CDs/DVDs
Thomas H. Green
Britney has become an icon. Partly this is down to her shiny, unreadable Hollywood exterior, partly down to her classic child star downfall, partly her relentless campness, partly the way she’s become unstoppable, but most of all because her career has been speckled with some fantastic songs – “Toxic”, “Piece of Me”, “Sometimes”, “Oops, I Did It Again”, “If You Seek Amy”. Again and again she has defied her critics’ desire to dismiss her. These are songs that long outlive their crass promotional campaigns and objectifyjng videos. The question is, then, whether, Britney Jean is packed with such Read more ...
Katherine McLaughlin
A fascinating and heart-breaking relationship is charted through cross-cutting flashbacks (a technique recently used in Derek Cianfrance’s Blue Valentine, which this film has a lot in common with), which hint at future happiness and sorrow. In this Flemish film from Felix Van Groeningen, tattooist Elise falls madly in love with cowboy and bluegrass musician Didier who’s more than a little obsessed with America. We then witness their highs and lows as their young daughter, Maybelle, is treated for a life-threatening disease.At odds with each other from the beginning, Elise seeks spiritual Read more ...
Russ Coffey
Oozing like “liquefied sucrose,” whilst offering “a Ritalin-buzzed rictus of happiness” was how theartsdesk described One Direction’s 2012 offering, Take Me Home. That, however, was a year ago, and a year is a long a time in the life of a heavily coiffured twenty-ish year-old pop idol. So, how then, have the intervening months treated the Anglo-Irish quintet? Are procedings now a little more adult or is it simply business as usual for Simon Cowell’s protégés?Surprisingly, things actually have moved forward a fair bit. The tunes may still go a little heavy on the sugar, but it’s no Read more ...
joe.muggs
New Yorker band Gang Gang Dance have been one of the odder acts of the past decade. Presented as a kind of hippie multimedia collective, they were among the earliest non-UK adopters of the sonics of grime and dubstep, which they wove in alongside global music influences, jam band psychedelia and more into an extremely rich and sometimes slightly confusing stew.They have been signed to some of the biggest left field labels (WARP, 4AD), worked with filmmaker Harmony Korine, been “innocently” plagiarised by the ghastly Florence & The Machine, had many moments of brilliance, but seemingly Read more ...
Tom Birchenough
Access and trust are the key issues facing any documentary director, especially when the film concerned touches on questions that arouse controversy in society. It’s a long time since I've seen a work that achieved so much on those two fronts as Pussy Riot – A Punk Prayer. The HBO-Storyville documentary by double directors-producers Mike Lerner and Maxim Pozdorovkin tells the brave story of the Russian conceptual art, feminist punk collective. Two of the group's members are still imprisoned in Russian penal colonies for their participation in the "punk prayer" they staged at Moscow’s Read more ...
Kieron Tyler
The songs of Jacques Brel and Juliette Gréco are old friends. She has revisited them many times since she began performing with Brel’s former accompanist, the pianist Gérard Jouannest, in 1968. Brel and Jouannest had worked together since 1958. Gréco married Jouannest in 1989. Gréco Chante Brel features him on nine of its 12 tracks. As well as being integral to what it is to be Gallic, the album can be considered a family affair.A new album of new interpretations is no surprise, but what is surprising is that it’s so compelling. Gréco is 86 and her voice is not what it was. But she has not Read more ...
Thomas H. Green
Like his sometime nemesis Robbie Williams it’s all too easy to dismiss Gary Barlow as lame mainstream tosh. In fact, that’s not such a bad idea. Let’s do that. Job done.Those who wish for more might like to check the next pageAlternatively…Like his sometime nemesis Robbie Williams it’s all too easy to dismiss Gary Barlow as lame mainstream tosh. This is especially the case if you were male and young in the Nineties for then you’ll have borne the Take That-mania of hormone-addled female peers (as well as the crappy disco-pop that accompanied it). Nowadays Barlow’s media presence is ubiquitous Read more ...
Russ Coffey
Rebecca Ferguson’s first album, Heaven, blew in like a summer breeze in the freezing winter of 2011. What made the Liverpudlian’s debut stand out was not so much the quality of her voice – although it was undeniably big and infectious – but rather that, as an X Factor alumnus, she actually seemed to have something worthwhile to say. As such, it gives me no pleasure to say that the follow up, Freedom, sounds insipid; more Magic FM than, well, magic. Previously, Ferguson had succeeded in conveying personal struggles through bright, muscular soul melodies. This time around, Read more ...
Graham Fuller
That Thorold Dickinson (1903-84) directed only nine features can be attributed to the British film industry's mistrust of the intellectual left-wing cineaste and union activist – and his own distaste for making pablum. That he didn't make 30 pictures, including his planned The Mayor of Casterbridge, was a major loss. He was not only a master manipulator of light, space, movement, sound, and actors, but a shrewd judge of psychological and sociological dynamics.Gaslight (1940), adapted from Patrick Hamilton's 1938 play, is as European in flavor as Dickinson's sublime Pushkin adaptation The Read more ...
joe.muggs
The past year or two have seen a staggering return to popularity of house and techno music in the UK. For the first time since the mid-1990s, records which have grown steadily through club play over many months are breaking through into the charts on a regular basis – but just as exciting and significant are those records that remain resolutely underground. Because it's there that you start to see the real reason for the longevity of these sounds – both well over a quarter of a century old.Take Livity Sound, for example, a trio of young Bristol-based producers – Pev, Kowton and Asusu – with Read more ...
Lisa-Marie Ferla
There’s something in the vocal delivery that calls for comparison to countrywoman Leslie Feist - a subtlety, an unreal-ness - but on her third, self-titled album Canadian songwriter Hannah Georgas has honed a sound of her own. What could easily have been your run-of-the-mill, heart-on-sleeve singer-songwriter material spent a little time in the studio with Graham Walsh of Toronto-based electronica act Holy Fuck and came out with its soul intact, but with just enough bite to make these songs stand out.I confess to writing Georgas off a little last year, while she was opening for, and Read more ...
Nick Hasted
Clochemerle is the very odd one out in Ray Galton and Alan Simpson’s scriptwriting career. It was their only adaptation, from Gabriel Chevallier’s 1934 comic novel set in the titular Beaujolais small town a decade before, and their only step away from the post-war, pre-Thatcher England they mined such socially rich, dark comedy from in Hancock’s Half Hour and Steptoe and Son. The latter had two more years to run when this relatively lavish BBC-West German co-production was filmed, on location with a fine cast in Beaujolais in 1972. The tale of the catastrophic consequences when an ambitious Read more ...