CDs/DVDs
Adam Sweeting
Jackson Browne's output has slowed since the mid-Nineties, and this arrives six years after Time the Conqueror. The latter was much preoccupied with the Bush administration and the Iraq war, and Standing in the Breach – with a sleeve depicting a war-ravaged African village – is still stamped with Browne's social and political concerns. "Take the money out of politics and maybe we might see /This country turn back into something more like democracy," he rages in "Which Side", an extended tirade about greed and political corruption he first played at the Occupy Wall Street protests in 2012. As Read more ...
Kieron Tyler
Oasis: (What’s the Story) Morning Glory?Adding anything to a story so familiar, so raked over and one played out in public is tricky. Most probably, there are few revelations left about the Oasis of 1995, the year they released their second album (What’s the Story) Morning Glory? In its slipstream they racked up a set of mostly unbroken records: it sold 347,000 in the week of release; 2.6m applications were made for tickets to their Knebworth shows.A large proportion of the latter figure must have bought the album, begging the question of whether it’s worth buying again 19 Read more ...
Lisa-Marie Ferla
How does an artist follow a debut album as well-received as Jessie Ware’s Mercury-nominated Devotion? With something just as insistent, just as beautiful and just as likely to stick in the brain. There’s something incredibly unassuming about the London-born diva, who despite having the sort of voice that would lend itself perfectly to big, belting R&B ballads, is content to play it subtle and let the music speak for itself.Tough Love is, according to Ware, one last record about unrequited love before she becomes a happily married woman; and there’s a sepia-tinged late-night sadness to the Read more ...
Kieron Tyler
“Are you going to be to Canada what Ingmar Bergman is to Sweden?” “Oh, I think so.” David Cronenberg’s response to a TV interviewer at the time of Shivers’ release must have seemed like unwarranted boastfulness in 1975, but he did indeed become one of cinema’s most significant filmmakers and remains such. After his first full-length feature had hit screens, Cronenberg’s chutzpah was enviable.Originally conceived as the schlokily-titled Orgy of the Blood Parasites to attract as much attention as possible, Shivers became a box-office (but not instant critical) success. It was followed by Rabid Read more ...
joe.muggs
There's a narrative that I recall from one particular "Ball Boy" strip in the Beano comic many years ago, but I'm pretty sure was recurring in similar cartoon strips too, of a bookworm or boffin character impinging on the tough kids' game, but then proving his worth by using his book learning to calculate, say, the perfect goal-scoring kick in a football match. Maybe it was far-fetched, but it spoke to a deep hope – not just as a simple “revenge of the nerds” narrative, but a hint that maybe the complexities of life and of human games and teams could actually be worked out.And maybe there's Read more ...
Thomas H. Green
All lovers of music have styles they're drawn to and others they loathe. For me the continuing rise of the whiney, vulnerable, male singer-songwriter, his falsetto-flecked voice emoting non-specific but all-encompassing woes, is anathema. Poor old Jeff Buckley, dead these last 17 years, has so much to answer for. The gigantic and continuing public appetite for solipsistic carefully highlighted sensitivity, from Damien Rice to Ben Howard - and way too many more - is apparently and unfortunately endless.The arrival, then, of flop-haired, falsetto-flecked 24-year-old singer-songwriter Andrew Read more ...
Tom Birchenough
In his director’s interview for Goltzius and the Pelican Company Peter Greenaway describes the public profiles that his films have achieved over the years, dividing them into an effective A and B list. He counts his 1982 The Draughtsman's Contract as his most approachable work, while acknowledging that its follow-up A Zed & Two Noughts was greeted by a really savage critical and popular reaction (though the director himself thinks it’s his best film).With Goltzius Greenaway is back on form, coming at least close to the four-star mark, and the film achieved acclaim on its release around Read more ...
Matthew Wright
Thom Yorke’s second solo LP arrived unexpectedly this week via BitTorrent as a paid-for fileshare, a medium Yorke and producer Nigel Godrich hope to promote to empower artists to sell direct, without the need for a corporate hosting system. In a striking dissonance of form and content, the upbeat, seize-your-destiny message of the BitTorrent medium has conveyed to us a set of tracks that, never less than intriguing, are nearly all on the downbeat mood spectrum, from pensive to virtually apocalyptic.As expected from a Yorke solo project, this is an electronic collection: Radiohead guitar Read more ...
Russ Coffey
Over the years Weezer’s greatest skill has surely been to stimulate the inner schoolboy in us. Who, for instance, could deny hits like “Beverley Hills” paint a charming and cheeky picture of being young and nerdy? The thing is, though, Rivers Cuomo and friends are now in their forties with little sign of growing up. How then should they continue? The press release says that Everything will Be Alright in the End is more “complex and layered”. But unfortunately it sounds like a paler version of business as usual. Only the lead single “Back to the Shack” reasonably Read more ...
Kieron Tyler
Black Widow: SacrificeIt wasn’t John Lennon’s fault, but things weren’t the same after the “bigger than Jesus” scandal of 1966. Pop music had been connected to religion in a way slightly edgier than Cliff Richard or the Salvation Army's The Joystrings' happy celebrations in song. The doors were now open to a darker take on faith.The Rolling Stones waxed about evil in 1968’s “Sympathy for the Devil”. The B-side of the same year’s “Jumpin' Jack Flash" was "Child of the Moon", which referenced Aleister Crowley’s magical novel Moonchild. The Crazy World of Arthur Brown’s “Fire”, with its “ Read more ...
joe.muggs
The last thing I remember of my 40th birthday party this year is propping up a bar with a few similarly middle-aged men, discussing whether Kate Bush's comeback shows were as worth getting excited about as Prince's recent comeback shows. It was most enjoyable, and – I feel – age-appropriate, to boot, but somewhere among the slurred repetitions there was the kernel of something serious about music fandom, especially as you and your favourite artists grow older.Particularly with musicians as totally individualist as Kate Bush and Prince, there is a strange combination of gambling and religious Read more ...
Matthew Wright
Art-student rock sounds like a terribly dated concept, but listening to This Is All Yours for the first time, it suddenly feels very relevant. This is music of the broadest cultural horizons, that takes in global influences, but can’t resist the desire to shock, sometimes just for the sake of it.There are warm, folksy songs like “Warm Foothills”, piano and acoustic guitar and strings dancing around lyrics of touching sensuousness, alongside an eerie, electro-tinged folk hymn, “The Gospel of John Hurt”, about the actor with an alien bursting from his stomach. The touchingly obtuse falsetto Read more ...