interpretation of “Without You” topped the charts on both sides of the Atlantic. It was penned by Tom Evans and Pete Ham of the Beatles-propagated band Badfinger, both of whom would Read more ...
Kieron Tyler
The prettiest-sounding album so far this year, the glistening Moon Tides evokes the ghostly atmosphere of The Cocteau Twins and the intimacy of Eighties melancholia fashioned by Liverpool’s Black. But it’s more than a revivalist album, since it’s firmly rooted on Earth and its melodies are fresh. Pure Bathing Culture are neither spaceheads nor nostalgists.Pure Bathing Culture are the Portland-based Daniel Hindman and Sarah Vesprille, a duo who have previously surfaced in Vetiver. The only sonic link between that incarnation and Moon Tides is the muzzy, Tango in the Night-era Fleetwood Mac Read more ...
Russ Coffey
No-one does slick, commercial folk music quite like the Americans. And there are few better examples than Barton Hollow, the Grammy-winning debut from Nashville's The Civil Wars: a record that most felt was pretty and smooth, if occasionally bland. This year’s release, however, was expected to be cooked from a slighty different recipe. It has been widely reported that Joy Williams and John Paul White can no longer stand the sight of each other. Many hoped that such conflict might have resulted in some chilli being added to the mix.However, that’s not quite how it turned out. At least not for Read more ...
Graham Fuller
In her recent book The Love-charm of Bombs, Lara Feigel explains how World War Two, and the Blitz in particular, elicited from Elizabeth Bowen, Henry Green, Grahame Greene, Rose Macaulay, and Austrian émigré Hilde Spiel their fiercest passions and their finest novels. The war had the same effect on the visionary British documentarist Humphrey Jennings, who in the five years left to him after Germany’s defeat never reached the heights he’d scaled with Listen to Britain (1942), Fires Were Started (1943), and The Silent Village (1943).The concluding volume of the BFI’s exemplary trio of DVDs/Blu Read more ...